| 1968 |
The snow maiden. |
Trident Films Ltd. |
10:00 |
16mm |
Color |
sound |
| 1968 |
The Strange Affair. |
Paramount Film Service Ltd. |
106 min |
35mm |
Color |
sound |
| 1968 |
The Stranger Returns. |
Metro-Goldwyn-Mayer Inc. |
95 min |
35mm |
Color |
sound |
| 1968 |
The Swimmer |
Sydney Pollack, Frank Perry |
91 min |
|
Color |
|
| 1968 |
The Tholian Web |
Norway Corporation |
60 min |
|
Color |
sound |
| 1968 |
The Ultimate Computer |
Norway Corporation |
60 min |
|
Color |
sound |
| 1968 |
The Unemployed |
Želimir Žilnik |
10 min |
|
|
|
| 1968 |
The Weather Map |
Australia News And Information Bureau |
|
16mm |
|
sound |
| 1968 |
The Wild Cell |
Columbia Broadcasting System |
|
16mm |
|
sound |
| 1968 |
The Wild Eye |
American International Pictures |
98 min |
35mm |
Color |
sound |
| 1968 |
The wrecking crew. |
Columbia Pictures. |
105 min |
16mm |
Color |
sound |
| 1968 |
The Young Animals |
American International Pictures |
|
35mm |
Color |
sound |
| 1968 |
The young runaways. |
Four-Leaf Productions |
91 min |
16mm |
Color |
sound |
| 1968 |
This Is No Time For Romance |
NATL. FILM BOARD OF CANADA |
28 |
16mm |
|
|
| 1968 |
Through Conflict to Negotiation ▶ |
WISEDCOB |
47 min. |
16mm |
Color |
|
| 1968 |
Through conflict to negotiation |
Bonnie Sherr Klein, Peter Pearson |
|
|
|
|
| 1968 |
Tuktu and the ten thousand fishes |
Laurence Hyde |
|
|
|
|
| 1968 |
Tuktu and the trials of strength |
Laurence Hyde |
|
|
|
|
| 1968 |
Twenty - Four Hours In Czechoslovakia |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1968 |
Twenty-four hours in Czechoslovakia |
David Bairstow |
|
|
|
|
| 1968 |
Up the junction. |
Paramount Pictures Corp. |
118 min |
35mm |
Color |
sound |
| 1968 |
Up The Macgregors. |
Jolly Film-Production D.S. |
104 min |
35mm |
Color |
sound |
| 1968 |
Urbanissimo |
HUBLEY STUDIOS 815 PARK AVE NEW YORK NY 10021 |
|
16mm |
|
sound |
| 1968 |
Villa Rides. |
Paramount Pictures Corp. |
125 min |
35mm |
Color |
sound |
| 1968 |
Vision in mathematics: motion geometry |
John Walker |
|
|
|
|
| 1968 |
Wait Until Dark |
warner brothers |
107 min |
16mm |
Color |
sound |
| 1968 |
Waiting For Caroline. |
National Film Board of Canada. |
86 min |
35mm |
Color |
sound |
| 1968 |
What are the odds? |
John Walker |
|
|
|
|
| 1968 |
What rights has a child |
Elspeth MacDougall |
|
|
|
|
| 1968 |
When it comes to people... |
Roland Beckett |
|
|
|
|
| 1968 |
Where eagles dare |
Brian G. Hutton |
158 min |
|
Color |
|
| 1968 |
Where to live |
Joe Scully |
|
|
|
|
| 1968 |
Where Were You When The Lights Went Out |
Metro-Goldwyn-Mayer Inc. |
89 min |
35mm |
Color |
sound |
| 1968 |
Where Were You When The Lights Went Out? |
Hy Averback |
89 min |
16mm |
Color |
|
| 1968 |
Who's Afraid Of Virginia Woolf |
Mary Jean Parson & Alix Jeffry |
131 min |
8mm |
B&W |
sound |
| 1968 |
Who's That Knocking At My Door |
MARTIN SCORCESE |
86 min |
16mm |
B&W |
sound |
| 1968 |
Wild in the Streets |
American International Pictures |
1:37:00 |
16mm |
Color |
sound |
| 1968 |
Windy Day |
Paramount Pictures Corp. & Hubley Studios Inc. |
10 min |
16mm |
Color |
sound |
| 1968 |
Windy day |
Films inc. |
10 |
16mm |
Color |
sound |
| 1968 |
Winnie the Pooh and the Blustery Day |
Disney |
25 min |
16mm |
Color |
sound |
| 1968 |
Winnie the Pooh and the blustery day |
Walt Disney |
25 |
16mm |
Color |
sound |
| 1968 |
Winnie the Pooh and the blustery day |
Wolfgang Reitherman |
25 min |
|
Color |
|
| 1968 |
Winnie the Pooh and the blustery day |
Wolfgang Reitherman |
25 min |
|
Color |
|
| 1968 |
With Drums And Trumpets |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1968 |
With Six You Get Eggroll |
Swanks Inc Modern Dept |
95 min |
16mm |
Color |
sound |
| 1968 |
Woody The Freeloader |
Universal Pictures |
1 reel |
|
Color |
sound |
| 1968 |
Yellow Submarine |
Hearst Corp. King Feature Syndicate Division & Subafilms Ltd. |
90 min |
35mm |
Color |
sound |
| 1968 |
Yellow submarine |
King Features |
85 |
16mm |
Color |
sound |
| 1968 |
Yokai Monsters: Spook Warfare |
Yoshiyuki, KurodaKuroda Yoshiyuki |
79 min |
|
|
|
| 1968 |
You are what you eat |
/ Natoma/Cerberus/ Micheal Butler/Peter Yarrow ; producers, Peter Yarrow, Barry Feinstein ; direction, Barry Feinstein. |
75 |
16mm |
Color |
sound |