| 2012 |
Anna Karenina |
Films Inc | Films Inc. (Publisher) | Metro-Goldwyn-Mayer (Publisher) | Metro-Goldwyn-Mayer Corp. (Publisher) |
1:25:00 |
16mm |
B&W |
sound |
| 2006 |
Stranger Than Fiction |
Universal Pictures |
108 min |
|
Color |
|
| 2003 |
Cowboys & angels. |
David Gleeson |
89 min |
16mm |
Color |
sound |
| 2002 |
Luster. |
Everett Lewis |
90 min |
16mm |
Color |
sound |
| 1999 |
Balzac |
Josée Dayan |
180 min |
|
Color |
|
| 1999 |
Deep blue sea |
Renny Harlin |
105 min |
|
Color |
|
| 1999 |
Deuce Bigalow male gigolo |
Mike Mitchell |
85 min |
|
Color |
|
| 1999 |
Fight club |
David Fincher |
139 min |
|
Color |
|
| 1999 |
Inspector Gadget |
David Kellogg |
78 min |
|
Color |
|
| 1999 |
Noah's Ark |
John Irvin |
180 min |
|
Color |
|
| 1999 |
Noah's Ark |
John Irvin |
180 min |
|
Color |
|
| 1999 |
Runaway bride |
Garry Marshall |
116 min |
|
Color |
|
| 1999 |
The Hat |
Michèle Cournoyer |
370 min |
|
|
|
| 1999 |
The Hat |
Michèle Cournoyer |
370 min |
|
|
|
| 1999 |
The Hurricane |
Norman Jewison |
146 min |
|
Color |
|
| 1999 |
The Iron giant |
Brad Bird |
86 min |
|
Color |
|
| 1999 |
The Matrix |
Lana Wachowski, Lilly Wachowski |
136 min |
|
Color |
|
| 1999 |
The Other sister |
Garry Marshall |
129 min |
|
Color |
|
| 1999 |
The Sixth Sense |
Walter J Klein Co Ltd |
107 min |
16mm |
Color |
sound |
| 1999 |
The Sixth sense |
M. Night Shyamalan |
107 min |
|
Color |
|
| 1999 |
The Straight story |
David Lynch |
108 min |
|
Color |
|
| 1999 |
The Thirteenth floor |
Josef Rusnak |
100 min |
|
Color |
|
| 1998 |
A Bug's life |
John Lasseter, Andrew Stanton |
96 min |
|
Color |
|
| 1998 |
Acid house. |
Paul McGuigan |
111 min |
16mm |
Color |
sound |
| 1998 |
Antz |
Eric Darnell, Tim Johnson |
83 min |
|
Color |
|
| 1998 |
Armageddon |
Michael Bay |
150 min |
|
Color |
|
| 1998 |
Counterpoint |
Les Landau |
46 min |
|
Color |
|
| 1998 |
Dirty Work |
Blackhawk Films |
600 |
|
Color |
|
| 1998 |
Enemy of the State |
Tony Scott |
132 min |
|
Color |
|
| 1998 |
Holy man |
Stephen Herek |
114 min |
|
Color |
|
| 1998 |
I'll be home for Christmas |
Arlene Sanford |
83 min |
|
Color |
|
| 1998 |
Lautrec |
Roger Planchon |
126 min |
|
Color |
|
| 1998 |
Lost in space |
Stephen Hopkins |
125 min |
|
Color |
|
| 1998 |
Madeline |
Daisy von Scherler Mayer |
88 min |
|
Color |
|
| 1998 |
Mulan |
Tony Bancroft, Barry Cook |
88 min |
|
Color |
|
| 1998 |
Out of sight |
Steven Soderbergh |
118 min |
|
Color |
|
| 1998 |
Out of sight |
Steven Soderbergh |
118 min |
|
Color |
|
| 1998 |
Pleasantville |
Gary Ross |
120 min |
|
Color & B&W |
|
| 1998 |
Rush hour |
Brett Ratner |
98 min |
|
Color |
|
| 1998 |
Six days seven nights |
Ivan Reitman |
98 min |
|
Color |
|
| 1998 |
Taxi |
Gérard Pirès |
86 min |
|
Color |
|
| 1998 |
Taxi |
Gérard Pirès |
86 min |
|
Color |
|
| 1998 |
The Final game |
Sigi Rothemund |
92 min |
|
|
|
| 1998 |
The Gingerbread Man |
Perspective Films |
107 min |
|
Color |
|
| 1998 |
The Horse whisperer |
Robert Redford |
169 min |
|
Color |
|
| 1998 |
The Polar Bear |
Phoenix |
90 min |
16mm |
Color |
sound |
| 1998 |
The Thin Red Line. |
Security Pictures Inc. |
166 min |
35mm |
B&W |
sound |
| 1998 |
The Waterboy |
Frank Coraci |
90 min |
|
Color |
|
| 1998 |
Traps |
Věra Chytilová |
124 min |
|
|
|
| 1997 |
Air Force One |
Wolfgang Petersen |
124 min |
|
Color |
|