| 1946 |
Soccer for Girls |
Coronet Films |
11 |
16mm |
Color |
sound |
| 1946 |
Society Mugs. |
Edward Bernds |
2 reels |
35mm |
B&W |
sound |
| 1946 |
Son Of The Guardsman. |
Derwin Abrahams |
2 reels |
35mm |
B&W |
sound |
| 1946 |
Song Of Arizona. |
Frank McDonald |
8 reels |
|
B&W |
|
| 1946 |
Song of the south |
Wilfred Jackson, Harve Foster |
94 min |
|
Color |
|
| 1946 |
Song of the south |
Wilfred Jackson, Harve Foster |
94 min |
|
Color |
|
| 1946 |
Song Of The South. |
Walt Disney Productions. |
95 min. |
35mm |
Color |
sound |
| 1946 |
Stars Over Texas. |
Robert Emmett Tansey |
59 min. |
35mm |
B&W |
sound |
| 1946 |
STRANGE TRIANGLE |
Ray McCarey |
65 min |
16mm |
B&W |
sound |
| 1946 |
Strange Triangle. |
Ray McCarey |
5 850 ft. |
35mm |
B&W |
sound |
| 1946 |
Sunset Pass. |
William Berke |
60 min. |
35mm |
B&W |
sound |
| 1946 |
Symphony of life |
Celestino Gorostiza |
|
|
B&W |
|
| 1946 |
Terror By Night. |
Roy William Neill |
6 reels |
|
B&W |
|
| 1946 |
Terrors On Horseback. |
Sam Newfield |
6 reels |
35mm |
B&W |
sound |
| 1946 |
That man of mine. |
Leonard Anderson |
2045 |
16mm |
B&W |
sound |
| 1946 |
The Bachelor's Daughters. |
Andrew L. Stone |
90 min. |
35mm |
B&W |
sound |
| 1946 |
The big sleep |
Howard Hawks |
1:14 |
16mm |
B&W |
sound |
| 1946 |
The Devil's Playground. |
George Archainbaud |
65 min. |
35mm |
B&W |
sound |
| 1946 |
The Diary Of A Chambermaid. |
Jean Renoir |
76 min. |
|
Color & B&W |
|
| 1946 |
The El Paso Kid. |
Thomas Carr |
6 reels |
35mm |
Color |
sound |
| 1946 |
The Flying Serpent. |
Sam Newfield |
6 reels |
16mm |
Color & B&W |
sound |
| 1946 |
The Gentleman From Texas. |
Lambert Hillyer |
6 reels |
35mm |
B&W |
sound |
| 1946 |
The great dawn |
produced by Scalera Film, Rome ; writer, Cesare Zavattini ; directed by G.M. Scotese. |
90 |
16mm |
B&W |
sound |
| 1946 |
The Green years |
Victor Saville |
127 min |
|
B&W |
|
| 1946 |
The Harvey girls |
Robert Alton, George Sidney |
102 min |
|
Color |
|
| 1946 |
The Killers |
Robert Siodmak |
11 min |
16mm |
B&W |
Sound |
| 1946 |
The Killers |
Robert Siodmak |
103 min |
16mm |
B&W |
|
| 1946 |
The Killers. |
Robert Siodmak |
11 reels. |
35mm |
B&W |
sound |
| 1946 |
The land rush |
Columbia ; producer, Colbert Clark ; director, Vernon Keays. |
44 |
16mm |
B&W |
sound |
| 1946 |
The Last Chance. |
Leopold Lindtberg |
12 reels |
|
B&W |
sound |
| 1946 |
The last crooked mile. |
Philip Ford |
7 reels |
16mm |
Color |
sound |
| 1946 |
The Locket. |
John Brahm |
86 min. |
35mm |
B&W |
sound |
| 1946 |
The Mechanic ▶ |
Julien Bryan; United States Information Service |
|
|
|
|
| 1946 |
THE MYSTERIOUS MR. VALENTINE. |
Philip Ford |
|
|
B&W |
|
| 1946 |
The Overlanders |
Harry Watt |
91 min |
|
B&W |
|
| 1946 |
The Overlanders |
Harry Watt |
91 min |
16mm |
B&W |
|
| 1946 |
The Perfect Marriage. |
Lewis Allen |
9 reels |
|
B&W |
|
| 1946 |
The Phantom Thief. |
D. Ross Lederman |
7 reels |
|
B&W |
|
| 1946 |
The Razor's Edge |
Twentieth Century-Fox Film Corporation |
2:26:00 |
16mm |
B&W |
sound |
| 1946 |
The Razor's Edge. |
Edmund Goulding |
146 min |
35mm |
B&W |
sound |
| 1946 |
The Reckless Driver |
Walter Lantz Prod |
10 min |
16mm |
|
sound |
| 1946 |
The Searching Wind. |
William Dieterle |
12 reels |
35mm |
B&W |
sound |
| 1946 |
The Shadow Returns. |
Phil Rosen, William Beaudine |
6 reels |
|
B&W |
|
| 1946 |
The Spiral Staircase |
Robert Siodmak |
83 |
|
B&W |
|
| 1946 |
The Spiral Staircase |
Robert Siodmak |
83 min |
16mm |
B&W |
|
| 1946 |
The Story of money |
|
|
|
|
|
| 1946 |
The Stranger |
Orson Welles |
95 |
|
B&W |
|
| 1946 |
The stranger |
International Pictures, Inc. ; writer, Anthony Veiller ; adaptation, Victor Trivas and Decla Dunning ; story, Victor Trivas ; producer, S. P. Eagle ; director, Orson Welles. |
95 |
16mm |
B&W |
sound |
| 1946 |
The Stranger. |
Orson Welles |
95 min. |
35mm |
B&W |
sound |
| 1946 |
The Undercover Woman. |
Thomas Carr |
6 reels |
|
Color |
|