| 1970 |
Enter Hamlet |
Maurice Evans |
|
|
|
|
| 1970 |
Environment in the balance |
John Taylor |
|
|
|
|
| 1970 |
ESSAI À LA MILLE |
Jean-Claude Labrecque |
7 min |
16mm |
|
sound |
| 1970 |
Every square inch |
Ross McConnell |
|
|
|
|
| 1970 |
Exploration 1770, reviewed 1970 |
Stanley Dalby |
|
|
|
|
| 1970 |
EZRA JACK KEATS |
Weston Woods |
|
16mm |
|
sound |
| 1970 |
Ezra Jack Keats |
Weston Woods |
17 |
16mm |
Color |
sound |
| 1970 |
Ezra Jack Keats |
Cynthia Freitag |
8:00 |
|
|
|
| 1970 |
Ezra Jack Keats |
Cynthia Freitag |
|
|
|
|
| 1970 |
Falling Water |
Thorne Films |
5 min |
|
Color |
silent |
| 1970 |
Farm machinery safety |
Reg Barrett |
|
|
|
|
| 1970 |
Figures in a landscape |
Joseph Losey |
109 min |
|
Color |
|
| 1970 |
Fitzroy: coming up for air |
Peter Dodds |
|
|
|
|
| 1970 |
Fog line |
American Federation of Arts |
11 |
16mm |
Color |
silent |
| 1970 |
Fools |
Tom Gries Productions |
93 min |
|
Color |
sound |
| 1970 |
Four In Every Thousand |
Australia News And Information Bureau |
|
16mm |
|
sound |
| 1970 |
Funeral |
Levy Lawrence |
3 |
16mm |
Color |
sound |
| 1970 |
Gale is dead |
Jenny Barraclough |
|
|
|
|
| 1970 |
Gimme shelter |
Cinema 5 |
90 |
16mm |
Color |
sound |
| 1970 |
Gimme shelter. |
Maysles Films |
91 min |
16mm |
Color |
sound |
| 1970 |
Golf In Australia |
Australia News And Information Bureau |
|
16mm |
|
sound |
| 1970 |
Goodbye Gemini |
Cinerama |
91 min |
|
Color |
sound |
| 1970 |
HALLS OF ANGER. |
Mirisch Productions Inc. |
96 min |
35 mm |
|
sound |
| 1970 |
Hamersley 70 |
William M. Carty |
|
|
|
|
| 1970 |
Hauser’S Memory |
Universal City Studios |
106 min |
|
Color |
sound |
| 1970 |
Helen Keller and her teacher |
MCGRAW HILL PUBLISHING CO |
27 |
16mm |
Color |
sound |
| 1970 |
Henry 9 'til 5 |
CCM Films presents ; produced and directed by Bob Godfrey. |
7 |
16mm |
Color |
sound |
| 1970 |
Here's Help |
Natl Inst Of Mental Health |
|
16mm |
|
sound |
| 1970 |
Here's help |
Mike Mansfield |
|
|
|
|
| 1970 |
HERE'S HELP |
National Institute of Mental Health (Department of Health, Education, and Welfare) |
29 min |
|
Color |
Optical sound |
| 1970 |
Here’s Help |
National Audio-Visual Center (NAVC) |
|
|
|
|
| 1970 |
Hi-Rise Wise Guys |
Universal Pictures |
1 reel |
|
Color |
sound |
| 1970 |
Hiroko Ikoko |
Michel Thomas-d'Hoste |
20 min |
|
|
|
| 1970 |
Hiroko Ikoko |
Michel Thomas-d'Hoste |
20 min |
|
|
|
| 1970 |
History of the motor car. Part 2. The Veterans |
Bill Mason |
|
|
|
|
| 1970 |
Horton Hears A Who! |
Cat in the Hat presentation |
30 min |
|
Color |
sound |
| 1970 |
House On Greenapple Road |
QM Productions |
120 min |
|
Color |
sound |
| 1970 |
How the Whale Got His Throat |
Coronet |
10 min. |
16mm |
|
sound |
| 1970 |
How the Whale Got His Throat |
Stephen Bosustow |
300 ft. |
|
|
|
| 1970 |
How the Whale Got His Throat |
Stephen Bosustow |
|
|
|
|
| 1970 |
How the whale got his throat |
Stephen Bosustow |
|
|
|
|
| 1970 |
Hunters Are For Killing |
Cinema Center Films |
120 min |
|
Color |
sound |
| 1970 |
I am Joaquin |
Pixan Film Center |
20 |
16mm |
Color |
sound |
| 1970 |
I Am Somebody |
American Foundation of Non-Violence |
30 |
16mm |
Color |
sound |
| 1970 |
I Love My Wife |
Universal Pictures |
95 min |
|
Color |
sound |
| 1970 |
I'M A MAN. |
Peter Rosen Productions |
|
16mm |
|
sound |
| 1970 |
I'm positive that's sugar |
Ross Campbell |
|
|
|
|
| 1970 |
Imogen Cunningham, Photographer |
American Film Institute |
7:00 |
|
|
|
| 1970 |
Imogen Cunningham, photographer |
John Korty |
|
|
|
|
| 1970 |
Impressio / |
Seppo Suo-Antilla. |
13 |
16mm |
B&W |
sound |