| 1944 |
MAINTAINING GOOD WORKING CONDITIONS |
Castle Films |
9 min |
16mm |
|
Sound |
| 1944 |
MAINTAINING GOOD WORKING CONDITIONS |
Office of Education (Department of Health, Education, and Welfare) |
9 min |
|
B&W |
Optical sound |
| 1944 |
MAINTAINING QUALITY STANDARDS |
U.S. Office of Education |
10 min |
16mm |
B&W |
Sound |
| 1944 |
Maintaining workers interest |
F.E. Brooker |
|
|
|
|
| 1944 |
MAINTAINING WORKERS INTEREST |
Castle Films |
13 min |
16mm |
|
Sound |
| 1944 |
Man From Frisco. |
Robert Florey |
10 reels |
|
B&W |
|
| 1944 |
Marie-Louise. |
Praesens Films |
103 min |
16mm |
Color & B&W |
sound |
| 1944 |
Marked Trails. |
John P. McCarthy |
6 reels |
|
B&W |
|
| 1944 |
Marshal Of Reno. |
Wallace Grissell |
6 reels |
|
B&W |
|
| 1944 |
Meet me in St. Louis |
Films inc. |
113 mi |
16mm |
Color |
sound |
| 1944 |
Meet Miss Bobby Socks. |
Glenn Tryon |
7 reels |
|
B&W |
|
| 1944 |
Melody Parade. |
Arthur Dreifuss |
2 reels |
|
B&W |
|
| 1944 |
Men On Her Mind. |
Wallace Fox |
8 reels |
|
B&W |
|
| 1944 |
Million dollar kid. |
Wallace Fox |
2175 |
16mm |
B&W |
sound |
| 1944 |
Mojave Firebrand. |
Spencer Gordon Bennet |
6 reels |
|
Color |
|
| 1944 |
Mom And Dad. |
William Beaudine |
111 min |
35mm |
B&W |
sound |
| 1944 |
Moon Over Las Vegas. |
Jean Yarbrough |
7 reels |
|
B&W |
|
| 1944 |
Murder My Sweet |
Edward Dmytryk |
95 |
|
B&W |
|
| 1944 |
Music For Millions |
Irving Lesser Enterprises |
120 min |
16mm |
B&W |
sound |
| 1944 |
Music In Manhattan. |
John H. Auer |
81 min. |
|
B&W |
|
| 1944 |
My Best Gal. |
Anthony Mann |
7 reels |
|
B&W |
|
| 1944 |
My Buddy. |
Steve Sekely |
8 reels |
|
Color |
|
| 1944 |
Mystery Man. |
George Archainbaud |
58 min. |
|
B&W |
|
| 1944 |
Mystery Of The River Boat. |
Lewis D. Collins, Ray Taylor |
2 reels |
|
B&W |
|
| 1944 |
Night Club Girl. |
Edward F. Cline |
7 reels |
|
B&W |
|
| 1944 |
NIGHT TRAIN TO MEMPHIS |
R C M Productions |
|
16mm |
Color & B&W |
sound |
| 1944 |
Night Train To Memphis. |
Lesley Selander |
1 reel |
16mm |
B&W |
sound |
| 1944 |
Nine Girls. |
Leigh Jason |
8 reels |
|
B&W |
|
| 1944 |
Nitrous oxide, oxygen, ether, anaesthesia |
Margaret Thomson |
|
|
|
|
| 1944 |
None But The Lonely Heart. |
Clifford Odets |
113 min |
|
B&W |
|
| 1944 |
Nostradamus IV. |
Loew's Inc. |
4:00 |
16mm |
|
sound |
| 1944 |
Nostradamus Iv. |
Cy Endfield, Paul Burnford |
999 ft. |
|
B&W |
sound |
| 1944 |
Open drop ether |
Margaret Thomson |
|
|
|
|
| 1944 |
Outlaw roundup. |
Harry L. Fraser |
1760 |
16mm |
|
sound |
| 1944 |
Outlaw Trail. |
Robert Emmett Tansey |
6 reels |
|
B&W |
|
| 1944 |
Outlaws Of Santa Fe. |
Howard Bretherton |
6 reels |
|
Color |
|
| 1944 |
Painters Of Quebec |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1944 |
Painters of Quebec |
National Film Board of Canada |
0:17:00 |
16mm |
Color |
sound |
| 1944 |
Painters of Quebec |
Grant H. Crabtree |
|
|
|
|
| 1944 |
PAINTERS OF QUEBEC |
Grant H. Crabtree |
|
|
|
|
| 1944 |
PAINTERS OF QUEBEC |
Ideal Pictures Corporation |
13 min |
16mm |
|
Sound |
| 1944 |
Patrolling The Ether. |
Paul Burnford |
2 reels |
|
B&W |
sound |
| 1944 |
Penthouse Rhythm. |
Edward F. Cline |
7 reels |
|
B&W |
|
| 1944 |
Phantom Lady |
Universal Pictures Company Inc |
1:27:00 |
16mm |
B&W |
sound |
| 1944 |
PHANTOM LADY. |
Universal Pictures |
3000 |
16mm |
B&W |
|
| 1944 |
Phantom Lady. |
Robert Siodmak |
9 reels |
|
B&W |
|
| 1944 |
Pick A Peck Of Plumbers. |
Jules White |
1575 ft. |
|
B&W |
|
| 1944 |
PINCERS ON JAPAN |
James Beveridge |
|
|
B&W |
|
| 1944 |
PINCERS ON JAPAN |
Office of War Information |
20min |
16mm |
B&W |
Sound |
| 1944 |
Practically Yours. |
Mitchell Leisen |
9 reels |
|
B&W |
|