| 1941 |
Topper returns |
Roy Del Ruth |
3177 |
16mm |
B&W |
sound |
| 1941 |
TOPPER RETURNS |
Roy Del Ruth |
90 min |
|
B&W |
|
| 1941 |
Topper Returns. |
Roy Del Ruth |
10 reels |
|
B&W |
|
| 1941 |
Tuxedo Junction. |
Frank McDonald |
7 reels |
|
Color |
|
| 1941 |
Twilight On The Trail. |
Howard Bretherton |
6 reels |
|
B&W |
|
| 1941 |
Two Latins From Manhattan. |
Charles Barton |
7 reels |
|
B&W |
|
| 1941 |
Two-Faced Woman. |
George Cukor, Andrew Marton |
10 reels |
|
B&W |
sound |
| 1941 |
U-Boote westwärts. |
UFA (Firm) |
100 min |
16mm |
B&W |
sound |
| 1941 |
Under Fiesta Stars. |
Autry Qualified Interest Trust & The Autry Foundation |
7 reels |
16mm |
B&W |
sound |
| 1941 |
Unexpected Uncle. |
Peter Godfrey |
66 min. |
|
B&W |
|
| 1941 |
Unholy Partners. |
Mervyn LeRoy |
9 reels |
|
B&W |
sound |
| 1941 |
Volleyball for Boys ▶ |
Coronet Films |
10 min |
16mm |
B&W |
|
| 1941 |
Vronsky and Babin. Part one |
|
|
|
|
|
| 1941 |
Vronsky and Babin. Part two |
|
|
|
|
|
| 1941 |
WARCLOUDS IN THE PACIFIC ▶ |
Stuart Legg |
20 min |
|
B&W |
|
| 1941 |
Was geschah in dieser Nacht. |
Mülleneisen & Tapper |
80 min |
16mm |
|
sound |
| 1941 |
Week-End In Havana. |
Walter Lang |
7 461 ft. |
|
Color |
|
| 1941 |
West Point Widow. |
Robert Siodmak |
7 reels |
|
B&W |
|
| 1941 |
When Ladies Meet. |
Robert Z. Leonard |
10 reels |
|
B&W |
sound |
| 1941 |
Words for Battle |
The Ministry of Information : Publisher | The Ministry of Information |
0:08:00 |
16mm |
B&W |
sound |
| 1941 |
WORDS FOR BATTLE ▶ |
Humphrey Jennings |
8 min |
16mm |
B&W |
|
| 1941 |
Words for battle |
Humphrey Jennings |
8 min |
|
B&W |
|
| 1941 |
WORDS FOR BATTLE |
Humphrey Jennings |
8 min |
|
B&W |
|
| 1941 |
World Premiere. |
Ted Tetzlaff |
8 reels |
|
B&W |
|
| 1941 |
You're In The Army Now. |
Lewis Seiler |
79 min. |
|
B&W |
|
| 1941 |
You're The One. |
Ralph Murphy |
9 reels |
|
B&W |
|
| 1941 |
You’ll Never Get Rich. |
Columbia Broadcasting System inc. |
3 reels |
16mm |
B&W |
sound |
| 1941 |
Ziegfeld Girl. |
Robert Z. Leonard, Busby Berkeley |
14 reels |
|
B&W |
|
| 1941 |
Zis Boom Bah. |
William Nigh |
7 reels |
|
B&W |
|
| 1942 |
A - Haunting We Will Go |
Twentieth Century-Fox Film Corp |
2600 |
16mm |
B&W |
sound |
| 1942 |
A Man's World. |
Charles Barton |
7 reels |
|
B&W |
|
| 1942 |
A Night For Crime. |
Alexis Thurn-Taxis |
8 reels |
|
B&W |
|
| 1942 |
A Ship is born |
Jean Negulesco |
22 min |
|
Color |
|
| 1942 |
A Tragedy At Midnight. |
Joseph Santley |
8 reels |
|
Color |
|
| 1942 |
About Face. |
Kurt Neumann |
5 reels |
|
B&W |
|
| 1942 |
Air Parade |
|
|
16mm |
B&W |
|
| 1942 |
All Through the Night ▶ |
Vincent Sherman |
107 min |
|
B&W |
|
| 1942 |
All Together ▶ |
Navy |
3 min |
16mm |
Color |
sound |
| 1942 |
ANY BONDS TODAY? |
Minoco Productions |
1:00 |
16mm |
|
sound |
| 1942 |
Atlantic Convoy. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
Baby Face Morgan. |
Arthur Dreifuss |
7 reels |
|
B&W |
|
| 1942 |
Bambi |
James Algar, David Hand, Bill Roberts, Graham Heid, Samuel Armstrong, Norman Wright, Paul Satterfield |
69 min |
|
Color |
|
| 1942 |
Bandit Ranger. |
Lesley Selander |
56 min. |
|
B&W |
|
| 1942 |
Baseball Fundamentals. |
Coronet Films |
1 reel |
16mm |
B&W |
sound |
| 1942 |
Berlin Correspondent. |
Eugene Forde |
6 380 ft. |
|
B&W |
|
| 1942 |
BEYOND THE LINE OF DUTY ▶ |
U.S. Army Air Forces Warner Bros. Pictures |
22 min |
|
B&W |
|
| 1942 |
Blues In The Night. |
Minoco Productions |
1 reel |
16mm |
B&W |
sound |
| 1942 |
BORROWED HERO. |
Lewis D. Collins |
4:00 |
16mm |
B&W |
|
| 1942 |
Borrowed Hero. |
Lewis D. Collins |
7 reels |
|
B&W |
|
| 1942 |
Butch Minds the Baby |
Albert S. Rogell |
12:00 |
|
B&W |
|