| 1982 |
The Cotton Club |
2482 Sutter |
121 min |
16mm |
Color |
sound |
| 1982 |
The Creative eye: thoughts on painting by some contemporary artists |
David Muir |
|
|
|
|
| 1982 |
The Dark crystal |
Jim Henson, Frank Oz |
88 min |
|
Color |
|
| 1982 |
The Earthling |
Filmways TV Pictures |
97 min |
16mm |
Color |
sound |
| 1982 |
The Electric Grandmother ▶ |
Highgate Pictures |
1800 |
16mm |
Color |
sound |
| 1982 |
The Electric Grandmother |
Noel Black |
12:00 |
|
Color |
|
| 1982 |
The Electric grandmother |
Noel Black |
|
|
Color |
|
| 1982 |
The Foolish Brother |
Journal Films Inc / Altschul Group |
|
16mm |
|
sound |
| 1982 |
The glassmakers of Herat |
produced and directed by Elliott Erwitt for the Corning Museum of Glass ; narration written by Robert H. Brill. |
27 |
16mm |
Color |
sound |
| 1982 |
The Great chess movie |
The Board |
80 |
16mm |
Color |
sound |
| 1982 |
The Great chess movie |
Gilles Carle |
|
|
Color |
|
| 1982 |
The Harbour from McMahons Point |
David Muir |
|
|
|
|
| 1982 |
The hat |
Weston Woods presents ; produced by Krátý Film Praha for Weston Woods ; producer, Morton Schindel ; adaptation, design, and direction, Gene Deitch. |
6 |
16mm |
Color |
sound |
| 1982 |
The Highest Honor ▶ |
to be added |
|
|
Color |
|
| 1982 |
The Klan: A Legacy of Hate in America ▶ |
Guggenheim Productions Inc. |
|
16mm |
|
sound |
| 1982 |
The Laws of motion |
Jack Smith |
|
|
|
|
| 1982 |
The Living soil |
Roger Seccombe |
|
|
|
|
| 1982 |
The Melbourne Concert Hall |
David Greig |
|
|
|
|
| 1982 |
The Mother |
Mezhrabpomfilʹm Film Factory ; direction, Vsevolod Pudovkin ; screenplay, Nathan Zarkhi. |
90 |
16mm |
B&W |
silent |
| 1982 |
The Phantom treehouse |
Paul Williams |
|
|
Color |
|
| 1982 |
The Politics of persuasion |
Martin Defalco |
|
|
|
|
| 1982 |
The Quinkins |
Weston Woods Studios Institutional Media Inst |
|
16mm |
|
sound |
| 1982 |
The Quinkins |
Weston Woods |
11 |
16mm |
Color |
sound |
| 1982 |
The Quinkins |
Paul R. Gagne |
|
|
|
|
| 1982 |
The Remarkable Riderless Runaway Tricycle |
Evergreen Films |
|
16mm |
|
sound |
| 1982 |
The Remarkable riderless runaway tricycle |
Phoenix |
11 |
16mm |
Color |
sound |
| 1982 |
The Remarkable riderless runaway tricycle |
Gary Templeton |
|
|
|
|
| 1982 |
The Rice ladle |
Oliver Howes |
|
|
|
|
| 1982 |
The Rice ladle |
Oliver Howes |
|
|
|
|
| 1982 |
The Snowman |
Weston Woods |
26 |
16mm |
Color |
sound |
| 1982 |
The Snowman |
Dianne Jackson |
12:00 |
|
Color |
|
| 1982 |
The Snowman |
Dianne Jackson |
26 min |
|
Color |
|
| 1982 |
The Sound Collector |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1982 |
The Sound collector |
The Board |
12 |
16mm |
Color |
sound |
| 1982 |
The Sound collector |
Lynn Smith |
|
|
|
|
| 1982 |
The Stress Mess |
BARR FILMS 3490 E FOOTHILL BLVD PASADENA CA 91107 |
|
16mm |
|
sound |
| 1982 |
The Stress mess |
BARR PRODUCTIONS ARTHUR |
24 |
16mm |
|
|
| 1982 |
The Stress Mess |
Ron Underwood |
|
|
|
|
| 1982 |
The Stress mess |
Ron Underwood |
|
|
|
|
| 1982 |
The Tomten |
Weston Woods Studios Institutional Media Inst |
|
16mm |
|
sound |
| 1982 |
The Tomten |
Weston Woods |
8 |
16mm |
Color |
sound |
| 1982 |
The Trout |
Joseph Losey |
105 min |
|
Color |
|
| 1982 |
The Trout |
Joseph Losey |
105 min |
|
Color |
|
| 1982 |
The Unapproachable |
Teleculture Inc. |
|
16mm |
|
sound |
| 1982 |
The Weavers - Wasn't That A Time |
Films Incorporated Video |
78 min |
16mm |
|
sound |
| 1982 |
The World Of Strawberry Shortcake |
C/O Simon & Schuster Film & Videos |
|
16mm |
|
sound |
| 1982 |
Time stands still |
Almi/Krypton |
99 |
16mm |
Color & B&W |
sound |
| 1982 |
Times are changing |
Mitch Matthews |
|
|
|
|
| 1982 |
To Live Until You Die |
WGBH |
|
16mm |
|
sound |
| 1982 |
Tomi Ungerer: Storyteller |
Weston Woods |
21 |
16mm |
Color |
sound |