| 1984 |
More bloody meetings: the human side of meetings |
Charles Crichton |
|
|
|
|
| 1984 |
Museum: a living memory |
Anamaria Beligan |
|
|
|
|
| 1984 |
My Urban Garden |
NFBC |
|
16mm |
|
sound |
| 1984 |
Nineteen Eighty Four |
unknown |
113 min |
16mm |
Color |
sound |
| 1984 |
Partners |
MORSE ALLEN INC |
12 |
16mm |
Color |
|
| 1984 |
Peter And The Magic Egg |
Perspective Films/Esquire/Simon & Schuster |
|
16mm |
Color |
sound |
| 1984 |
POLICE ACADEMY |
Hugh Wilson |
8:00 |
16mm |
Color |
silent |
| 1984 |
Port, power and people |
Barry Merton |
|
|
|
|
| 1984 |
Qiu Jin |
Xie Jin |
|
|
|
|
| 1984 |
Quilombo |
New Yorker |
114 mi |
16mm |
Color |
sound |
| 1984 |
Red Matildas |
Trevor Graham, Sharon Connolly |
|
|
|
|
| 1984 |
Remembering life |
Varied Directions |
58 |
16mm |
Color |
sound |
| 1984 |
Sequence And Story |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1984 |
Sequence and Story |
Don White |
|
|
|
|
| 1984 |
Six Characters In Search Of An Author |
Films for the Humanities (Firm) |
|
16mm |
|
sound |
| 1984 |
Splash |
Ron Howard |
12:00 |
|
Color |
|
| 1984 |
Splash |
Ron Howard |
111 min |
|
Color |
|
| 1984 |
Splash |
Ron Howard |
111 min |
|
Color |
|
| 1984 |
Stone Carvers |
direct |
29 min. |
16mm |
Color |
sound |
| 1984 |
Streetwise |
Angelika Films |
92 |
16mm |
Color |
sound |
| 1984 |
Strikebound |
Richard Lowenstein |
|
|
Color |
|
| 1984 |
Thanks For The Memory |
Seven Dimension Films Of Australia |
|
16mm |
|
sound |
| 1984 |
The Ambassadors symphony |
Martin Cohen |
|
|
|
|
| 1984 |
The Arrest |
Atef El Tayeb |
|
|
|
|
| 1984 |
The Children of Soong Ching Ling |
Gary Bush |
12:00 |
|
|
|
| 1984 |
The Deadly Game Of Nations |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1984 |
The Delightful but unfortunate Father Keith Nink and his extraordinary day of darkness |
Mark Hanlin |
|
|
|
|
| 1984 |
The Frog prince |
Brian Gilbert |
90 min |
|
Color |
|
| 1984 |
The Frog prince |
Brian Gilbert |
90 min |
|
Color |
|
| 1984 |
The Joy That Kills ▶ |
Chopin Kate 1851-1904. Story of an hour |
|
16mm |
|
sound |
| 1984 |
The Joy that kills |
Films for the Humanities |
56 |
16mm |
Color |
sound |
| 1984 |
The Man Who Loved Machines |
Bullfrog Films Inc |
|
16mm |
|
sound |
| 1984 |
The Masculine Mystique ▶ |
National Film Board of Canada. |
|
16mm |
|
sound |
| 1984 |
The Masculine mystique |
Giles Walker, John N. Smith |
|
|
|
|
| 1984 |
The Painted Door ▶ |
Atlantis Films. |
24 min |
16mm/video file |
Color |
|
| 1984 |
The Point |
direction, David Ehrlich. |
3 |
16mm |
Color |
sound |
| 1984 |
The Riddle |
Storm Thorgerson |
4 min |
|
Color |
|
| 1984 |
The Statue of Liberty |
Direct Cinema |
58 |
16mm |
Color |
sound |
| 1984 |
The Stone Carvers ▶ |
Fetter Frank A. (Frank Albert) 1863-1949. ed |
1080 |
16mm |
Color |
sound |
| 1984 |
The Stone carvers |
Direct Cinema Ltd. |
29 |
16mm |
Color |
sound |
| 1984 |
The Times of Harvey Milk |
Cinecom |
87 |
16mm |
Color |
sound |
| 1984 |
The Times of Harvey Milk |
Rob Epstein |
90 min |
|
Color |
|
| 1984 |
Threads |
Mick Jackson |
112 min |
|
Color |
|
| 1984 |
Threads |
Purdue University |
23 min |
Filmstrip |
Color |
Silent |
| 1984 |
Too dirty for a woman |
Diane Beaudry |
|
|
|
|
| 1984 |
Tortured dust |
direction, Stan Brakhage. |
23 |
16mm |
Color |
silent |
| 1984 |
Whale hunting |
Bae Chang-ho |
|
|
|
|
| 1984 |
Wharfie |
Barbara Boyd-Anderson |
|
|
|
|
| 1984 |
Why Mosquitoes Buzz in People's Ears |
Weston Woods |
|
16mm |
|
sound |
| 1984 |
Why Mosquitoes Buzz in People's Ears |
Weston |
10 min. |
16mm |
Color |
sound |