| 1998 |
I'll be home for Christmas |
Arlene Sanford |
83 min |
|
Color |
|
| 1998 |
Junk Food |
Filmation |
0:15:00 |
16mm |
Color |
sound |
| 1998 |
Lautrec |
Roger Planchon |
126 min |
|
Color |
|
| 1998 |
Lost in space |
Stephen Hopkins |
125 min |
|
Color |
|
| 1998 |
Madeline |
Daisy von Scherler Mayer |
88 min |
|
Color |
|
| 1998 |
Mark Twain's America |
Stephen Low |
|
|
|
|
| 1998 |
Mu - Mu |
Brandon Films |
101 min |
16mm |
|
sound |
| 1998 |
Mulan |
Tony Bancroft, Barry Cook |
88 min |
|
Color |
|
| 1998 |
Out of sight |
Steven Soderbergh |
118 min |
|
Color |
|
| 1998 |
Out of sight |
Steven Soderbergh |
118 min |
|
Color |
|
| 1998 |
Pleasantville |
Gary Ross |
120 min |
|
Color & B&W |
|
| 1998 |
Praise |
Teleculture Inc. |
60 |
16mm |
Color |
sound |
| 1998 |
Rush hour |
Brett Ratner |
98 min |
|
Color |
|
| 1998 |
Rushmore |
Wes Anderson |
93 min |
|
Color |
|
| 1998 |
Shades of grey |
Lance Gentile |
|
|
|
|
| 1998 |
Six days seven nights |
Ivan Reitman |
98 min |
|
Color |
|
| 1998 |
Small soldiers |
Joe Dante |
108 min |
|
Color |
|
| 1998 |
Taxi |
Gérard Pirès |
86 min |
|
Color |
|
| 1998 |
Taxi |
Gérard Pirès |
86 min |
|
Color |
|
| 1998 |
The Detour |
Horacio Maldonado |
103 min |
|
Color |
|
| 1998 |
The Final game |
Sigi Rothemund |
92 min |
|
|
|
| 1998 |
The Gingerbread Man |
Perspective Films |
107 min |
|
Color |
|
| 1998 |
The Horse whisperer |
Robert Redford |
169 min |
|
Color |
|
| 1998 |
The Photographers |
Nikos Koundouros |
|
|
|
|
| 1998 |
The Polar Bear |
Phoenix |
90 min |
16mm |
Color |
sound |
| 1998 |
The Ransom of red chief |
Bob Clark |
90 min |
|
|
|
| 1998 |
The Right to Be Different |
Claudio Cipelletti |
12:00 |
|
|
|
| 1998 |
The Thin Red Line. |
Security Pictures Inc. |
166 min |
35mm |
B&W |
sound |
| 1998 |
The Waterboy |
Frank Coraci |
90 min |
|
Color |
|
| 1998 |
Traps |
Věra Chytilová |
124 min |
|
|
|
| 1998 |
Via Satellite |
AEGIS |
|
16mm |
|
sound |
| 1998 |
Who Am I |
Dist By Films Inc |
108 min |
16mm |
Color |
sound |
| 1999 |
A Walk on the Moon |
Tony Goldwyn |
107 min |
|
Color |
|
| 1999 |
Balzac |
Josée Dayan |
180 min |
|
Color |
|
| 1999 |
Belfast, Maine. |
Frederick Wiseman |
9199 |
16mm |
Color |
sound |
| 1999 |
Best laid plans |
Mike Barker |
89 min |
|
Color |
|
| 1999 |
Breath of Life ▶ |
Films for the Humanities & Sciences | Goldcrest Multimedia Television LTD |
27 0:27:00 |
16mm |
Color |
sound |
| 1999 |
Breath of Life |
Luis Ospina |
110 min |
|
|
|
| 1999 |
Breath Of Life ▶ |
Luis Ospina |
110 min |
|
|
|
| 1999 |
Breath of life |
Luis Ospina |
110 min |
|
|
|
| 1999 |
Breath of life |
Luis Ospina |
110 min |
|
|
|
| 1999 |
Breath of life |
Luis Ospina |
110 min |
|
|
|
| 1999 |
Deep blue sea |
Renny Harlin |
105 min |
|
Color |
|
| 1999 |
Deuce Bigalow male gigolo |
Mike Mitchell |
85 min |
|
Color |
|
| 1999 |
Elements, Compounds and Mixtures |
Tarquin Cardona |
12:00 |
|
|
|
| 1999 |
Essence of life |
Brad Turner |
|
|
|
|
| 1999 |
Fight club |
David Fincher |
139 min |
|
Color |
|
| 1999 |
Film 1 |
Sportlite Films |
|
16mm |
|
sound |
| 1999 |
Flowergirl |
Cate Shortland |
|
|
|
|
| 1999 |
Free Enterprise |
Universal Commercial and Industrial Films. |
16 |
16mm |
|
sound |