| 1942 |
The Ox-Bow Incident. |
William A. Wellman, James Tinling |
6776 ft. |
|
B&W |
|
| 1942 |
The Panther's Claw. |
William Beaudine |
8 reels |
16mm |
B&W |
sound |
| 1942 |
The Phantom Plainsmen. |
John English |
6 reels |
|
B&W |
|
| 1942 |
The Pied Piper |
Percy Stow, Irving Pichel |
12:00 |
|
B&W |
|
| 1942 |
The Pied Piper. |
Percy Stow, Irving Pichel |
7 859 ft. |
16mm |
B&W |
sound |
| 1942 |
The Postman Didn't Ring. |
Harold D. Schuster |
6 131 ft. |
16mm |
Color |
sound |
| 1942 |
The price of victory |
William H. Pine |
14 min |
|
B&W |
|
| 1942 |
The Pride Of The Yankees. |
90230 The Samuel Goldwyn Company |
128 min |
16mm |
B&W |
sound |
| 1942 |
THE REAR GUNNER ▶ |
National Archives and Records Administration |
|
16mm/video file |
B&W |
|
| 1942 |
The Red terror |
Karl Ritter |
99 min |
|
B&W |
|
| 1942 |
The Secret Code. |
Spencer Gordon Bennet |
2 reels |
|
B&W |
|
| 1942 |
The Spirit Of Stanford. |
Charles Barton |
8 reels |
|
B&W |
|
| 1942 |
The Spoilers |
Ray Enright |
87 min |
|
B&W |
|
| 1942 |
THE STORY OF EDDIE RICKENBACKER ▶ |
Blackhawk |
96 min |
16mm |
Color |
|
| 1942 |
The Traitor Within. |
Frank McDonald |
6 reels |
|
Color |
|
| 1942 |
The Tuttles Of Tahiti. |
Charles Vidor |
91 min. |
|
B&W |
|
| 1942 |
The Valley Of Vanishing Men. |
Spencer Gordon Bennet |
2 reels |
|
B&W |
|
| 1942 |
The Wabbit Who Came to Supper |
I. Freleng |
|
|
|
|
| 1942 |
THE WHITE CLIFFS OF DOVER |
R C M Productions |
127 min |
16mm |
B&W |
sound |
| 1942 |
The White Cliffs Of Dover. |
Clarence Brown |
1 reel |
16mm |
B&W |
sound |
| 1942 |
The Wife Takes A Flyer. |
Richard Wallace |
9 reels |
|
B&W |
|
| 1942 |
The Woman In The House. |
Teaching Film Custodians, Inc |
988 ft. |
16mm |
B&W |
sound |
| 1942 |
The World At War |
Lowell Mellett |
10 |
|
|
|
| 1942 |
THE WORLD AT WAR ▶ |
Lowell Mellett |
66 min |
16mm |
|
|
| 1942 |
They Died With Their Boots On. |
Raoul Walsh, B. Reeves Eason |
140 min |
|
B&W |
|
| 1942 |
They Got Me Covered. |
David Butler |
94 min. |
|
B&W |
|
| 1942 |
This Gun For Hire. |
Frank Tuttle |
8 reels |
|
B&W |
|
| 1942 |
THREE LITTLE SISTERS |
Joseph Santley |
1:00 |
16mm |
Color |
sound |
| 1942 |
THREE LITTLE SISTERS |
Joseph Santley |
1:00 |
16mm |
Color |
sound |
| 1942 |
Three Little Sisters. |
Joseph Santley |
1 reel |
16mm |
B&W |
sound |
| 1942 |
Three Smart Saps. |
Jules White |
1517 ft. |
|
B&W |
|
| 1942 |
Thru Different Eyes. |
Thomas Z. Loring |
5 750 ft. |
|
Color |
|
| 1942 |
Thunder River feud. |
S. Roy Luby |
1700 |
16mm |
B&W |
sound |
| 1942 |
Thunder River Feud. |
S. Roy Luby |
6 reels |
|
B&W |
|
| 1942 |
Thundering Hoofs. |
Lesley Selander |
60 min. |
|
B&W |
|
| 1942 |
Time To Kill. |
Herbert I. Leeds |
5 479 ft. |
|
B&W |
|
| 1942 |
Tish. |
S. Sylvan Simon |
8 reels |
|
B&W |
sound |
| 1942 |
To be or not to be |
Ernst Lubitsch |
93 min |
|
B&W |
|
| 1942 |
Today I Hang. |
Oliver Drake |
7 reels |
|
B&W |
|
| 1942 |
Tomorrow we live |
Edgar G. Ulmer |
64 min |
|
B&W |
|
| 1942 |
Top Sergeant. |
Christy Cabanne |
7 reels |
|
B&W |
|
| 1942 |
Torpedo Boat. |
John Rawlins |
7 reels |
|
Color & B&W |
|
| 1942 |
Tough As They Come. |
William Nigh |
7 reels |
|
B&W |
|
| 1942 |
Trail Riders. |
Robert Emmett Tansey |
6 reels |
|
B&W |
|
| 1942 |
Tramp, Tramp, Tramp. |
Charles Barton |
7 reels |
|
|
|
| 1942 |
True To The Army. |
Albert S. Rogell |
8 reels |
|
B&W |
|
| 1942 |
Tuxedo Junction. |
Frank McDonald |
1:00 |
16mm |
B&W |
sound |
| 1942 |
Two Yanks In Trinidad. |
Gregory Ratoff |
9 reels |
|
B&W |
|
| 1942 |
Two-Faced Woman. |
George Cukor, Andrew Marton |
10 reels |
|
B&W |
sound |
| 1942 |
Two-Fisted Justice. |
Robert Emmett Tansey |
6 reels |
|
B&W |
|