| 1984 |
Feeling yes, feeling no: the adult film |
Moira Simpson |
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|
|
| 1984 |
Garbo Talks |
Sidney Lumet |
103 min |
16mm |
Color |
|
| 1984 |
Gaza Ghetto |
NEW TIME FILMS PO BOX 502 VILLAGE STATION NEW YORK NY 10014 |
82 |
16mm |
Color |
sound |
| 1984 |
Getting wet |
P. J. Hogan |
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|
|
|
| 1984 |
Gifted kids |
Keet Neville |
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|
| 1984 |
Go for gold |
Stuart F. Fleming |
|
|
|
|
| 1984 |
Go tell it on the mountain |
New Line Cinema |
96 |
16mm |
Color |
sound |
| 1984 |
Going Back |
Virginia Productions |
1872 ft. |
|
|
|
| 1984 |
Golden sands |
Ágúst Guðmundsson |
|
|
Color |
|
| 1984 |
Goldilocks and the Three Bears ▶ |
McGraw-Hill |
|
16mm |
|
sound |
| 1984 |
Goldilocks and the Three Bears |
Perspective Films |
432 ft. #12 |
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|
|
| 1984 |
Goodbye War |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1984 |
Goodbye war |
Donna Dudinsky |
|
|
|
|
| 1984 |
Gremlins |
Joe Dante |
106 min |
|
Color |
|
| 1984 |
Group productivity |
MCGRAW HILL PUBLISHING CO |
21 |
16mm |
|
|
| 1984 |
Head start: meeting the computer challenge |
Diane Beaudry |
|
|
|
|
| 1984 |
Heavenly Bodies ▶ |
Lawrence Dane |
89 min |
16mm |
Color |
sound |
| 1984 |
Hotel New York |
Jackie Raynal |
|
|
|
|
| 1984 |
How The First Letter Was Written |
Stephen Bosustow |
603 min |
16mm |
|
sound |
| 1984 |
How the first letter was written |
Anatolii Kyryk |
603 min |
|
|
|
| 1984 |
How to Be a Perfect Person in Just Three Days |
LCA |
31 min. |
16mm |
Color |
sound |
| 1984 |
I can do it!: Ed Lewis |
Direct Cinema |
15 |
16mm |
Color |
sound |
| 1984 |
In heaven there is no beer |
Les Blank |
51 min |
|
Color |
|
| 1984 |
Jackson Pollock |
direct |
54 min. |
16mm |
Color |
|
| 1984 |
Kemira: diary of a strike |
Tom Zubrycki |
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|
|
|
| 1984 |
King Of The Cats ▶ |
Weston Woods |
5 |
16mm |
Color |
sound |
| 1984 |
Learning About Computers |
National Geographic |
396 ft. |
|
|
|
| 1984 |
Learning About Computers |
Yves Gerard Issembert |
|
|
|
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| 1984 |
Love me stupid: a story of blood |
Aleksi Vellis |
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|
|
| 1984 |
Lulu in Berlin |
Kino International Corp. |
50 |
16mm |
Color |
sound |
| 1984 |
More Bloody Meetings |
Indiana University Audio-Visual Center | Video Arts Inc. | Video Arts |
0:28:00 |
16mm |
Color |
sound |
| 1984 |
More bloody meetings: the human side of meetings |
Charles Crichton |
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|
|
|
| 1984 |
Museum: a living memory |
Anamaria Beligan |
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|
|
|
| 1984 |
My Urban Garden |
NFBC |
|
16mm |
|
sound |
| 1984 |
Nineteen Eighty Four |
unknown |
113 min |
16mm |
Color |
sound |
| 1984 |
Partners |
MORSE ALLEN INC |
12 |
16mm |
Color |
|
| 1984 |
Peter And The Magic Egg |
Perspective Films/Esquire/Simon & Schuster |
|
16mm |
Color |
sound |
| 1984 |
POLICE ACADEMY |
Hugh Wilson |
8:00 |
16mm |
Color |
silent |
| 1984 |
Port, power and people |
Barry Merton |
|
|
|
|
| 1984 |
Qiu Jin |
Xie Jin |
|
|
|
|
| 1984 |
Quilombo |
New Yorker |
114 mi |
16mm |
Color |
sound |
| 1984 |
Red Matildas |
Trevor Graham, Sharon Connolly |
|
|
|
|
| 1984 |
Remembering life |
Varied Directions |
58 |
16mm |
Color |
sound |
| 1984 |
Sequence And Story |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1984 |
Sequence and Story |
Don White |
|
|
|
|
| 1984 |
Six Characters In Search Of An Author |
Films for the Humanities (Firm) |
|
16mm |
|
sound |
| 1984 |
Splash |
Ron Howard |
12:00 |
|
Color |
|
| 1984 |
Splash |
Ron Howard |
111 min |
|
Color |
|
| 1984 |
Splash |
Ron Howard |
111 min |
|
Color |
|
| 1984 |
Stone Carvers |
direct |
29 min. |
16mm |
Color |
sound |