| 1997 |
Face/off |
John Woo |
138 min |
|
Color |
|
| 1997 |
Flubber |
Les Mayfield |
90 min |
|
Color |
|
| 1997 |
Frank Lloyd Wright |
PBS Video |
161 |
16mm |
Color |
|
| 1997 |
G.I. Jane |
Ridley Scott |
124 min |
|
Color |
|
| 1997 |
George of the jungle |
Sam Weisman |
92 min |
|
Color |
|
| 1997 |
Grosse Pointe blank |
George Armitage |
107 min |
|
Color |
|
| 1997 |
Jenny |
Jeff Melman, Andy Ackerman, Leonard R. Garner, Jr. |
|
|
|
|
| 1997 |
Jenny |
Jeff Melman, Andy Ackerman, Leonard R. Garner, Jr. |
|
|
|
|
| 1997 |
Jenny |
Jeff Melman, Andy Ackerman, Leonard R. Garner, Jr. |
|
|
|
|
| 1997 |
Leave It To Beaver. |
Revue Studios. |
27 min. |
16mm |
B&W |
sound |
| 1997 |
LITTLE BOY BLUE |
Antonio Tibaldi |
105 min |
|
Color |
|
| 1997 |
Money Talks |
Brett Ratner |
91 min |
16mm |
Color |
sound |
| 1997 |
Mr Magoo |
Stanley Tong |
84 min |
|
Color |
|
| 1997 |
Necropolis |
directed by Russ Johnson. |
13 |
16mm |
Color |
sound |
| 1997 |
Nothing to lose |
Steve Oedekerk |
98 min |
|
Color |
|
| 1997 |
Perfect Crime |
Caterpillar Tractor Co. |
92 min |
16mm |
|
sound |
| 1997 |
Public housing. |
Frederick Wiseman |
73 |
16mm |
|
sound |
| 1997 |
Robinson Crusoe |
George T. Miller, Rod Hardy |
30 min |
16mm |
B&W |
Sound |
| 1997 |
Romy and Michele's high school reunion |
David Mirkin |
88 min |
|
Color |
|
| 1997 |
Run for your life |
Richard Hobert |
116 min |
|
|
|
| 1997 |
Running time |
Josh Becker |
70 min |
|
Color |
|
| 1997 |
Scream 2 |
Wes Craven |
120 min |
|
Color |
|
| 1997 |
Starship troopers |
Paul Verhoeven |
129 min |
|
Color |
|
| 1997 |
The Blood |
Andy Ackerman |
22 min |
|
|
|
| 1997 |
The Contact |
Chang Yoon-hyun |
105 min |
|
Color |
|
| 1997 |
The Eel |
Shohei Imamura |
110 min |
|
Color |
|
| 1997 |
The Peacemaker |
Mimi Leder |
118 min |
|
Color |
|
| 1997 |
The Red and the Black |
Jean-Daniel Verhaeghe |
29 |
16mm |
B&W |
|
| 1997 |
The Transport |
Cine World |
|
16mm |
|
sound |
| 1997 |
Thirteen |
direction, David Williams. |
87 |
16mm |
Color |
sound |
| 1997 |
Titanic |
James Cameron |
194 min |
|
Color |
|
| 1997 |
To Fly |
Vittorio De Sisti |
97 min |
16mm |
Color |
|
| 1997 |
What Farocki taught |
a film by Jill Godmilow. |
30 |
16mm |
Color & B&W |
sound |
| 1997 |
With This Ring ▶ |
Fairbanks (Jerry) Productions |
40 min |
16mm |
Color |
sound |
| 1998 |
A Bug's life |
John Lasseter, Andrew Stanton |
96 min |
|
Color |
|
| 1998 |
Acid house. |
Paul McGuigan |
111 min |
16mm |
Color |
sound |
| 1998 |
Antz |
Eric Darnell, Tim Johnson |
83 min |
|
Color |
|
| 1998 |
Armageddon |
Michael Bay |
150 min |
|
Color |
|
| 1998 |
Bad Dog |
ecccw |
7 5 |
16mm |
Color |
sound |
| 1998 |
Bad Dog |
Pamela Fryman |
|
|
|
|
| 1998 |
Bad Dog ▶ |
Pamela Fryman |
|
|
|
|
| 1998 |
Change Of Heart |
National Geographic |
45 min |
16mm |
Color |
sound |
| 1998 |
Change Of Heart |
National Film Board of Canada. |
45 min |
16mm |
Color |
sound |
| 1998 |
Condor : |
a film from California Zukunftsmusik Gesamkunstwerk ; directed by James T. Hong. |
7 |
16mm |
B&W |
sound |
| 1998 |
Counterpoint |
Les Landau |
46 min |
|
Color |
|
| 1998 |
Covenant |
?Amer Veterinary Medical Assn |
45 min |
16mm |
Color |
sound |
| 1998 |
Dirty Work |
Blackhawk Films |
600 |
|
Color |
|
| 1998 |
Eisenstein: The Master's House |
First Run/Icarus |
1:02 |
16mm |
Color |
|
| 1998 |
Enemy of the State |
Tony Scott |
132 min |
|
Color |
|
| 1998 |
Holy man |
Stephen Herek |
114 min |
|
Color |
|