| 1996 |
The Quest |
NFBC |
12:00 |
|
Color |
|
| 1996 |
The Quest |
Jean-Claude Van Damme |
94 min |
|
Color |
|
| 1996 |
The Quest |
Jean-Claude Van Damme |
94 min |
|
Color |
|
| 1996 |
THE QUEST ▶ |
Jean-Claude Van Damme |
94 min |
|
Color |
|
| 1996 |
The Right to Know |
Stephan Brenninkmeijer |
|
|
Color |
|
| 1996 |
The Rock |
Michael Bay |
127 min |
|
Color |
|
| 1996 |
The Rock |
Michael Bay |
127 min |
|
Color |
|
| 1996 |
Twister. |
Jan de Bont |
113 min |
16mm |
Color |
silent |
| 1996 |
Two If By Sea |
Natl Broadcasting Company |
92 min |
16mm |
Color |
sound |
| 1997 |
Air Force One |
Wolfgang Petersen |
124 min |
|
Color |
|
| 1997 |
Alien resurrection |
Jean-Pierre Jeunet |
108 min |
|
Color |
|
| 1997 |
Boogie nights |
Paul Thomas Anderson |
155 min |
|
Color |
|
| 1997 |
Conquest |
Teaching Film Custodians: Distributor | Teaching Film Custodians: Publisher |
0:23:43 |
16mm |
B&W |
sound |
| 1997 |
Conquest |
Brad Armstrong, Greg Steel |
115 min |
|
Color |
|
| 1997 |
Contact! |
Calvin Productions Inc. |
3:00 |
16mm |
Color |
sound |
| 1997 |
Face/off |
John Woo |
138 min |
|
Color |
|
| 1997 |
Flubber |
Les Mayfield |
90 min |
|
Color |
|
| 1997 |
G.I. Jane |
Ridley Scott |
124 min |
|
Color |
|
| 1997 |
George of the jungle |
Sam Weisman |
92 min |
|
Color |
|
| 1997 |
Grosse Pointe blank |
George Armitage |
107 min |
|
Color |
|
| 1997 |
Leave It To Beaver. |
Revue Studios. |
27 min. |
16mm |
B&W |
sound |
| 1997 |
Money Talks |
Brett Ratner |
91 min |
16mm |
Color |
sound |
| 1997 |
Mr Magoo |
Stanley Tong |
84 min |
|
Color |
|
| 1997 |
Nothing to lose |
Steve Oedekerk |
98 min |
|
Color |
|
| 1997 |
Romy and Michele's high school reunion |
David Mirkin |
88 min |
|
Color |
|
| 1997 |
Scream 2 |
Wes Craven |
120 min |
|
Color |
|
| 1997 |
Starship troopers |
Paul Verhoeven |
129 min |
|
Color |
|
| 1997 |
The Contact |
Chang Yoon-hyun |
105 min |
|
Color |
|
| 1997 |
The Eel |
Shohei Imamura |
110 min |
|
Color |
|
| 1997 |
The Peacemaker |
Mimi Leder |
118 min |
|
Color |
|
| 1997 |
Titanic |
James Cameron |
194 min |
|
Color |
|
| 1998 |
A Bug's life |
John Lasseter, Andrew Stanton |
96 min |
|
Color |
|
| 1998 |
Acid house. |
Paul McGuigan |
111 min |
16mm |
Color |
sound |
| 1998 |
Antz |
Eric Darnell, Tim Johnson |
83 min |
|
Color |
|
| 1998 |
Armageddon |
Michael Bay |
150 min |
|
Color |
|
| 1998 |
Counterpoint |
Les Landau |
46 min |
|
Color |
|
| 1998 |
Dirty Work |
Blackhawk Films |
600 |
|
Color |
|
| 1998 |
Enemy of the State |
Tony Scott |
132 min |
|
Color |
|
| 1998 |
Holy man |
Stephen Herek |
114 min |
|
Color |
|
| 1998 |
I'll be home for Christmas |
Arlene Sanford |
83 min |
|
Color |
|
| 1998 |
Lautrec |
Roger Planchon |
126 min |
|
Color |
|
| 1998 |
Lost in space |
Stephen Hopkins |
125 min |
|
Color |
|
| 1998 |
Madeline |
Daisy von Scherler Mayer |
88 min |
|
Color |
|
| 1998 |
Mulan |
Tony Bancroft, Barry Cook |
88 min |
|
Color |
|
| 1998 |
Out of sight |
Steven Soderbergh |
118 min |
|
Color |
|
| 1998 |
Out of sight |
Steven Soderbergh |
118 min |
|
Color |
|
| 1998 |
Pleasantville |
Gary Ross |
120 min |
|
Color & B&W |
|
| 1998 |
Rush hour |
Brett Ratner |
98 min |
|
Color |
|
| 1998 |
Six days seven nights |
Ivan Reitman |
98 min |
|
Color |
|
| 1998 |
Taxi |
Gérard Pirès |
86 min |
|
Color |
|