| 1998 |
Praise |
Teleculture Inc. |
60 |
16mm |
Color |
sound |
| 1998 |
Rush hour |
Brett Ratner |
98 min |
|
Color |
|
| 1998 |
Rushmore |
Wes Anderson |
93 min |
|
Color |
|
| 1998 |
Shades of grey |
Lance Gentile |
|
|
|
|
| 1998 |
Six days seven nights |
Ivan Reitman |
98 min |
|
Color |
|
| 1998 |
Small soldiers |
Joe Dante |
108 min |
|
Color |
|
| 1998 |
Taxi |
Gérard Pirès |
86 min |
|
Color |
|
| 1998 |
Taxi |
Gérard Pirès |
86 min |
|
Color |
|
| 1998 |
The Detour |
Horacio Maldonado |
103 min |
|
Color |
|
| 1998 |
The Final game |
Sigi Rothemund |
92 min |
|
|
|
| 1998 |
The Gingerbread Man |
Perspective Films |
107 min |
|
Color |
|
| 1998 |
The Horse whisperer |
Robert Redford |
169 min |
|
Color |
|
| 1998 |
The Photographers |
Nikos Koundouros |
|
|
|
|
| 1998 |
The Polar Bear |
Phoenix |
90 min |
16mm |
Color |
sound |
| 1998 |
The Ransom of red chief |
Bob Clark |
90 min |
|
|
|
| 1998 |
The Right to Be Different |
Claudio Cipelletti |
12:00 |
|
|
|
| 1998 |
The Thin Red Line. |
Security Pictures Inc. |
166 min |
35mm |
B&W |
sound |
| 1998 |
The Waterboy |
Frank Coraci |
90 min |
|
Color |
|
| 1998 |
Traps |
Věra Chytilová |
124 min |
|
|
|
| 1998 |
Via Satellite |
AEGIS |
|
16mm |
|
sound |
| 1998 |
Who Am I |
Dist By Films Inc |
108 min |
16mm |
Color |
sound |
| 1997 |
[Thomas Jefferson] ▶ |
to be added |
1 reel |
16mm |
Color |
sound |
| 1997 |
A biography of Lilith |
a film by Lynne Sachs. |
36 |
16mm |
Color |
sound |
| 1997 |
After The Game |
DOCUMENTARY EDUCATIONAL RESOURCES 5 BRIDGE ST WATERTOWN MA 02172 JOHN MARSHALL |
|
16mm |
|
sound |
| 1997 |
Air Force One |
Wolfgang Petersen |
124 min |
|
Color |
|
| 1997 |
Alien resurrection |
Jean-Pierre Jeunet |
108 min |
|
Color |
|
| 1997 |
Boogie nights |
Paul Thomas Anderson |
155 min |
|
Color |
|
| 1997 |
Breakdown |
Jonathan Mostow |
90 min |
|
Color |
|
| 1997 |
Breakdown |
Jonathan Mostow |
90 min |
|
Color |
|
| 1997 |
BUSINESS AS USUAL ▶ |
Alexander Siddig |
45 min |
|
Color |
|
| 1997 |
Conquest |
Teaching Film Custodians: Distributor | Teaching Film Custodians: Publisher |
0:23:43 |
16mm |
B&W |
sound |
| 1997 |
Conquest |
Brad Armstrong, Greg Steel |
115 min |
|
Color |
|
| 1997 |
Contact! |
Calvin Productions Inc. |
3:00 |
16mm |
Color |
sound |
| 1997 |
Face/off |
John Woo |
138 min |
|
Color |
|
| 1997 |
Flubber |
Les Mayfield |
90 min |
|
Color |
|
| 1997 |
Frank Lloyd Wright |
PBS Video |
161 |
16mm |
Color |
|
| 1997 |
G.I. Jane |
Ridley Scott |
124 min |
|
Color |
|
| 1997 |
George of the jungle |
Sam Weisman |
92 min |
|
Color |
|
| 1997 |
Grosse Pointe blank |
George Armitage |
107 min |
|
Color |
|
| 1997 |
Jenny |
Jeff Melman, Andy Ackerman, Leonard R. Garner, Jr. |
|
|
|
|
| 1997 |
Jenny |
Jeff Melman, Andy Ackerman, Leonard R. Garner, Jr. |
|
|
|
|
| 1997 |
Jenny |
Jeff Melman, Andy Ackerman, Leonard R. Garner, Jr. |
|
|
|
|
| 1997 |
Leave It To Beaver. |
Revue Studios. |
27 min. |
16mm |
B&W |
sound |
| 1997 |
LITTLE BOY BLUE |
Antonio Tibaldi |
105 min |
|
Color |
|
| 1997 |
Money Talks |
Brett Ratner |
91 min |
16mm |
Color |
sound |
| 1997 |
Mr Magoo |
Stanley Tong |
84 min |
|
Color |
|
| 1997 |
Necropolis |
directed by Russ Johnson. |
13 |
16mm |
Color |
sound |
| 1997 |
Nothing to lose |
Steve Oedekerk |
98 min |
|
Color |
|
| 1997 |
Perfect Crime |
Caterpillar Tractor Co. |
92 min |
16mm |
|
sound |
| 1997 |
Public housing. |
Frederick Wiseman |
73 |
16mm |
|
sound |