| 1986 |
Ruthless people |
Jerry Zucker, Jim Abrahams, David Zucker |
91 min |
|
Color |
|
| 1986 |
Street of crocodiles |
First Run/Icarus |
21 |
16mm |
Color & B&W |
sound |
| 1986 |
The Fly |
Perspective Films |
2:00 |
|
Color |
|
| 1986 |
The Fly |
David Cronenberg |
13 min |
16mm |
B&W |
Silent |
| 1986 |
The Gang |
FMS Productions Inc |
82 min |
16mm |
Color |
sound |
| 1986 |
The Gang |
Arvo Kruusement |
82 min |
|
Color |
|
| 1986 |
The Great mouse detective |
Burny Mattinson, David Michener, John Musker, Ron Clements |
75 min |
|
Color |
|
| 1986 |
The Sacrifice |
Andrei Tarkovsky |
149 min |
|
Color |
|
| 1986 |
The Sixth Day |
Paulist Productions |
106 min |
16mm |
Color |
sound |
| 1986 |
Weekend Warriors. |
Bert Convy |
550 |
16mm |
Color |
silent |
| 1987 |
Charles and François ▶ |
Co Hoedeman |
|
|
|
|
| 1987 |
Eine Rolle Duschen ▶ |
Detlev Buck |
5 min |
|
Color |
|
| 1987 |
King Size ▶ |
Juliusz Machulski |
105 min |
|
Color |
|
| 1987 |
Like Father Like Son |
Rod Daniel |
600 |
|
Color |
|
| 1987 |
One hundred children waiting for a train |
First Run/Icarus |
57 |
16mm |
Color |
sound |
| 1987 |
Outrageous fortune |
Arthur Hiller |
99 min |
|
Color |
|
| 1987 |
The Untouchables |
Brian De Palma |
119 min |
|
Color |
|
| 1987 |
The Way Things Go |
Hans-Ulrich Jordi |
30 |
16mm |
Color |
|
| 1987 |
Three men and a baby |
Leonard Nimoy |
101 min |
|
Color |
|
| 1987 |
Tin men |
Barry Levinson |
112 min |
|
Color |
|
| 1987 |
UNDER THE SUN OF SATAN |
Maurice Pialat |
93 min |
|
Color |
|
| 1987 |
Yuki Yukite shingun = |
The Emperor's naked army marches on Imamura Productions ; Shisso Production ; Zanzou-sha ; produced by Sachiko Kobayashi ; directed by Kazuo Hara. |
119 |
16mm |
Color |
sound |
| 1988 |
A Soldier's Tale |
Arthur Cantor Inc |
96 min |
16mm |
|
sound |
| 1988 |
A World Apart |
Princess Cruise Lines |
600 |
|
Color |
|
| 1988 |
Beaches |
Garry Marshall |
123 min |
|
Color |
|
| 1988 |
Chocolat |
Cinemanuel : Marin Karmitz-MK2 Productions : Cerito Films : La S.E.P.T. : Wim Wenders Productions-Berlin : Caroline Productions : Le F.O.D.I.C. : T.F.I. Films production |
106 mi |
16mm |
Color |
sound |
| 1988 |
Cocktail |
Roger Donaldson |
99 min |
|
Color |
|
| 1988 |
Frantic |
Roman Polanski |
120 min |
|
Color |
|
| 1988 |
Running on Empty |
Sidney Lumet |
116 min |
|
Color |
|
| 1988 |
SHOOT TO KILL ▶ |
Roger Spottiswoode |
109 min |
16mm |
Color |
|
| 1988 |
The Bear |
Films Incorporated |
92 |
16mm |
Color |
sound |
| 1988 |
The Microscope |
Rudolf Thome |
97 min |
|
Color |
|
| 1988 |
Who framed Roger Rabbit? |
Robert Zemeckis |
100 min |
|
Color & B&W |
|
| 1989 |
Dead calm |
Phillip Noyce |
95 min |
|
Color |
|
| 1989 |
Derriere le mur |
la Maison de la culture du Havre, l'Esquisse et La Sept présentent ; un film de Raoul Ruiz ; producteur délégué, Jean-Luc Larguier. |
72 |
16mm |
Color & B&W |
sound |
| 1989 |
Everything's for you |
produced, directed, filmed and edited by Abraham Ravett. |
58 |
16mm |
Color & B&W |
silent and sound |
| 1989 |
Honey, I shrunk the kids |
Joe Johnston |
89 min |
|
Color |
|
| 1989 |
Interrogation |
Ryszard Bugajski |
111 min |
16mm |
Color |
sound |
| 1989 |
Jesus of Montreal |
New Yorker |
119 mi |
16mm |
Color |
sound |
| 1989 |
Juke Bar ▶ |
Barry Martin |
10 min |
16mm |
Color |
sound |
| 1989 |
Let's get lost |
Zeitgeist |
119 mi |
16mm |
B&W |
sound |
| 1989 |
New York stories |
Woody Allen, Francis Ford Coppola, Martin Scorsese |
124 min |
|
Color |
|
| 1989 |
The Delinquents |
Chris Thomson |
101 min |
|
Color |
|
| 1989 |
The Little Mermaid |
Ron Clements, John Musker |
83 min |
|
Color |
|
| 1989 |
The White Dove |
McGraw-Hill Films |
100 min |
16mm |
Color |
sound |
| 1989 |
What Time Is It ? |
Ettore Scola |
11 |
16mm |
Color |
sound |
| 1990 |
Arachnophobia |
Frank Marshall |
105 min |
|
Color |
|
| 1990 |
Arrivederci Roma |
Clive Donner |
26 min |
|
Color |
|
| 1990 |
Au Chic Resto Pop ▶ |
Tahani Rached |
85 min |
|
|
|
| 1990 |
Darkness light darkness. |
Jan Švankmajer |
8 min |
16mm |
|
sound |