| rev 1959 |
Honeybee |
Revision of 1953 film. Produced by Harry O. Hoyt Productions |
|
16mm |
B&W |
Sound |
| ca. 1947 |
Kenji Comes Home |
Protestant Film Commission. |
30 |
16mm |
B&W |
|
| 2018 |
Paternal rites |
Jules Rosskam |
1:24:00 |
16mm |
B&W |
sound |
| 2012 |
Anna Karenina |
Films Inc | Films Inc. (Publisher) | Metro-Goldwyn-Mayer (Publisher) | Metro-Goldwyn-Mayer Corp. (Publisher) |
1:25:00 |
16mm |
B&W |
sound |
| 2011 |
The color wheel. |
Alex Ross Perry |
|
16mm |
B&W |
sound |
| 2009 |
The Lodger |
Festival Twentieth Century-Fox Film Corporation |
65 1:24:00 |
16mm |
B&W |
sound |
| 2006 |
Stranger Than Fiction |
Universal Pictures |
108 min |
|
Color |
|
| 19?? |
Dorothy and the kite |
produced by Krátký Film Praha, Animated Films Bratři v triku ; story, screenplay, directed by Božena Možíšová. |
9 |
16mm |
Color |
sound |
| 19?? |
Dorothy and the necklace |
produced by Krátký Film Praha Studio Bratři v triku ; story, screenplay, and direction, Božena Možíšová. |
8 |
16mm |
Color |
sound |
| 19?? |
Dorothy and the pop singer |
produced by Krátký Film Praha Studio Bratři v triku ; story, screenplay, and direction, Božena Možíšová. |
9 |
16mm |
Color |
sound |
| 19?? |
The mole and the egg |
produced by Krátký Film Praha, Studio Bratři v triku ; story by J. A. Novotný ; screenplay, design and direction, Zdeněk Miler. |
6 |
16mm |
Color |
sound |
| 19?? |
The mole and TV |
produced by Krátký Film Praha, Studio Bratři v triku ; story by J. A. Novotný ; screenplay, designed and directed by Zdeněk Miler. |
7 |
16mm |
Color |
sound |
| 19?? |
The mole in the zoo |
produced by the Short Film Studio Prague ; idea, J. A. Novotný ; screenplay, direction, stage design, Zdeněk Miler. |
10 |
16mm |
Color |
sound |
| 1999 |
A Walk on the Moon |
Tony Goldwyn |
107 min |
|
Color |
|
| 1999 |
Best laid plans |
Mike Barker |
89 min |
|
Color |
|
| 1999 |
Deep blue sea |
Renny Harlin |
105 min |
|
Color |
|
| 1999 |
Deuce Bigalow male gigolo |
Mike Mitchell |
85 min |
|
Color |
|
| 1999 |
Fight club |
David Fincher |
139 min |
|
Color |
|
| 1999 |
Inspector Gadget |
David Kellogg |
78 min |
|
Color |
|
| 1999 |
Lake Placid |
Steve Miner |
79 min |
16mm |
Color |
|
| 1999 |
Runaway bride |
Garry Marshall |
116 min |
|
Color |
|
| 1999 |
Tarzan |
Kevin Lima, Chris Buck |
88 min |
16mm |
Color |
|
| 1999 |
The Hat |
Michèle Cournoyer |
370 min |
|
|
|
| 1999 |
The Hat |
Michèle Cournoyer |
370 min |
|
|
|
| 1999 |
The Hurricane |
Norman Jewison |
146 min |
|
Color |
|
| 1999 |
The Iron giant |
Brad Bird |
86 min |
|
Color |
|
| 1999 |
The Matrix |
Lana Wachowski, Lilly Wachowski |
136 min |
|
Color |
|
| 1999 |
The Other sister |
Garry Marshall |
129 min |
|
Color |
|
| 1999 |
The Sixth Sense |
Walter J Klein Co Ltd |
107 min |
16mm |
Color |
sound |
| 1999 |
The Sixth sense |
M. Night Shyamalan |
107 min |
|
Color |
|
| 1999 |
The Straight story |
David Lynch |
108 min |
|
Color |
|
| 1999 |
The Thirteenth floor |
Josef Rusnak |
100 min |
|
Color |
|
| 1999 |
Three kings |
David O. Russell |
110 min |
|
Color |
|
| 1998 |
A Bug's life |
John Lasseter, Andrew Stanton |
96 min |
|
Color |
|
| 1998 |
Antz |
Eric Darnell, Tim Johnson |
83 min |
|
Color |
|
| 1998 |
Armageddon |
Michael Bay |
150 min |
|
Color |
|
| 1998 |
Dirty Work |
Blackhawk Films |
600 |
|
Color |
|
| 1998 |
Dirty Work |
Bob Saget |
79 min |
16mm |
Color |
|
| 1998 |
Enemy of the State |
Tony Scott |
132 min |
|
Color |
|
| 1998 |
Holy man |
Stephen Herek |
114 min |
|
Color |
|
| 1998 |
I'll be home for Christmas |
Arlene Sanford |
83 min |
|
Color |
|
| 1998 |
Lautrec |
Roger Planchon |
126 min |
|
Color |
|
| 1998 |
Lost in space |
Stephen Hopkins |
125 min |
|
Color |
|
| 1998 |
Mulan |
Tony Bancroft, Barry Cook |
88 min |
|
Color |
|
| 1998 |
Out of sight |
Steven Soderbergh |
118 min |
|
Color |
|
| 1998 |
Out of sight |
Steven Soderbergh |
118 min |
|
Color |
|
| 1998 |
Out of the Past |
Jeff Dupre |
64 min |
16mm |
|
|
| 1998 |
Pleasantville |
Gary Ross |
120 min |
|
Color & B&W |
|
| 1998 |
Rush hour |
Brett Ratner |
98 min |
|
Color |
|
| 1998 |
Rushmore |
Wes Anderson |
93 min |
|
Color |
|