| 1942 |
Symphonies in Stone #7 |
An Inspiration Film Production Directed by Horace Shepherd |
300 ft. |
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| 1942 |
Syncopation. |
William Dieterle |
88 min. |
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B&W |
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| 1942 |
Taxi, Mister. |
Kurt Neumann |
5 reels |
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B&W |
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| 1942 |
Tenting Tonight On The Old Camp Ground. |
Lewis D. Collins |
6 reels |
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B&W |
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| 1942 |
Texas To Bataan. |
Robert Emmett Tansey |
7 reels |
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B&W |
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| 1942 |
Texas Trouble Shooters. |
S. Roy Luby |
6 reels |
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B&W |
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| 1942 |
That Other Woman. |
Ray McCarey |
6852 ft. |
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Color & B&W |
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| 1942 |
The Avenging Rider. |
Sam Nelson |
56 min. |
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B&W |
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| 1942 |
THE BATTLE FOR OIL ▶ |
Stuart Legg |
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16mm |
B&W |
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| 1942 |
The Battle Of Midway |
John Ford |
18 |
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Color & B&W |
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| 1942 |
THE BATTLE OF MIDWAY ▶ |
John Ford |
18 min |
16mm |
Color & B&W |
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| 1942 |
The Battle of Midway |
John Ford |
18 min |
|
Color & B&W |
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| 1942 |
The Battle of Russia ▶ |
FDR Presidential Library |
83 min |
16mm/video file |
B&W |
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| 1942 |
The Big Shot ▶ |
Lewis Seiler |
80 min |
|
B&W |
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| 1942 |
The Big Shot. |
Lewis Seiler |
82 min. |
|
B&W |
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| 1942 |
The Big Street. |
Irving Reis |
88 min. |
|
B&W |
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| 1942 |
The Black swan |
Henry King |
85 min |
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Color |
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| 1942 |
The Boss Of Big Town. |
Arthur Dreifuss |
7 reels |
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B&W |
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| 1942 |
The Cyclone Kid. |
George Sherman |
6 reels |
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Color & B&W |
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| 1942 |
The devil with Hitler. |
Gordon Douglas |
14:50 |
16mm |
B&W |
sound |
| 1942 |
The Falcon Takes Over. |
Irving Reis |
63 min. |
|
B&W |
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| 1942 |
The Farmer's Daughter. |
James P. Hogan |
1 reel |
16mm |
B&W |
sound |
| 1942 |
The farmer's wife. |
Norman Lee |
2:50 |
16mm |
B&W |
sound |
| 1942 |
The Fleet's In. |
Victor Schertzinger |
9 reels |
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B&W |
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| 1942 |
The Flight of the dragon |
Leslie Thatcher |
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| 1942 |
The Girl From Alaska. |
Nick Grinde |
8 reels |
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Color |
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| 1942 |
The Hungry Wolf. |
Hugh Harman |
844 ft. |
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|
sound |
| 1942 |
The Impatient Patient. |
Warner Bros. presents ; supervision [direction], Norman McCabe ; produced by Leon Schlesinger ; story by Don Christensen ; animation, Vive Risto. |
1 reel |
16mm |
Color |
sound |
| 1942 |
The lady or the tiger? |
Encyclopaedia Britannica Educational Corp. |
175 |
16mm |
|
sound |
| 1942 |
The Life cycle of the newt |
Agnes Mary Field |
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| 1942 |
The Life cycle of the pin mould |
Agnes Mary Field |
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| 1942 |
THE LOAN STRANGER |
Alex Lovy |
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| 1942 |
The Lone Prairie. |
William Berke |
6 reels |
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B&W |
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| 1942 |
The Lone Rider And The Bandit. |
Sam Newfield |
6 reels |
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B&W |
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| 1942 |
The lone rider in Cheyenne. |
Sam Newfield |
6 reels |
16mm |
|
sound |
| 1942 |
The Lone Rider In Texas Justice. |
Sam Newfield |
6 reels |
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| 1942 |
The Loves Of Edgar Allan Poe. |
Harry Lachman |
6 021 ft. |
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B&W |
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| 1942 |
The Mad Martindales. |
Alfred L. Werker |
5824 ft. |
|
Color |
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| 1942 |
The Magnificent Ambersons. |
Orson Welles |
88 min. |
|
B&W |
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| 1942 |
The Male Animal. |
Elliott Nugent |
101 min |
|
B&W |
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| 1942 |
The Man In The Trunk. |
Malcolm St. Clair |
6 279 ft. |
|
Color |
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| 1942 |
The Man who came to dinner |
William Keighley |
112 min |
|
B&W |
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| 1942 |
The Man Who Came To Dinner. |
William Keighley |
112 min |
|
B&W |
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| 1942 |
The Man Who Wouldn't Die. |
Herbert I. Leeds |
5 880 ft. |
|
B&W |
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| 1942 |
The Mcguerins From Brooklyn. |
Kurt Neumann |
5 reels |
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B&W |
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| 1942 |
The New Spirit |
Walt Disney Productions. |
1 reel |
16mm |
Color |
sound |
| 1942 |
The Night Before The Divorce. |
Robert Siodmak |
6032 ft. |
|
B&W |
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| 1942 |
The Old Chisholm Trail. |
Elmer Clifton |
6 reels |
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B&W |
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| 1942 |
The Old Homestead. |
Frank McDonald |
7 reels |
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Color |
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| 1942 |
The Omaha Trail. |
Edward Buzzell |
3 reels |
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B&W |
sound |