| 1945 |
Swing Out Sister. |
Edward Lilley |
7 reels |
|
B&W |
|
| 1945 |
Tampico. |
Filmcraft (Firm) |
1:30 |
16mm |
B&W |
sound |
| 1945 |
Tampico. |
Lothar Mendes |
1 reel |
16mm |
B&W |
sound |
| 1945 |
Tarzan And The Leopard Woman. |
Kurt Neumann |
72 min. |
|
B&W |
|
| 1945 |
Terror by night. |
Universal Pictures |
2100 |
16mm |
B&W |
sound |
| 1945 |
Texas Panhandle. |
Ray Nazarro |
6 reels |
|
B&W |
|
| 1945 |
The Adventures Of Rusty. |
Paul Burnford |
67 min. |
|
B&W |
|
| 1945 |
The Battle of Britain |
U.S. War Dept. ; Directed by Frank Capra. |
55 |
16mm |
B&W |
sound |
| 1945 |
The Battle of San Pietro ▶ |
John Huston |
32 |
16mm |
B&W |
sound |
| 1945 |
The Big Bonanza. |
George Archainbaud |
7 reels |
|
B&W |
|
| 1945 |
The Brighton Strangler. |
Max Nosseck |
67 min. |
|
B&W |
|
| 1945 |
The Chicago Kid. |
Frank McDonald |
7 reels |
|
Color |
|
| 1945 |
The Cisco Kid Returns. |
John P. McCarthy |
7 reels |
|
B&W |
|
| 1945 |
The Clock |
Vincente Minnelli, Fred Zinnemann |
90 min |
|
B&W |
|
| 1945 |
THE CRIME DOCTOR'S COURAGE. |
George Sherman |
|
16mm |
B&W |
|
| 1945 |
The Crime Doctor's Courage. |
George Sherman |
6 reels |
|
B&W |
|
| 1945 |
The Dippy Diplomat |
Universal Pictures Co. & Walter Lantz Productions |
1 reel |
|
|
|
| 1945 |
The Eyes have it |
Jack Hannah |
7 min |
|
Color |
|
| 1945 |
The Falcon In San Francisco. |
Joseph H. Lewis |
66 min. |
|
B&W |
|
| 1945 |
The Fighting Guardsman. |
Henry Levin |
9 reels |
|
B&W |
|
| 1945 |
The Gay Senorita. |
Arthur Dreifuss |
7 reels |
|
B&W |
|
| 1945 |
The Girl Of The Limberlost. |
Mel Ferrer |
60 min. |
|
B&W |
|
| 1945 |
The Great Canadian shield |
Laurence Hyde |
|
|
|
|
| 1945 |
The Great John L. |
Bing Crosby Productions |
90 min. |
16mm |
B&W |
silent |
| 1945 |
The house I live in. ▶ |
RKO Radio Pictures ; written and directed by Albert Maltz. |
10 min. |
16mm |
B&W |
sound |
| 1945 |
The Idiot |
Sacha Gordine ; screenplay and dialogue by Charles Spaak ; directed by Georges Lampin. |
90 |
16mm |
B&W |
sound |
| 1945 |
The Lady Confesses. |
Sam Newfield |
7 reels |
16mm |
B&W |
silent |
| 1945 |
The Last Bomb ▶ |
National Archives and Records Administration |
35 min |
16mm/video file |
Color |
|
| 1945 |
THE LAST BOMB ▶ |
Frank Lloyd |
35 min |
|
Color |
|
| 1945 |
The Life And Death Of Colonel Blimp. |
Emeric Pressburger, Michael Powell |
149 min. |
|
Color & B&W |
sound |
| 1945 |
The Lonesome Trail. |
Oliver Drake |
6 reels |
|
B&W |
|
| 1945 |
The Lost Letter |
Zinaida Brumberg, Valentina Brumberg, Lamis Bredis |
43 min |
|
Color |
|
| 1945 |
The Lost Trail. |
Lambert Hillyer |
6 reels |
|
B&W |
|
| 1945 |
The magic stone |
Columbia Pictures Corp. presents ; produced by B.K. Blake ; directed by George Blake ; story by Harold Greene, Ralph Morris. |
8 |
16mm |
B&W |
sound |
| 1945 |
The Man In Grey. |
Leslie Arliss |
93 min. |
|
B&W |
|
| 1945 |
The Man on the beat |
Roger MacDougall |
656 min |
|
|
|
| 1945 |
The Monster And The Ape. |
Howard Bretherton |
2 reels |
|
B&W |
|
| 1945 |
The Nazi Plan |
George Stevens |
194 min |
|
B&W |
|
| 1945 |
The Phantom speaks |
John English |
7 reels |
16mm |
Color |
sound |
| 1945 |
The red dragon. |
Phil Rosen |
22:00 |
16mm |
B&W |
sound |
| 1945 |
The Return Of The Durango Kid. |
Derwin Abrahams |
58 min. |
|
B&W |
|
| 1945 |
The Scarlet Clue. |
Phil Rosen |
7 reels |
|
B&W |
|
| 1945 |
The Seventh Veil |
Contemporary Films |
94 min |
16mm |
Color & B&W |
sound |
| 1945 |
The Shanghai Cobra. |
Phil Karlson |
7 reels |
|
B&W |
|
| 1945 |
The Southerner |
Loew-Hakim Inc |
1:31:00 |
16mm |
B&W |
sound |
| 1945 |
The Southerner ▶ |
Jean Renoir |
92 min |
|
B&W |
|
| 1945 |
The Southerner. |
Jean Renoir |
91 min. |
|
B&W |
|
| 1945 |
The Spiral Staircase. |
Robert Siodmak |
83 min. |
|
B&W |
|
| 1945 |
The story with two endings |
produced by 20th Century-Fox ; screenplay by Harold Buchman and Louis Solomon ; directed by Lee Strasberg. |
10 |
16mm |
B&W |
sound |
| 1945 |
THE STRANGE MR. GREGORY. |
Phil Rosen |
7 reels |
|
B&W |
|