| 1944 |
Cyclone Prairie Rangers. |
Benjamin H. Kline |
6 reels |
|
B&W |
|
| 1944 |
Dancing In Manhattan. |
Henry Levin |
6 reels |
|
B&W |
|
| 1944 |
Der Engel mit dem Saitenspiel. |
Terra-Filmkunst (Firm) |
95 min |
16mm |
B&W |
sound |
| 1944 |
Der Täter ist unter uns. |
Bavaria-Filmkunst GmbH. |
86 min |
16mm |
|
sound |
| 1944 |
DESERT VICTORY |
Office of War Information |
60min |
16mm |
B&W |
Sound |
| 1944 |
Destination Tokyo. |
Delmer Daves |
135 min |
|
B&W |
|
| 1944 |
Detective Kitty O'day. |
William Beaudine |
6 reels |
|
B&W |
|
| 1944 |
Dillinger |
Mantel Harry |
90 min |
16mm |
B&W |
sound |
| 1944 |
Dixie jamboree. |
Jack Schwarz Productions |
|
16mm |
B&W |
sound |
| 1944 |
Double Indemnity. |
Billy Wilder |
9596 ft. |
|
B&W |
|
| 1944 |
Dragon Seed. |
Metro-Goldwyn-Mayer presents ; produced by Pandro S. Berman ; directed by Jack Conway and Harold S. Bucquet ; screen play by Marquerite Roberts and Jane Murfin. |
15 reels |
16mm |
B&W |
sound |
| 1944 |
Eine kleine Sommermelodie. |
Tobis Filmkunst GmbH |
|
16mm |
|
sound |
| 1944 |
El Fin De La Noche. |
Importadora Inc. |
97 min. |
35mm |
B&W |
sound |
| 1944 |
End Of The Road. |
George Blair |
5 reels |
|
Color |
|
| 1944 |
Endotracheal anaesthesia |
Margaret Thomson |
|
|
|
|
| 1944 |
Experiment Perilous |
Jacques Tourneur |
91 |
|
B&W |
|
| 1944 |
Experiment Perilous. |
Jacques Tourneur |
91 min. |
|
B&W |
|
| 1944 |
Faces In The Fog. |
John English |
7 reels |
|
Color |
|
| 1944 |
Fighting Bill Carson |
PRC Pictures |
|
16mm |
B&W |
sound |
| 1944 |
Firebrands Of Arizona. |
Lesley Selander |
6 reels |
|
Color & B&W |
|
| 1944 |
Fish Fry. |
Shamus Culhane |
1 reel |
|
Color |
sound |
| 1944 |
FOOD AND MAGIC |
Office of War Information |
10 min |
16mm |
B&W |
Sound |
| 1944 |
Food and magic. |
Jean Negulesco |
4:00 |
16mm |
B&W |
sound |
| 1944 |
Forever Yours. |
William Nigh |
10 reels |
|
B&W |
|
| 1944 |
Forty Thieves. |
Lesley Selander |
60 min. |
|
B&W |
|
| 1944 |
Four Jills In A Jeep. |
William A. Seiter |
7 618 ft. |
|
B&W |
|
| 1944 |
FREEDOM COMES HIGH |
Lewis Allen |
|
|
B&W |
|
| 1944 |
Fuzzy settles down. |
PRC Pictures Inc. |
1700 |
16mm |
B&W |
sound |
| 1944 |
Gangsters of the frontier. |
Elmer Clifton |
6 reels |
16mm |
B&W |
sound |
| 1944 |
Gentle Annie. |
Andrew Marton |
8 reels |
|
B&W |
sound |
| 1944 |
Ghost catchers |
Edward F. Cline |
|
16mm |
B&W |
sound |
| 1944 |
Ghost Catchers. |
Edward F. Cline |
8 reels |
|
B&W |
|
| 1944 |
Ghost Guns. |
Lambert Hillyer |
6 reels |
|
B&W |
|
| 1944 |
GILDERSLEEVE'S GHOST. |
Gordon Douglas |
|
16mm |
B&W |
sound |
| 1944 |
Gildersleeve's Ghost. |
Gordon Douglas |
63 min. |
|
B&W |
|
| 1944 |
Global Air Routes. |
National Film Board of Canada. |
2 reels |
16mm |
B&W |
sound |
| 1944 |
Glück unterwegs. |
Prag-Film AG. |
|
16mm |
B&W |
silent |
| 1944 |
Goldilocks And The Jivin' Bears. |
Friz Freleng |
7 min |
16mm |
|
sound |
| 1944 |
Great Day. |
Lance Comfort |
69 min. |
35mm |
B&W |
sound |
| 1944 |
Grissly's Millions. |
John English |
8 reels |
|
Color & B&W |
|
| 1944 |
Gun To Gun. |
D. Ross Lederman |
20 min. |
|
|
|
| 1944 |
Guns Of The Law. |
Elmer Clifton |
6 reels |
16mm |
B&W |
sound |
| 1944 |
Gunsmoke Mesa. |
Harry L. Fraser |
6 reels |
|
|
|
| 1944 |
Happy-Go-Nutty. |
Tex Avery |
668 ft. |
|
|
sound |
| 1944 |
Hat Check Honey. |
Edward F. Cline |
7 reels |
|
B&W |
|
| 1944 |
Having Wonderful Crime. |
A. Edward Sutherland |
70 min. |
|
B&W |
|
| 1944 |
HE'S MY GUY |
Edward F. Cline |
1:00 |
16mm |
B&W |
sound |
| 1944 |
He's My Guy. |
Edward F. Cline |
1 reel |
16mm |
B&W |
sound |
| 1944 |
Heavenly Days. |
Howard Estabrook |
72 min. |
|
B&W |
|
| 1944 |
Henry Aldrich Plays Cupid. |
Paramount |
6 reels |
16mm |
B&W |
Sound |