| 1948 |
Oklahoma Badlands. |
Yakima Canutt |
59 min. |
35mm |
B&W |
sound |
| 1948 |
On Our Merry Way. |
King Vidor, Leslie Fenton |
96 min. |
35mm |
B&W |
sound |
| 1948 |
Out Of The Storm. |
R. G. Springsteen |
61 min. |
35mm |
B&W |
sound |
| 1948 |
PAGLIACCI ▶ |
Mario Costa |
91 min |
|
B&W |
|
| 1948 |
Panhandle. |
Lesley Selander |
85 min. |
35mm |
B&W |
sound |
| 1948 |
Pitfall. |
André de Toth |
85 min. |
35mm |
B&W |
sound |
| 1948 |
Race Street. |
Edwin L. Marin |
79 min. |
35mm |
B&W |
sound |
| 1948 |
Relentless. |
George Sherman |
93 min. |
35mm |
Color |
sound |
| 1948 |
Road House. |
Jean Negulesco |
95 min. |
35mm |
B&W |
sound |
| 1948 |
Rusty Leads The Way |
Ideal Pictures Inc |
|
16mm |
B&W |
sound |
| 1948 |
Rusty Leads The Way. |
Will Jason |
59 min. |
35mm |
B&W |
sound |
| 1948 |
Sealed Verdict. |
Lewis Allen |
83 min. |
35mm |
B&W |
sound |
| 1948 |
Secret Service Investigator. |
R. G. Springsteen |
60 min. |
35mm |
B&W |
sound |
| 1948 |
Sleep, My Love. |
Douglas Sirk |
96 min. |
35mm |
B&W |
sound |
| 1948 |
Son Of God's Country. |
R. G. Springsteen |
60 min. |
35mm |
B&W |
sound |
| 1948 |
Sorry, Wrong Number. |
Paramount Pictures Corporation |
89 min. |
35mm |
B&W |
sound |
| 1948 |
State of the Union |
Frank Capra |
124 min |
|
B&W |
|
| 1948 |
State Of The Union. |
Frank Capra |
122 min |
35mm |
B&W |
sound |
| 1948 |
T-Men. |
Anthony Mann |
92 min. |
35mm |
B&W |
sound |
| 1948 |
Tarzan and the mermaids. |
Robert Florey |
68 min. |
16mm |
B&W |
sound |
| 1948 |
Tarzan's Magic Fountain. |
Lee Sholem |
73 min. |
35mm |
B&W |
sound |
| 1948 |
The Babe Ruth Story. |
Roy Del Ruth |
106 min |
35mm |
B&W |
sound |
| 1948 |
The Big Clock. |
John Farrow |
95 min. |
35mm |
B&W |
sound |
| 1948 |
The Big Punch. |
Sherry Shourds |
80 min. |
35mm |
B&W |
sound |
| 1948 |
The Bold Frontiersman. |
Philip Ford |
60 min. |
35mm |
B&W |
sound |
| 1948 |
The Checkered Coat. |
Edward L. Cahn |
66 min. |
35mm |
B&W |
sound |
| 1948 |
The Decision Of Christopher Blake. |
Peter Godfrey |
75 min. |
35mm |
B&W |
sound |
| 1948 |
The Denver Kid. |
Philip Ford |
60 min. |
35mm |
B&W |
sound |
| 1948 |
The Emperor Waltz. |
Billy Wilder, Charles Brackett |
106 min |
35mm |
Color |
sound |
| 1948 |
The Fallen Idol |
Carol Reed |
95 |
16mm |
B&W |
sound |
| 1948 |
The Fallen Idol. |
Carol Reed |
94 min. |
35mm |
B&W |
sound |
| 1948 |
The Fuller Brush man. |
Columbia Pictures. |
3200 |
16mm |
B&W |
sound |
| 1948 |
The Gallant Blade. |
Henry Levin |
81 min. |
35mm |
Color |
sound |
| 1948 |
The Gallant Legion. |
Joseph Kane |
88 min. |
35mm |
B&W |
sound |
| 1948 |
The Girl From Manhattan. |
Alfred Edward Green |
80 min. |
35mm |
B&W |
sound |
| 1948 |
The Lady From Shanghai. |
Orson Welles |
87 min. |
35mm |
B&W |
sound |
| 1948 |
The Miracle Of The Bells. |
Irving Pichel |
120 min |
35mm |
B&W |
sound |
| 1948 |
The Overlanders. |
Harry Watt |
91 min |
|
B&W |
|
| 1948 |
THE PLUNDERERS |
Joseph Kane |
87 min |
16mm |
Color |
sound |
| 1948 |
The Plunderers. |
Joseph Kane |
87 min. |
35mm |
Color |
sound |
| 1948 |
The Quiet One |
FILM DOCUMENT INC |
68 min. |
16mm |
B&W |
sound |
| 1948 |
The Quiet one |
texture |
67 |
16mm |
B&W |
sound |
| 1948 |
The Quiet One |
Sidney Meyers |
65 min |
16mm |
B&W |
|
| 1948 |
The quiet one. |
Janice Loeb and William Levitt |
70 min |
16mm |
B&W |
sound |
| 1948 |
The Red Shoes |
Emeric Pressburger, Michael Powell |
133 min |
|
Color |
|
| 1948 |
The search |
Indiana University Audio-Visual Center: Distributor | Teaching Film Custodians: Distributor |
0:11:00 |
16mm |
B&W |
sound |
| 1948 |
The Search |
Fred Zinnemann |
107 min |
16mm |
B&W |
|
| 1948 |
The Search |
Fred Zinnemann |
107 min |
16mm |
B&W |
|
| 1948 |
The Street with No Name |
Twentieth Century-Fox Film Corporation |
1:31:00 |
16mm |
B&W |
sound |
| 1948 |
The Street With No Name. |
William Keighley |
91 min. |
35mm |
B&W |
sound |