| 1978 |
Special delivery |
Eunice Macaulay, John Weldon |
7 min |
|
Color |
|
| 1978 |
SPECIAL DELIVERY ▶ |
Eunice Macaulay, John Weldon |
7 min |
|
Color |
|
| 1978 |
Steffan the violinmaker (West Germany) |
coronet/perspective |
25 |
16mm |
Color |
sound |
| 1978 |
Step by step |
= Pas à pas = Paso a paso / a Hubley Studio production ; a film by Faith Hubley ; directed and produced by Faith Hubley. |
11 |
16mm |
Color |
sound |
| 1978 |
Straight Time |
warner brothers |
113 min |
16mm |
Color |
sound |
| 1978 |
Strange Fate Of Flight 608 |
produced in association with Glen A. Larson Productions and Universal, an MCA company |
60 min |
|
|
sound |
| 1978 |
Street Edition |
Public Arts; produced in association with Universal |
53 min |
|
Color |
sound |
| 1978 |
Stunt Rock |
Brian Trenchard-Smith |
91 min |
|
|
|
| 1978 |
Subtraction Of Signed Numbers |
producer, Thomas B. Bennett; director, Thomas B. Bennett |
11 min |
|
|
sound |
| 1978 |
Summer Of My German Soldier |
Highgate Pictures |
98 min |
16mm |
|
sound |
| 1978 |
Summer of my German soldier |
Learning Corporation of America |
97 |
16mm |
Color |
sound |
| 1978 |
Superfine Brush |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
Switch Hitter |
produced in association with Glen Larson Productions |
60 min |
|
Color |
sound |
| 1978 |
Tears For All Who Loved Her |
director, Joel Oliansky; producer, Chester Krumholz |
60 min |
|
|
sound |
| 1978 |
That Sister Ain't No Cousin |
Roy Higgins, Public Arts Productions; produced in association with Universal, an MCA company; created by Stephen J. Cannell |
53 min |
|
Color |
sound |
| 1978 |
The 100,000 Ruble Rumble |
produced in association with Glen Larson Productions |
60 min |
|
Color |
sound |
| 1978 |
The Amazing Howard Hughes |
producer, Herbert Hirschman; director, William A. Graham |
60 min |
|
|
sound |
| 1978 |
The Amsterdam Kill |
Robert Clouse |
88 min |
|
Color |
|
| 1978 |
The Argonaut Special |
produced in association with Glen Larson Productions |
60 min |
|
Color |
sound |
| 1978 |
The Art Of Crime |
producer, Jules Irving; director, Richard Irving |
72 min |
|
|
sound |
| 1978 |
The Ballet Tickets |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Bees |
Alfredo Zacarías |
93 min |
16mm |
Color |
sound |
| 1978 |
The Bionic Dog |
produced in association with Harve Bennett Productions and Universal, an MCA co |
45 min |
|
|
sound |
| 1978 |
The Boys From Brazil |
Twentieth Century-Fox Film Corporation |
2:07:00 |
16mm |
Color |
sound |
| 1978 |
The Boys in Company "C" |
Sidney J. Furie |
125 min |
|
|
|
| 1978 |
The Broken Clock |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Bronswik Affair ▶ |
Robert Awad, André Leduc |
24 min |
|
|
|
| 1978 |
The Captain's Brother's Wife |
director, Charles S. Dubin; producer, Chester Krumholz |
60 min |
|
|
sound |
| 1978 |
The Cases Of Detective Duncan |
writer, Nina Link; director, Barbara Castro; producer, Michele Murdock |
|
|
|
|
| 1978 |
The Church In Action, 1975 |
a Brigham Young University production; producer, David K. Jacobs; director, David K. Jacobs |
30 min |
|
|
sound |
| 1978 |
The Church In Action, 1976 |
a Brigham Young University production; producer, David K. Jacobs; director, David K. Jacobs |
32 min |
|
|
sound |
| 1978 |
The Classified Ad |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Comeback |
Pete Walker |
93 min |
|
Color |
|
| 1978 |
The Creatures Who Came On Sunday |
produced in association with Glen A. Larson productions and Universal, an MCA company |
60 min |
|
|
sound |
| 1978 |
The Dancing lion |
PRODUCERS FILM MARKETING (PTY) LTD |
11 |
16mm |
|
|
| 1978 |
The Deadly Connection |
produced in association with Glen A. Larson Productions and Universal, an MCA company; director, Alex March; producer, Christopher Morgan |
60 min |
|
|
sound |
| 1978 |
The Devil and Daniel Mouse ▶ |
Clive A. Smith |
12:00 |
16mm |
|
|
| 1978 |
The Devil and Daniel mouse |
Clive A. Smith |
25 min |
|
|
|
| 1978 |
The Devil and Daniel Mouse |
Clive A. Smith |
25 min |
16mm |
|
|
| 1978 |
The Disappearing Floor |
produced in association with Glen Larson Productions |
60 min |
|
Color |
sound |
| 1978 |
The Dominant male |
|
|
|
|
|
| 1978 |
The Driver |
Professional Arts Inc |
87 min |
16mm |
Color |
sound |
| 1978 |
THE DRIVER |
Walter Hill |
87 min |
|
Color |
|
| 1978 |
The Eyeglass |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The First forests |
|
|
|
|
|
| 1978 |
The Flickering Torch Mystery |
produced in association with Glen Larson Productions |
60 min |
|
Color |
sound |
| 1978 |
The Forests and Vladimir Krajina |
|
|
|
|
|
| 1978 |
The Formula factor |
Canadian Broadcasting Corporation; producer, Rosalind Farber. |
28 |
16mm |
Color |
sound |
| 1978 |
The Four Horsemen |
produced in association with Glen Larson Productions |
60 min |
|
Color |
sound |
| 1978 |
The Framing Of Perfect Sydney |
a Stephen J. Cannell production [sic] and Bunky Productions, Inc.; produced in association with Universal, an MCA company |
45 min |
|
|
sound |