| 1981 |
Short Tall Story |
John Halas |
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| 1981 |
Short tall story |
John Halas |
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| 1981 |
Skeletons aren't scary |
John Dick |
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| 1981 |
Smoking: The Choice Is Yours |
Disney |
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| 1981 |
Smoking: the choice is yours |
John Ewing |
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| 1981 |
So you're getting a divorce |
Stephen Wallace |
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| 1981 |
Soldier Girls |
FIRST-RUN FEATURES 144 BLEEKER ST NEW YORK NY 10012 |
87 min |
16mm |
Color |
sound |
| 1981 |
Soldier girls |
Churchill |
87 |
16mm |
Color |
sound |
| 1981 |
Soldier girls |
Nick Broomfield |
87 min |
|
Color |
|
| 1981 |
SOMEONE'S IN THE KITCHEN WITH JAMIE |
Learning Corporation of America |
8:00 |
16mm |
|
sound |
| 1981 |
Someone's in the Kitchen With Jamie |
Learning Corp of America |
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| 1981 |
Someone's in the Kitchen With Jamie |
Learning Corporation of America |
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| 1981 |
Someone's in the kitchen with Jamie |
Barra Grant |
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| 1981 |
Someone’s in the Kitchen With Jamie |
Barra Grant |
2000 |
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| 1981 |
Songs for swinging larvae |
The Cryptic Corporation ; directed by Graeme Whifler. |
7 |
16mm |
Color |
sound |
| 1981 |
Spacy |
Takashi Ito |
|
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| 1981 |
Stations of the elevated |
Manfred Kirchheimer |
46 min |
|
Color |
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| 1981 |
Staying upfront |
Stephen Ramsey |
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| 1981 |
Steady as she goes |
The Board |
27 |
16mm |
Color |
sound |
| 1981 |
Steady as she goes |
Robert Fresco |
26 min |
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| 1981 |
Steady as she goes |
Robert Fresco |
26 min |
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| 1981 |
Steer 270 |
Vincent Donovan |
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| 1981 |
Straight lines, pegs and satellites |
Stanley Dalby |
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| 1981 |
Summer Solstice |
MTI |
55 min. |
16mm |
Color |
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| 1981 |
Sun Kosi: river of gold |
Douglas Stanley |
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| 1981 |
SWAN LAKE |
Kimio Yabuki |
74 min |
|
Color |
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| 1981 |
Swan Lake |
Kimio Yabuki |
74 min |
16mm |
B&W |
|
| 1981 |
Taxi zum klo |
Almi/Krypton |
92 |
16mm |
Color |
sound |
| 1981 |
Ten million books: an introduction to Farley Mowat |
Andy Thomson |
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| 1981 |
The Animals film |
Cinema Guild |
136 mi |
16mm |
Color |
sound |
| 1981 |
The Boy who turned off |
Larry Kurnarsky |
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| 1981 |
The Business of aging |
Laszlo Barna |
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| 1981 |
The Children's Story ▶ |
Clavell James direction production writing |
|
16mm |
|
sound |
| 1981 |
The Creation |
Billy Budd |
9 |
16mm |
Color |
sound |
| 1981 |
The Cricket And The Hen |
CZECHOSLOVAKIA |
5 min |
16mm |
Color |
sound |
| 1981 |
The Dark End Of The Street |
FIRST-RUN FEATURES 144 BLEEKER ST NEW YORK NY 10012 |
89 min |
16mm |
|
sound |
| 1981 |
The Devil At Your Heels |
Natl Film Board Of Canada |
|
16mm |
Color |
sound |
| 1981 |
The Devil at your heels |
Robert Fortier |
|
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Color |
|
| 1981 |
The Electric grandmother |
Learning Corporation of America |
:48 |
16mm |
Color |
sound |
| 1981 |
The Expressionist eye |
David Muir |
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| 1981 |
The Filleting machine |
Murray Martin |
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| 1981 |
The Five forty-eight |
Films Inc. Wilmette Ill. 1981 |
Genre:Fiction |
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| 1981 |
The Fly ▶ |
Arabian Amer Oil Co |
3 min |
16mm |
Color |
sound |
| 1981 |
The Followers |
Gilles Blais |
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| 1981 |
The Foolish brother |
Andrew Grieve |
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| 1981 |
The Fox and the hound |
Richard Rich, Art Stevens, Ted Berman |
83 min |
|
Color |
|
| 1981 |
The Fox And The Hound: A Lesson In Caution ▶ |
Philip Abbott |
8 |
>(8 min.): sound color |
Color |
sound |
| 1981 |
The Fox and the hound: a lesson in caution |
Philip Abbott |
|
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| 1981 |
The Fun gap |
John King |
|
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| 1981 |
The Garden of earthly delights |
S. Brakhage |
2 |
16mm |
Color |
sound |