| 1940 |
Wagon Train. |
Edward Killy |
59 min. |
|
B&W |
|
| 1940 |
Waldo's Last Stand. |
Edward L. Cahn |
1 reel |
|
B&W |
sound |
| 1940 |
Wunschkonzert. |
Cine-Allianz-Tonfilmprod. GmbH. |
3600 |
16mm |
B&W |
sound |
| 1940 |
Yesterday lives again |
a Castle Films production. |
10 |
16mm |
B&W |
silent |
| 1940 |
Yesterday's Heroes. |
Herbert I. Leeds |
5950 ft. |
|
B&W |
|
| 1940 |
You'll Find Out. |
David Butler |
97 min. |
|
B&W |
|
| 1941 |
A Missouri Outlaw. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1941 |
A woman's face |
Loew's Inc. (Publisher) | Metro Goldwyn Mayer: Publisher |
1:45:00 |
16mm |
B&W |
sound |
| 1941 |
A Woman's Face. |
George Cukor |
12 reels |
|
B&W |
sound |
| 1941 |
AM ABEND AUF DER HEIDE |
Cine-Allianz-Tonfilmprod. GmbH. |
|
16mm |
B&W |
sound |
| 1941 |
Arizona Cyclone. |
Joseph H. Lewis |
6 reels |
|
B&W |
|
| 1941 |
BIRTH OF THE BLUES |
Victor Schertzinger |
87 min |
|
B&W |
|
| 1941 |
Blonde Inspiration. |
Busby Berkeley |
7 reels |
|
B&W |
sound |
| 1941 |
Blondie Goes Latin. |
Frank R. Strayer |
7 reels |
|
B&W |
|
| 1941 |
Blondie in society. |
Columbia Pictures. |
2400 |
16mm |
B&W |
sound |
| 1941 |
Blood And Sand |
Ideal Pictures: Publisher |
75 min 1:15:00 |
16mm |
B&W |
sound |
| 1941 |
Blossoms In The Dust. |
Mervyn LeRoy |
10 reels |
|
Color & B&W |
sound |
| 1941 |
Blues in the Night |
Anatole Litvak |
89 min |
16mm |
B&W |
|
| 1941 |
Blues In The Night. |
Anatole Litvak |
88 min. |
|
B&W |
|
| 1941 |
CHARLEY'S AUNT |
Archie Mayo |
80 min |
|
B&W |
|
| 1941 |
Charley's Aunt. |
Archie Mayo |
7 275 ft. |
|
B&W |
|
| 1941 |
CHEERS FOR MISS BISHOP |
Tay Garnett |
95 min |
|
B&W |
|
| 1941 |
CHURCHILL'S ISLAND ▶ |
Stuart Legg |
21 min |
|
B&W |
|
| 1941 |
Citadel Of Crime. |
George Sherman |
6 reels |
|
B&W |
|
| 1941 |
Citizen Kane |
Films inc. |
119 min |
16mm |
B&W |
sound |
| 1941 |
Dreaming Out Loud. |
Harold Young |
1 reel |
16mm |
B&W |
sound |
| 1941 |
Drunk Driving |
Metro-Goldwyn-Mayer. |
22 min |
16mm |
B&W |
sound |
| 1941 |
FATHER TAKES A WIFE. |
RKO Radio Pictures |
79 min |
16mm |
B&W |
sound |
| 1941 |
Father Takes A Wife. |
Jack Hively |
79 min. |
|
B&W |
|
| 1941 |
Father's Son. |
D. Ross Lederman |
6 reels |
|
B&W |
|
| 1941 |
Flying Cadets. |
Erle C. Kenton |
6 reels |
16mm |
B&W |
Silent |
| 1941 |
For Whom The Bell Tolls. |
Sam Wood |
1 reel |
16mm |
B&W |
sound |
| 1941 |
Friedemann Bach. |
Terra-Film AG |
102 min |
16mm |
B&W |
sound |
| 1941 |
Gay nineties live again |
Castle Films presents. |
11 |
16mm |
B&W |
silent |
| 1941 |
General Nuisance. |
Jules White |
1603 ft. |
|
B&W |
|
| 1941 |
GLEITSCHUTZKETTEN FÜR KRAFTFAHRZEUGE |
un Lehrfilm Herstellungsgruppe Paul Schwärzel ; der Gasparcolor-Film G.m.b.H. |
8:00 |
16mm |
B&W |
silent |
| 1941 |
Her First Beau. |
Theodore Reed |
7 reels |
|
B&W |
|
| 1941 |
HERE COMES MR. JORDAN. |
Alexander Hall |
9 reels |
|
B&W |
|
| 1941 |
High Sierra. |
Royal Revues Inc. |
11 reels. |
16mm |
B&W |
sound |
| 1941 |
HOW GREEN WAS MY VALLEY |
John Ford |
118 min |
|
B&W |
|
| 1941 |
HOW GREEN WAS MY VALLEY |
20th Century-Fox |
118min |
16mm |
B&W |
Sound |
| 1941 |
How Green Was My Valley. |
John Ford |
10730 ft. |
|
B&W |
|
| 1941 |
I Wake Up Screaming. ▶ |
H. Bruce Humberstone; Twentieth Century-Fox Film Corporation |
1:22:00 |
16mm |
B&W |
sound |
| 1941 |
Ich Klage an. |
Tobis Filmkunst GmbH |
120 min |
16mm |
B&W |
sound |
| 1941 |
In The Sweet Pie And Pie. |
Jules White |
1 545 ft. |
|
B&W |
|
| 1941 |
Jakko. |
Tobis Filmkunst GmbH |
83 min |
16mm |
B&W |
sound |
| 1941 |
Kansas Cyclone. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1941 |
Las Vegas nights. |
Ralph Murphy |
9 reels |
16mm |
Color & B&W |
sound |
| 1941 |
Loco Boy Makes Good. |
Jules White |
2 reels |
|
B&W |
|
| 1941 |
Louisiana Purchase |
Kodak |
22 0:22:00 |
16mm |
B&W |
sound |