| 1962 |
The Music Man |
Swanks Inc Modern Dept |
2:55:00 |
16mm |
Color |
sound |
| 1962 |
The New traders |
Sydney Latter |
|
|
|
|
| 1962 |
The Origins of Weather |
Joe Koenig |
|
|
|
|
| 1962 |
The Origins of weather |
Joe Koenig |
|
|
|
|
| 1962 |
The Passion Of Slow Fire. |
Trans-Lux Pictures Corp. |
91 min |
35mm |
B&W |
sound |
| 1962 |
The Peep show |
Kaj Pindal |
|
|
|
|
| 1962 |
The phantom of the opera. |
Universal Pictures Co. |
10 reels |
35mm |
Color |
sound |
| 1962 |
The Pirates Of Blood River |
Ideal Pictures Inc |
87 min |
16mm |
Color |
sound |
| 1962 |
The Pirates Of Blood River. |
Hammer Film Productions |
87 min |
35mm |
Color |
sound |
| 1962 |
The Proper Time. |
Tom Laughlin |
|
35mm |
B&W |
sound |
| 1962 |
The Pusher |
Yugoslavian Government |
81 min |
16mm |
Color |
sound |
| 1962 |
THE RAIDERS. |
Warner Bros. Pictures Inc. |
80 min. |
16mm |
B&W |
sound |
| 1962 |
The Reality of Karel Appel ▶ |
McGraw-Hill |
13 |
16mm |
Color |
sound |
| 1962 |
The Reluctant Saint |
unknown |
105 min |
16mm |
B&W |
sound |
| 1962 |
THE SADDLEMAKER |
National Film Board of Canada |
17 min |
16mm |
Color |
Sound |
| 1962 |
The Sign Of Zorro |
Walt Disney Productions. |
91 min |
16mm |
B&W |
sound |
| 1962 |
The slave. |
Metro-Goldwyn-Mayer Inc. |
5 reels |
35mm |
Color |
sound |
| 1962 |
The Spiral Road. |
Universal Pictures Co. Inc. |
145 min |
35mm |
Color |
sound |
| 1962 |
The Splendour and the Peaks |
Jack Rogers |
|
|
|
|
| 1962 |
The Story of the serials |
Saul J. Turell |
|
|
|
|
| 1962 |
The Teacher: authority or automaton? |
Mort Ransen |
|
|
|
|
| 1962 |
THE TRIAL |
Orson Welles |
118 min |
|
B&W |
|
| 1962 |
The trial |
Paris Europa Production (France), Hisa Film (Italy); FI. C. IT. (West Germany); producers, Yves Laplanche, Miguel Salkind, Alexander Salkind; screenplay, dialogue and direction by Orson Welles. |
118 |
16mm |
B&W |
sound |
| 1962 |
The Trial Of Joan Of Arc |
Contemporary Films |
65 min |
16mm |
B&W |
sound |
| 1962 |
The Trusteeship Council and system |
J.C. Sheers |
|
|
|
|
| 1962 |
THE TRUSTEESHIP COUNCIL AND SYSTEM |
Produced by United Nations |
18 min |
16mm |
B&W |
Sound |
| 1962 |
The Two faces of Japan |
Peter Morley |
|
|
|
|
| 1962 |
The Underwater City. |
Columbia Pictures Corp. |
78 min |
35mm |
Color |
sound |
| 1962 |
The Vampire And The Ballerina. |
Lopert Pictures Corp. |
85 min |
35mm |
B&W |
sound |
| 1962 |
The wonderful world of the Brothers Grimm |
Films inc. |
129 mi |
16mm |
Color |
sound |
| 1962 |
The World's Greatest Sinner |
Timothy Carey |
82 min |
|
|
|
| 1962 |
Tiko And The Shark. |
Metro-Goldwyn-Mayer Inc. |
107 min |
35mm |
Color |
sound |
| 1962 |
To Kill A Mockingbird |
Universal Pictures Co. Inc. |
129 min |
16mm |
Color & B&W |
sound |
| 1962 |
Tomorrow at ten. |
Lance Comfort |
2750 |
16mm |
|
sound |
| 1962 |
Turtle hunt |
Frank L. Few |
|
|
|
|
| 1962 |
Twist Around The Clock. |
Columbia Pictures Corp. |
|
35mm |
B&W |
sound |
| 1962 |
Two Tickets To Paris. |
Harry Romm Productions Inc. |
|
35mm |
B&W |
sound |
| 1962 |
Ulysses Against The Son Of Hercules |
Ideal Pictures Inc |
105 min |
16mm |
Color |
sound |
| 1962 |
Under the Nullarbor |
Ian Dunlop |
|
|
|
|
| 1962 |
Understanding aggression |
Produced by Ministry of Health, Great Britain |
23 min |
16mm |
B&W |
Sound |
| 1962 |
Vapors |
Robert Disraeli Films |
32 min |
16mm |
Color |
sound |
| 1962 |
Vector Kinematics |
Physical Science Study Committee |
|
16mm |
|
sound |
| 1962 |
Vector Kinematics |
Physical Science Study Committee Modern Learning Aids |
800 Feet |
|
|
|
| 1962 |
Vector Kinematics |
Jack Churchill |
600 |
|
|
|
| 1962 |
Vector kinematics |
Jack Churchill |
|
|
|
|
| 1962 |
Vive Le Tour |
New Yorker Films |
18 min |
16mm |
|
sound |
| 1962 |
Vive le tour |
New Yorker |
19 |
16mm |
Color |
sound |
| 1962 |
Volcanic power |
James B. Harris |
|
|
|
|
| 1962 |
Walk on the Wild Side |
Edward Dmytryk |
114 min |
16mm |
B&W |
|
| 1962 |
WATCH THE BIRDIE. |
National Telepix Inc. |
1 reel |
16mm |
B&W |
sound |