| 1913 |
The Winning Hand |
Kearney And Trecker Corp |
|
16mm |
B&W |
sound |
| 1913 |
The Wreck |
unknown |
|
16mm |
B&W |
sound |
| 1913 |
THEIR ONE GOOD SUIT. |
Biograph Co |
|
|
|
|
| 1913 |
THOSE LITTLE FLOWERS. |
Biograph Co |
|
|
|
|
| 1913 |
THROUGH FIRE TO FORTUNE. |
Lubin Mfg Co |
|
|
B&W |
|
| 1913 |
THROUGH THE NEIGHBOR'S WINDOW. |
American Film Mfg. Co. |
|
|
B&W |
|
| 1913 |
THROUGH THE TEST OF FIRE. |
Nordisk Film Co. |
|
|
|
|
| 1913 |
TIGRIS. |
Itala Film. |
4 reels |
|
B&W |
|
| 1913 |
Traffic In Souls |
unknown |
20:27 |
16mm |
B&W |
sound |
| 1913 |
Traffic in Souls |
Imp |
1:28:00 |
16mm |
B&W |
silent |
| 1913 |
Twilight of a Woman's Soul ▶ |
V. Brianski; Nina Chernova; V. Demert; A. Ugrjumov; Yevgeni Bauer |
48 min |
|
B&W |
|
| 1913 |
UNJUSTLY ACCUSED. |
Nordisk Films Co. |
58 min |
|
B&W |
|
| 1913 |
UNTIL THE SEA. |
Selig Polyscope Co. |
|
|
B&W |
|
| 1913 |
WHAT IS THE USE OF REPINING? |
Biograph Co |
|
|
|
|
| 1913 |
WHAT THE GODS DECREE. |
Société Française des Films et Cinématographes Éclair |
|
|
B&W |
|
| 1913 |
WHEN JIM RETURNED. |
American Film Mfg. Co. |
|
|
B&W |
|
| 1913 |
WHEN PARIS LOVES. |
Eclectic Film Co. |
|
|
B&W |
|
| 1913 |
WHEN THE LIGHT FADES. |
American Film Mfg. Co. |
|
|
B&W |
|
| 1913 |
When The Studio Burned |
Thanhouser Film Corp |
|
16mm |
B&W |
sound |
| 1913 |
WHERE'S THE BABY? |
Biograph Co |
|
|
B&W |
|
| 1913 |
WHICH WAY DID HE GO? |
Vitagraph Co Of America |
1 reel |
|
B&W |
|
| 1913 |
WHO WILL MARRY MARY? |
Thomas A. Edison Inc. |
1 reel |
|
B&W |
|
| 1912 |
A Beast At Bay |
D. W. Griffith |
17 |
|
B&W |
|
| 1912 |
A change of spirit |
Biograph Co. (Publisher) |
0:10:00 |
16mm |
B&W |
sound |
| 1912 |
A Cure for Pokeritis ▶ |
John Bunny; Charles Eldridge; Leah Baird; Laurence Trimble; Flora Finch |
12:52 |
|
B&W |
silent |
| 1912 |
A Dash Through The Clouds |
Mack Sennett |
12 |
|
B&W |
|
| 1912 |
A Feud In The Kentucky Hills |
Biograph Co |
17 min |
16mm |
B&W |
sound |
| 1912 |
A Japanese idyll |
Universal Film Mfg. Co. (Publisher) |
0:10:00 |
16mm |
Color |
silent |
| 1912 |
A Lively Affair ▶ |
Mabel Van Buren; Lucie K. Villa |
|
|
B&W |
|
| 1912 |
A Pueblo Legend |
Biograph Co |
13 min |
16mm |
B&W |
sound |
| 1912 |
A SAILOR'S HEART |
Biograph Co |
|
|
B&W |
|
| 1912 |
A Spanish Dilemma ▶ |
Mack Sennett |
|
|
B&W |
|
| 1912 |
A Vitagraph romance |
Museum of Modern Art |
8 |
16mm |
B&W |
silent |
| 1912 |
An Indian Summer |
D. W. Griffith |
17 min |
|
B&W |
|
| 1912 |
Before the White Man Came |
Otis Turner |
5 reels |
16mm |
B&W |
Sound |
| 1912 |
Blazing The Trail ▶ |
Thomas H. Ince |
|
|
B&W |
|
| 1912 |
Blind Love |
D. W. Griffith |
12:00 |
|
B&W |
|
| 1912 |
Broncho Billy and the Schoolmistress ▶ |
Gilbert M. 'Broncho Billy' Anderson |
14 min |
|
B&W |
|
| 1912 |
Calino courtier en paratonnerres ▶ |
Clément Mégé; Gaston Modot; Jean Durand |
5 min |
|
B&W |
|
| 1912 |
Camille |
MGM/UA |
1:09 |
16mm |
B&W |
sound |
| 1912 |
Canned harmony. ▶ |
Alice Guy-Blaché |
3:03 |
16mm |
B&W |
sound |
| 1912 |
Children Who Labor |
Thomas A. Edison |
|
|
B&W |
|
| 1912 |
Children Who Labor ▶ |
Ashley Miller |
|
|
B&W |
|
| 1912 |
CUSTER'S LAST FIGHT |
Bison (Firm) |
632 |
16mm |
B&W |
silent |
| 1912 |
Custer's Last Fight |
Thos. H. Ince |
31 min |
16mm |
B&W |
Sound |
| 1912 |
Dramas produced by Biograph Company. Pt 2 |
D. W. Griffith |
|
|
|
|
| 1912 |
Falling Leaves ▶ |
Alice Guy; Marian Swayne; Magda Foy; Mace Greenleaf; Blanche Cornwall |
12 min |
|
B&W |
silent |
| 1912 |
Fate's Interception |
Biograph Co |
4:00 |
16mm |
B&W |
sound |
| 1912 |
For His Son ▶ |
D. W. Griffith |
15 min |
|
B&W |
|
| 1912 |
From the Submerged ▶ |
Theodore Wharton |
11 min |
|
B&W |
|