| 1972 |
Sambizanga |
New Yorker |
102 mi |
16mm |
Color |
sound |
| 1972 |
Savage Messiah |
Russ-Arts |
99 min |
|
Color |
sound |
| 1972 |
Say Goodbye, Maggie Cole |
American Broadcasting Companies, Inc |
74 min |
|
Color |
sound |
| 1972 |
Schlock |
Gazotskie Films, Inc |
80 min |
|
Color |
sound |
| 1972 |
Seems like only yesterday |
[direction, Carroll Ballard]. |
|
16mm |
B&W |
|
| 1972 |
Selling Out |
CANADA |
|
16mm |
|
sound |
| 1972 |
Selling out |
Tadeusz Jaworski |
|
|
|
|
| 1972 |
Sergeant Emma |
Redwood Productions, Inc |
30 min |
|
Color |
sound |
| 1972 |
Sergeant Swell of the Mounties |
Chuck Menville, Len Janson |
|
|
|
|
| 1972 |
Short Fuse |
Universal City Studios, Inc |
80 min |
|
Color |
sound |
| 1972 |
Show Biz Beagle |
Walter Lantz |
6 min |
|
Color |
sound |
| 1972 |
Silent Running |
Universal Pictures |
90 min |
|
Color |
sound |
| 1972 |
Sky Above, Death Below |
QM Productions |
60 min |
|
Color |
sound |
| 1972 |
Small Smoke At Blaze Creek |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1972 |
Somebody Waiting ▶ |
univ of calif |
|
16mm |
|
sound |
| 1972 |
Space Filling Curves |
Intl Film Bureau Inc |
26 |
16mm |
Color |
sound |
| 1972 |
Splendours of Britain |
John Abbott |
|
|
|
|
| 1972 |
Stage lighting |
Tony De Zarraga |
|
|
|
|
| 1972 |
STAGE LIGHTING |
Tony De Zarraga |
|
|
|
|
| 1972 |
Sunstruck |
James Gilbert |
|
|
|
|
| 1972 |
Superbeast |
United Artists Corp |
93 min |
|
Color |
sound |
| 1972 |
Sweet Sugar |
Dimension Pictures |
86 min |
|
Color |
sound |
| 1972 |
Talkback: a study in communication |
Anthony Pelissier |
|
|
|
|
| 1972 |
Tchou Tchou |
NATL FILM BOARD OF CANADA 1251 AVE OF THE AMERICAS 16TH FLOOR NEW YORK NY 10020 |
14 min |
16mm |
|
sound |
| 1972 |
Tchou Tchou |
Co Hoedeman |
14 min |
|
|
|
| 1972 |
Tchou-tchou |
Co Hoedeman |
14 min |
|
|
|
| 1972 |
Tchou-tchou |
Co Hoedeman |
14 min |
|
|
|
| 1972 |
Teaching a language structure by the Australian situational method. Part 1 |
Ian Hart |
|
|
|
|
| 1972 |
Teaching a language structure by the Australian situational method. Part 2 |
Ian Hart |
|
|
|
|
| 1972 |
Telecommunications and industrial electronics |
Wolfgang Kress |
|
|
|
|
| 1972 |
Temples Of Time |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1972 |
That Certain Summer |
Universal City Studios, Inc |
80 min |
|
Color |
sound |
| 1972 |
That Was No Lady |
QM Productions |
60 min |
|
Color |
sound |
| 1972 |
The Astronaut |
Silverton Productions, Inc |
80 min |
|
Color |
sound |
| 1972 |
The Big Bet |
Redwood Productions, Inc |
30 min |
|
Color |
sound |
| 1972 |
The Big Fight! |
Ting-Mei Sung, Sheng-Yuan Sun |
94 min |
16mm |
|
silent |
| 1972 |
The Billiard room |
Peter Weir |
|
|
|
|
| 1972 |
The bird who is a clown |
Encyclopaedia Britannica Educational Corporation: Distributor | Indiana University Audio-Visual Center: Distributor | Lane Education Service District: Distributor |
0:09:10 |
16mm |
Color |
sound |
| 1972 |
The Bolero |
PYRAMID FILM AND VIDEO |
27 |
16mm |
Color |
sound |
| 1972 |
The Bounty Man |
American Broadcasting Companies, Inc |
74 min |
|
Color |
sound |
| 1972 |
The Boxer From Shantung |
Chang Cheh, Pao Hsueh Lieh |
138 min |
|
Color |
|
| 1972 |
The Boy who turned yellow |
Michael Powell |
55 min |
|
|
|
| 1972 |
The Bravos |
Universal Studios. A Groverton-Universal production |
106 min |
|
Color |
sound |
| 1972 |
The Coastguard |
Simon Campbell-Jones |
|
|
|
|
| 1972 |
The Computer Centre |
Peter Weir |
|
|
|
|
| 1972 |
The Concert For Bangladesh |
Apple Films |
140 min |
|
Color |
sound |
| 1972 |
The Couple Takes A Wife |
Universal City Studios, Inc |
80 min |
|
Color |
sound |
| 1972 |
The Crooked Hearts |
American Broadcasting Companies, Inc |
74 min |
|
Color |
sound |
| 1972 |
The Cruise |
Natl Film Board Of Canada |
65 min |
16mm |
Color & B&W |
sound |
| 1972 |
The Curse of Laradjongran |
Peter Tammer |
|
|
|
|