| 1945 |
Supai Indian ▶ |
Coronet Films |
10 min |
|
Color |
|
| 1945 |
Swing Out Sister. |
Edward Lilley |
7 reels |
|
B&W |
|
| 1945 |
Tampico. |
Filmcraft (Firm) |
1:30 |
16mm |
B&W |
sound |
| 1945 |
Tampico. |
Lothar Mendes |
1 reel |
16mm |
B&W |
sound |
| 1945 |
Tarzan And The Leopard Woman. |
Kurt Neumann |
72 min. |
|
B&W |
|
| 1945 |
Terror by night. |
Universal Pictures |
2100 |
16mm |
B&W |
sound |
| 1945 |
The Apache Indian |
Coronet Films |
10 min |
|
Color |
|
| 1945 |
The Battle of San Pietro ▶ |
John Huston |
32 |
16mm |
B&W |
sound |
| 1945 |
The Clock |
Vincente Minnelli, Fred Zinnemann |
90 min |
|
B&W |
|
| 1945 |
The Dippy Diplomat |
Universal Pictures Co. & Walter Lantz Productions |
1 reel |
|
|
|
| 1945 |
The Eyes have it |
Jack Hannah |
7 min |
|
Color |
|
| 1945 |
The Great John L. |
Bing Crosby Productions |
90 min. |
16mm |
B&W |
silent |
| 1945 |
The House I Live In ▶ |
Mervyn LeRoy |
10 min |
|
B&W |
|
| 1945 |
The Life And Death Of Colonel Blimp. |
Emeric Pressburger, Michael Powell |
149 min. |
|
Color & B&W |
sound |
| 1945 |
The magic stone |
Columbia Pictures Corp. presents ; produced by B.K. Blake ; directed by George Blake ; story by Harold Greene, Ralph Morris. |
8 |
16mm |
B&W |
sound |
| 1945 |
The Man In Grey. |
Leslie Arliss |
93 min. |
|
B&W |
|
| 1945 |
The Nazi Plan |
George Stevens |
194 min |
|
B&W |
|
| 1945 |
The Seventh Veil |
Contemporary Films |
94 min |
16mm |
Color & B&W |
sound |
| 1945 |
The Southerner |
Loew-Hakim Inc |
1:31:00 |
16mm |
B&W |
sound |
| 1945 |
The Southerner ▶ |
Jean Renoir |
92 min |
|
B&W |
|
| 1945 |
The Southerner. |
Jean Renoir |
91 min. |
|
B&W |
|
| 1945 |
The Spiral Staircase. |
Robert Siodmak |
83 min. |
|
B&W |
|
| 1945 |
The story with two endings |
produced by 20th Century-Fox ; screenplay by Harold Buchman and Louis Solomon ; directed by Lee Strasberg. |
10 |
16mm |
B&W |
sound |
| 1945 |
The Topeka Terror. |
Howard Bretherton |
6 reels |
|
Color |
|
| 1945 |
The Valley Of Decision. |
Tay Garnett |
12 reels |
|
B&W |
sound |
| 1945 |
The White Gorilla |
Harry L. Fraser |
|
|
B&W |
|
| 1945 |
The White Gorilla. |
Harry L. Fraser |
6 reels |
|
B&W |
|
| 1945 |
They Met In The Dark. |
Karel Lamač |
95 min |
|
B&W |
|
| 1945 |
To Have And Have Not. |
Howard Hawks |
11 reels. |
|
B&W |
|
| 1945 |
To the shores of Iwo Jima ▶ |
Milton Sperling |
20 min |
16mm |
Color |
sound |
| 1945 |
Tomorrow is Forever |
International Pictures Inc |
1:44:00 |
16mm |
B&W |
sound |
| 1945 |
Tomorrow Is Forever. |
Irving Pichel |
104 min |
|
B&W |
|
| 1945 |
Too Young To Know. |
Fred de Cordova |
86 min. |
|
Color |
|
| 1945 |
Trail Of Kit Carson. |
Lesley Selander |
6 reels |
|
Color & B&W |
|
| 1945 |
TRAPPERS OF THE SEA ▶ |
Margaret Perry (1905-1998) |
13 min |
|
Color |
|
| 1945 |
Trappers of the sea. |
Natl Film Board Of Canada |
4:00 |
16mm |
Color |
sound |
| 1945 |
Trouble Chasers. |
Lew Landers |
6 reels |
|
Color & B&W |
|
| 1945 |
Very Dangerous |
Natl Film Board Of Canada |
600 |
16mm |
|
sound |
| 1945 |
Very dangerous |
Indiana University Audio-Visual Center: Distributor | National Film Board of Canada: Distributor |
0:22:00 |
16mm |
Color |
sound |
| 1945 |
Very dangerous |
|
|
|
|
|
| 1945 |
War Comes to America ▶ |
U S War Dept |
70 min |
16mm |
B&W |
sound |
| 1945 |
War Comes to America |
National Audiovisual Center |
67 min. |
16mm |
B&W |
sound |
| 1945 |
War comes to America |
Frank Capra, Anatole Litvak |
70 min |
|
B&W |
|
| 1945 |
WAR COMES TO AMERICA |
War Department (Discontinued Agency, re-released by USIA) |
67 min |
|
B&W |
Optical sound |
| 1945 |
West Of The Pecos. |
Edward Killy |
66 min. |
|
B&W |
|
| 1945 |
Where Do We Go From Here. |
George Seaton, Gregory Ratoff |
7 000 ft. |
|
Color & B&W |
|
| 1945 |
WHITE RHAPSODY |
Jack Eaton |
10 min |
16mm |
Color |
sound |
| 1945 |
Who's Who In Animal Land |
Paramount Pictures. (Speaking of animals) |
1 reel |
|
B&W |
|
| 1945 |
WINGS FOR THIS MAN ▶ |
|
|
16mm |
B&W |
|
| 1945 |
Winter wonderland. |
Republic Pictures Corporation |
71 min. |
16mm |
B&W |
sound |