| 1994 |
The Shadow |
White Lion Pictograph |
108 min |
16mm |
Color |
sound |
| 1994 |
The Shadow |
Russell Mulcahy |
12:00 |
|
Color |
|
| 1994 |
The Specialist |
Luis Llosa |
105 min |
16mm |
Color |
|
| 1994 |
Thumbelina |
Don Bluth, Gary Goldman |
83 min |
|
Color |
|
| 1994 |
Thumbelina |
Don Bluth, Gary Goldman |
83 min |
|
Color |
|
| 1994 |
Thumbelina |
Don Bluth, Gary Goldman |
83 min |
|
Color |
|
| 1994 |
Thumbelina |
Don Bluth, Gary Goldman |
83 min |
|
Color |
|
| 1994 |
To Live |
Contemporary Films |
132 min |
16mm |
Color |
sound |
| 1994 |
Trial By Jury |
Indiana University Audio-Visual Center: Distributor | University of Washington School of Law: Distributor |
0:31:28 |
16mm |
B&W |
sound |
| 1994 |
Under Whose Influence? |
Coronet Films |
19 min |
|
Color |
|
| 1994 |
When a man loves a woman |
Luis Mandoki |
120 min |
|
Color |
|
| 1995 |
A Little princess |
Alfonso Cuarón |
97 min |
|
Color |
|
| 1995 |
Big boys don't cry |
Sigve Endresen |
105 min |
|
|
|
| 1995 |
Black is-- black ain't |
: A personal journey through black identity / Independent Television Service ; Signifyin' Works ; producer/director, Marlon T. Riggs ; co-producer, Nicole Atkinson ; co-director/editor, Christiane Badgley. |
88 |
16mm |
Color & B&W |
sound |
| 1995 |
Catherine the Great |
Marvin J. Chomsky |
180 min |
16mm |
|
sound |
| 1995 |
Clockers |
Spike Lee |
128 min |
|
Color |
|
| 1995 |
Crimson tide |
Tony Scott |
111 min |
|
Color |
|
| 1995 |
Cry the Beloved Country |
Darrell Roodt |
106 min |
16mm |
|
|
| 1995 |
Father of the bride. Part II |
Charles Shyer |
101 min |
|
Color |
|
| 1995 |
Free Willy 2: the adventure home |
Dwight H. Little |
95 min |
|
Color |
|
| 1995 |
Hackers |
KQED |
27 |
16mm |
Color |
sound |
| 1995 |
Heads and tails |
Georgiy Daneliya |
83 min |
|
Color |
|
| 1995 |
HEADS AND TAILS |
Georgiy Daneliya |
83 min |
|
Color |
|
| 1995 |
It Takes Two |
Price Vowell Associates |
97 min |
16mm |
Color |
sound |
| 1995 |
Miami rhapsody |
David Frankel |
112 min |
|
Color |
|
| 1995 |
Moving the mountain |
Michael Apted |
83 |
16mm |
Color & B&W |
sound |
| 1995 |
Nixon |
Oliver Stone |
192 min |
16mm |
B&W |
sound |
| 1995 |
Operation dumbo drop |
Simon Wincer |
108 min |
|
Color |
|
| 1995 |
People: Celebrating Our Differences |
Coronet Films |
|
|
Color |
|
| 1995 |
Pocahontas |
Eric Goldberg, Mike Gabriel |
81 min |
|
Color |
|
| 1995 |
Pride and prejudice |
Simon Langton |
55 min |
|
Color |
|
| 1995 |
Pride and prejudice |
Simon Langton |
55 min |
|
Color |
|
| 1995 |
Search And Destroy |
Natl Football League Action Films |
90 min |
16mm |
Color |
sound |
| 1995 |
The Cure |
Mutual Film Corp |
24 |
16mm |
Color |
sound |
| 1995 |
The Cure |
Peter Horton |
99 min |
16mm |
Color |
|
| 1995 |
The Cure" ▶ |
Peter Horton |
19:08 |
|
Color |
sound |
| 1995 |
Things to do in Denver when you're dead |
Gary Fleder |
112 min |
|
Color |
|
| 1995 |
To die for |
Gus Van Sant |
102 min |
|
Color |
|
| 1995 |
Underground |
United World Films Kinetic Division / Division Of Universal City Studios Inc |
163 min |
16mm |
Color |
sound |
| 1995 |
While you were sleeping |
Jon Turteltaub |
103 min |
|
Color |
|
| 1996 |
Carried away |
Bruno Barreto |
109 min |
|
Color |
|
| 1996 |
Carried Away ▶ |
Bruno Barreto |
109 min |
|
Color |
|
| 1996 |
Chain Reaction ▶ |
Handy (Jam) Organization |
106 min |
16mm |
Color |
sound |
| 1996 |
Chain reaction |
Andrew Davis |
106 min |
|
Color |
|
| 1996 |
Crocodile |
Kim Ki-duk |
99 min |
|
Color |
|
| 1996 |
Dear diary |
David Frankel |
38 min |
|
Color |
|
| 1996 |
Executive Decision |
Woroner Films |
127 min |
16mm |
Color |
sound |
| 1996 |
Fire |
Deepa Mehta |
12:00 |
|
Color |
|
| 1996 |
Fire ▶ |
Deepa Mehta |
104 min |
|
Color |
|
| 1996 |
Fire |
Deepa Mehta |
104 min |
|
Color |
|