| 1948 |
Telephone technique |
Wesley Greene |
|
|
|
|
| 1948 |
Test Tube Babies |
W. Merle Connell |
|
|
B&W |
|
| 1948 |
The Argyle Secrets. |
Cy Endfield |
63 min. |
35mm |
B&W |
sound |
| 1948 |
The Arizona Ranger. |
John Rawlins |
63 min. |
35mm |
B&W |
sound |
| 1948 |
The Arkansas Swing. |
Ray Nazarro |
7 reels |
35mm |
B&W |
sound |
| 1948 |
The Babe Ruth Story. |
Roy Del Ruth |
106 min |
35mm |
B&W |
sound |
| 1948 |
The Big Clock. |
John Farrow |
95 min. |
35mm |
B&W |
sound |
| 1948 |
The Big Punch. |
Sherry Shourds |
80 min. |
35mm |
B&W |
sound |
| 1948 |
The Bold Frontiersman. |
Philip Ford |
60 min. |
35mm |
B&W |
sound |
| 1948 |
The Boy With Green Hair. |
Joseph Losey |
82 min. |
35mm |
Color |
sound |
| 1948 |
The Bride Goes Wild. |
Norman Taurog |
98 min. |
35mm |
B&W |
sound |
| 1948 |
The Cat That Hated People. |
Tex Avery |
7 min |
35mm |
Color |
sound |
| 1948 |
The Checkered Coat. |
Edward L. Cahn |
66 min. |
35mm |
B&W |
sound |
| 1948 |
The Coasters |
Cecil Holmes |
|
|
|
|
| 1948 |
The Cobra Strikes. |
Charles Reisner |
62 min. |
35mm |
B&W |
sound |
| 1948 |
The Counterfeiters. |
Sam Newfield |
73 min. |
35mm |
B&W |
sound |
| 1948 |
The Creeper. |
Jean Yarbrough |
64 min. |
35mm |
B&W |
sound |
| 1948 |
The Dead Don’t Dream. |
William Boyd Productions Inc. |
62 min. |
16mm |
B&W |
sound |
| 1948 |
The Decision Of Christopher Blake. |
Peter Godfrey |
75 min. |
35mm |
B&W |
sound |
| 1948 |
The Denver Kid. |
Philip Ford |
60 min. |
35mm |
B&W |
sound |
| 1948 |
The Dream valley |
Arne Sucksdorff |
|
|
|
|
| 1948 |
The Emperor Waltz. |
Billy Wilder, Charles Brackett |
106 min |
35mm |
Color |
sound |
| 1948 |
The Fallen Idol |
Carol Reed |
95 |
16mm |
B&W |
sound |
| 1948 |
The Fallen Idol. |
Carol Reed |
94 min. |
35mm |
B&W |
sound |
| 1948 |
The Farm factory |
Agnes Mary Field |
|
|
|
|
| 1948 |
The Fighting O’Flynn |
Universal Pictures Company, Inc. & Fairbanks Pictures, Inc. Add. ti: The O’Flynn |
94 min |
16mm |
B&W |
Sound |
| 1948 |
The Fighting Ranger. |
Lambert Hillyer |
57 min. |
35mm |
B&W |
sound |
| 1948 |
The Fuller Brush man. |
Columbia Pictures. |
3200 |
16mm |
B&W |
sound |
| 1948 |
The Gallant Blade. |
Henry Levin |
81 min. |
35mm |
Color |
sound |
| 1948 |
The Gallant Legion. |
Joseph Kane |
88 min. |
35mm |
B&W |
sound |
| 1948 |
The Gay Intruders. |
Ray McCarey |
68 min. |
35mm |
B&W |
sound |
| 1948 |
The Girl From Manhattan. |
Alfred Edward Green |
80 min. |
35mm |
B&W |
sound |
| 1948 |
The Hawk of Powder River. |
Ray Taylor |
54 min |
16mm |
B&W |
silent |
| 1948 |
The Highway of steel |
Ralph McCromick |
|
|
|
|
| 1948 |
The Inside story |
Allan Dwan |
|
|
B&W |
|
| 1948 |
The Inside Story. |
Allan Dwan |
87 min. |
35mm |
B&W |
sound |
| 1948 |
The Iron Curtain |
William A. Wellman |
12:00 |
|
B&W |
|
| 1948 |
The Lady From Shanghai. |
Orson Welles |
87 min. |
35mm |
B&W |
sound |
| 1948 |
The Main Street Kid. |
R. G. Springsteen |
64 min. |
35mm |
B&W |
sound |
| 1948 |
The Man From Texas. |
Leigh Jason |
71 min. |
35mm |
B&W |
sound |
| 1948 |
The Miracle Of The Bells. |
Irving Pichel |
120 min |
35mm |
B&W |
sound |
| 1948 |
The Mozart Story. |
Frank Wisbar, Karl Hartl |
94 min. |
16mm |
B&W |
sound |
| 1948 |
The Overlanders. |
Harry Watt |
91 min |
|
B&W |
|
| 1948 |
THE PLUNDERERS |
Joseph Kane |
87 min |
16mm |
Color |
sound |
| 1948 |
The Plunderers. |
Joseph Kane |
87 min. |
35mm |
Color |
sound |
| 1948 |
The Quiet One |
FILM DOCUMENT INC |
68 min. |
16mm |
B&W |
sound |
| 1948 |
The Quiet one |
texture |
67 |
16mm |
B&W |
sound |
| 1948 |
The Quiet One |
Sidney Meyers |
65 min |
16mm |
B&W |
|
| 1948 |
The quiet one. |
Janice Loeb and William Levitt |
70 min |
16mm |
B&W |
sound |
| 1948 |
The Rangers Ride. |
Derwin Abrahams |
56 min. |
35mm |
B&W |
sound |