| 1912 |
GERONIMO'S LAST RAID. |
American Film Mfg. Co. |
2 reels |
|
B&W |
|
| 1912 |
Hands Across the Sea |
Girl Scouts of America |
0:18:00 |
16mm |
Color |
sound |
| 1912 |
HEAVEN AVENGES |
D. W. Griffith |
4:00 |
16mm |
|
silent |
| 1912 |
Helen's Marriage ▶ |
Mack Sennett |
7 min |
|
B&W |
|
| 1912 |
Help! Help! |
Biograph Company. |
192 |
16mm |
B&W |
|
| 1912 |
His Official Appointment ▶ |
Charles Kent; Hal Wilson; Mrs. B.F. Clinton; Catherine Carr; Tefft Johnson |
|
|
B&W |
|
| 1912 |
How a Mosquito Operates ▶ |
Winsor McCay |
6 min |
|
B&W |
|
| 1912 |
In Nacht und Eis ▶ |
Mime Misu |
35 min |
|
B&W |
|
| 1912 |
Iola's promise |
D. W. Griffith |
18 min |
|
B&W |
|
| 1912 |
IT IS NEVER TOO LATE TO MEND. |
Thomas A. Edison Inc. |
2 reels |
|
B&W |
|
| 1912 |
Katchem Kate ▶ |
Mack Sennett |
11 min |
|
B&W |
|
| 1912 |
Kærlighed og venskab ▶ |
Gerda Christophersen; Lily Frederiksen; Tronier Funder; Mathilde Felumb Friis; Eduard Schnedler-Sørensen; Axel Boesen |
37 min |
|
B&W |
|
| 1912 |
L'iris fantastique ▶ |
Segundo de Chomn |
228 min |
|
|
|
| 1912 |
La hantise ▶ |
Louis Feuillade |
23 min |
|
B&W |
|
| 1912 |
Le chrysanthème rouge ▶ |
Léonce Perret; Suzanne Grandais; Émile Keppens |
15 min |
|
B&W |
|
| 1912 |
Life Or Death |
Film Communicators |
|
16mm |
B&W |
sound |
| 1912 |
Lincoln's Gettysburg Address |
Art Evans Productions. |
16 |
16mm |
B&W |
sound |
| 1912 |
LULU'S DOCTOR |
The Vitagraph Company of America |
|
16mm |
B&W |
silent |
| 1912 |
Making an American Citizen ▶ |
Alice Guy; Lee Beggs; Blanche Cornwall |
16 min |
|
B&W |
|
| 1912 |
Man's genesis |
Blackhawk |
10 |
16mm |
B&W |
silent |
| 1912 |
Max And The Statue |
Max Linder |
10 |
|
|
|
| 1912 |
More precious than gold |
J. Searle Dawley |
|
|
B&W |
|
| 1912 |
On The Firing Line ▶ |
Courier Productions Inc. |
|
16mm |
B&W |
sound |
| 1912 |
ON THE FIRING LINE |
Francis Ford |
|
|
B&W |
|
| 1912 |
ON THE FIRING LINE |
Francis Ford |
|
|
B&W |
|
| 1912 |
Romance and Reality |
Harry A. Pollard |
12:00 |
|
B&W |
|
| 1912 |
Saved from the Titanic ▶ |
Alec B. Francis; Julia Stuart; Étienne Arnaud; John G. Adolfi; Dorothy Gibson |
10 min |
|
B&W |
|
| 1912 |
So Near, Yet So Far |
Biograph Co |
17 min |
16mm |
B&W |
sound |
| 1912 |
THE ADOPTED CHILD |
Georges Monca |
|
|
B&W |
|
| 1912 |
THE ADVENTURES OF LIEUTENANT PETROSINO. |
Feature Photoplay Co. |
|
|
|
|
| 1912 |
THE AVIATOR'S GENEROSITY |
Urban Gad |
875 |
16mm |
B&W |
silent |
| 1912 |
The baby and the stork |
Museum of Modern Art |
12 |
16mm |
B&W |
silent |
| 1912 |
The Ball Player and the Bandit ▶ |
Francis Ford |
12 min |
|
B&W |
|
| 1912 |
The Confederate Ironclad ▶ |
Kenean Buel |
|
|
B&W |
|
| 1912 |
The Conquest of the Pole |
Georges Méliès |
33 |
|
B&W |
|
| 1912 |
THE COPPER BEECHES. |
Société Française des Films & Cinématographes Éclair |
25 min |
|
B&W |
|
| 1912 |
The Crime of Carelessness ▶ |
Harold M. Shaw |
|
|
B&W |
|
| 1912 |
The Cry of the Children ▶ |
George Nichols |
|
|
B&W |
|
| 1912 |
The Desert |
Thomas H. Ince |
|
|
B&W |
|
| 1912 |
THE EMPTY WATER KEG. |
Thomas H. Ince |
390 |
16mm |
B&W |
|
| 1912 |
The Fatherhood of Buck McGee ▶ |
Robert Thornby |
|
|
B&W |
|
| 1912 |
the first violin |
Van Dyke Brooke |
|
|
B&W |
|
| 1912 |
The Furs ▶ |
Mack Sennett |
8 min |
|
B&W |
|
| 1912 |
THE GIRL AND HER TRUST ▶ |
Biograph Company. |
4:00 |
16mm |
B&W |
silent |
| 1912 |
The girl and her trust |
Museum of Modern Art |
15 |
16mm |
B&W |
silent |
| 1912 |
The Girl and her trust |
D. W. Griffith |
|
|
B&W |
|
| 1912 |
The Girl in the arm-chair |
Alice Guy-Blaché |
13 |
16mm |
Color |
|
| 1912 |
The Grasshopper and the ant |
Ladislas Starevich |
4 min |
|
B&W |
|
| 1912 |
THE GREAT CIRCUS CATASTROPHE. |
Nordisk Films Co. |
41 min |
|
B&W |
|
| 1912 |
The Grit Of The Girl Telegrapher |
Kalem Co |
|
16mm |
B&W |
sound |