| 1942 |
Smart Alecks. |
Wallace Fox |
7 reels |
|
B&W |
|
| 1942 |
Sock-A-Bye Baby. |
Jules White |
1 619 ft. |
|
B&W |
|
| 1942 |
Sons Of The Pioneers. |
Joseph Kane |
6 reels |
|
B&W |
|
| 1942 |
South Of Santa Fe. |
Joseph Kane |
6 reels |
|
B&W |
|
| 1942 |
Speaking Of Animals And Their Families |
Paramount Pictures |
1 reel |
|
B&W |
|
| 1942 |
Stardust On The Sage. |
Republic Pictures Corporation |
7 reels |
16mm |
B&W |
sound |
| 1942 |
Submarine Raider. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
Sullivan's travels |
Universal Pictures Co. Inc. |
90 |
16mm |
B&W |
sound |
| 1942 |
Sunset On The Desert. |
Joseph Kane |
7 reels |
16mm |
B&W |
sound |
| 1942 |
Sunset Serenade. |
Joseph Kane |
6 reels |
|
B&W |
|
| 1942 |
Teeth of steel |
|
|
|
|
|
| 1942 |
That Other Woman. |
Ray McCarey |
6852 ft. |
|
Color & B&W |
|
| 1942 |
The Avenging Rider. |
Sam Nelson |
56 min. |
|
B&W |
|
| 1942 |
The Battle Of Midway |
John Ford |
18 |
|
Color & B&W |
|
| 1942 |
THE BATTLE OF MIDWAY ▶ |
John Ford |
18 min |
16mm |
Color & B&W |
|
| 1942 |
The Battle of Midway |
John Ford |
18 min |
|
Color & B&W |
|
| 1942 |
The Big Shot ▶ |
Lewis Seiler |
80 min |
|
B&W |
|
| 1942 |
The Big Shot. |
Lewis Seiler |
82 min. |
|
B&W |
|
| 1942 |
The Big Street. |
Irving Reis |
88 min. |
|
B&W |
|
| 1942 |
The Black swan |
Henry King |
85 min |
|
Color |
|
| 1942 |
The Boss Of Big Town. |
Arthur Dreifuss |
7 reels |
|
B&W |
|
| 1942 |
The devil with Hitler. |
Gordon Douglas |
14:50 |
16mm |
B&W |
sound |
| 1942 |
The farmer's wife. |
Norman Lee |
2:50 |
16mm |
B&W |
sound |
| 1942 |
The Girl From Alaska. |
Nick Grinde |
8 reels |
|
Color |
|
| 1942 |
The Impatient Patient. |
Warner Bros. presents ; supervision [direction], Norman McCabe ; produced by Leon Schlesinger ; story by Don Christensen ; animation, Vive Risto. |
1 reel |
16mm |
Color |
sound |
| 1942 |
The Little red lighthouse |
|
|
|
|
|
| 1942 |
THE LOAN STRANGER |
Alex Lovy |
|
|
|
|
| 1942 |
The Loves Of Edgar Allan Poe. |
Harry Lachman |
6 021 ft. |
|
B&W |
|
| 1942 |
The Mad Martindales. |
Alfred L. Werker |
5824 ft. |
|
Color |
|
| 1942 |
The Magnificent Ambersons. |
Orson Welles |
88 min. |
|
B&W |
|
| 1942 |
The Male Animal. |
Elliott Nugent |
101 min |
|
B&W |
|
| 1942 |
The Man who came to dinner |
William Keighley |
112 min |
|
B&W |
|
| 1942 |
The Man Who Came To Dinner. |
William Keighley |
112 min |
|
B&W |
|
| 1942 |
The Mcguerins From Brooklyn. |
Kurt Neumann |
5 reels |
|
B&W |
|
| 1942 |
The New Spirit |
Walt Disney Productions. |
1 reel |
16mm |
Color |
sound |
| 1942 |
The Old Chisholm Trail. |
Elmer Clifton |
6 reels |
|
B&W |
|
| 1942 |
The Omaha Trail. |
Edward Buzzell |
3 reels |
|
B&W |
sound |
| 1942 |
The Ox-Bow Incident. |
William A. Wellman, James Tinling |
6776 ft. |
|
B&W |
|
| 1942 |
The Panther's Claw. |
William Beaudine |
8 reels |
16mm |
B&W |
sound |
| 1942 |
The Pied Piper |
Percy Stow, Irving Pichel |
12:00 |
|
B&W |
|
| 1942 |
The Pied Piper. |
Percy Stow, Irving Pichel |
7 859 ft. |
16mm |
B&W |
sound |
| 1942 |
The Pride Of The Yankees. |
90230 The Samuel Goldwyn Company |
128 min |
16mm |
B&W |
sound |
| 1942 |
The Red terror |
Karl Ritter |
99 min |
|
B&W |
|
| 1942 |
The Spoilers |
Ray Enright |
87 min |
|
B&W |
|
| 1942 |
THE STORY OF EDDIE RICKENBACKER ▶ |
Blackhawk |
96 min |
16mm |
Color |
|
| 1942 |
The Traitor Within. |
Frank McDonald |
6 reels |
|
Color |
|
| 1942 |
The Tuttles Of Tahiti. |
Charles Vidor |
91 min. |
|
B&W |
|
| 1942 |
The Wabbit Who Came to Supper |
I. Freleng |
|
|
|
|
| 1942 |
THE WHITE CLIFFS OF DOVER |
R C M Productions |
127 min |
16mm |
B&W |
sound |
| 1942 |
The White Cliffs Of Dover. |
Clarence Brown |
1 reel |
16mm |
B&W |
sound |