| 1980 |
All the Way Up There |
Valhalla Production |
26 |
16mm |
Color |
|
| 1980 |
Alligator!! |
goodway films |
87 min |
16mm |
Color |
sound |
| 1980 |
American gigolo |
direction, Paul Schrader. |
157 |
16mm |
Color |
sound |
| 1980 |
An Easy Pill To Swallow |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1980 |
An Interview with Susan George |
Mark Stiles |
|
|
|
|
| 1980 |
And spare the child |
Antonio Colacino |
|
|
|
|
| 1980 |
Antarctic winter |
David Parer |
|
|
|
|
| 1980 |
Araha Ana Romo |
Martin Cohen |
|
|
|
|
| 1980 |
At the canoe camp |
Philip Robertson |
|
|
|
|
| 1980 |
Australian dance theatre |
Howard Rubie |
|
|
|
|
| 1980 |
Be Forever Yamato |
Masuda, ToshioToshio Masuda |
145 min |
|
Color |
|
| 1980 |
Because somebody cares |
NEW DIMENSION FILMS |
27 min. |
16mm |
Color |
sound |
| 1980 |
Because Somebody Cares |
James Vanden Bosch |
12:00 |
|
|
|
| 1980 |
Because somebody cares |
James Vanden Bosch |
|
|
|
|
| 1980 |
Being male |
Don White |
|
|
|
|
| 1980 |
Best boy |
Ifex Films |
104 mi |
16mm |
Color |
sound |
| 1980 |
Bet your life |
Don Anderson |
|
|
|
|
| 1980 |
Bifo Kam |
Graham Chase |
|
|
|
|
| 1980 |
Brazil: A Bahian Menu |
SCREEN |
25 min. |
16mm |
Color |
|
| 1980 |
Breaker Morant |
Bruce Beresford |
107 min |
|
Color |
|
| 1980 |
Challenger: an industrial romance |
Michael Rubbo |
|
|
Color |
|
| 1980 |
Children of the Tribe |
NFBC |
28 min. |
16mm |
Color |
|
| 1980 |
Children of the tribe |
Kalle Lasn |
|
|
|
|
| 1980 |
China mission |
Tom Radford |
|
|
|
|
| 1980 |
Coast to Coast |
Joseph Sargent |
95 min |
16mm |
Color |
|
| 1980 |
Communicating with a group |
John Krish |
|
|
|
|
| 1980 |
Coping with conflict |
Ron Tanner |
|
|
|
|
| 1980 |
Death Watch |
Teleculture Inc. |
128 min |
16mm |
Color |
sound |
| 1980 |
Decade |
Ground Zero Productions ; film by Phil Hopper. |
11 |
16mm |
B&W |
sound |
| 1980 |
Deep hearts |
Robert Gardner |
|
|
|
|
| 1980 |
Demon lover diary |
Joel DeMott |
90 min |
|
Color |
|
| 1980 |
Desperate voyage |
Michael O'Herlihy |
100 min |
|
|
|
| 1980 |
Don't Mess With Bill |
Insight Productions |
|
16mm |
|
sound |
| 1980 |
Don't mess with Bill |
Pen Densham |
|
|
|
|
| 1980 |
Doraemon: Nobita's Dinosaur |
Fukutomi, HiroshiHiroshi Fukutomi |
100 min |
|
Color |
|
| 1980 |
Double Negative |
unknown |
|
16mm |
|
sound |
| 1980 |
Dragoncastle |
Mason Productions |
|
16mm |
|
sound |
| 1980 |
Dragoncastle |
KINETIC FILM ENTERPRISE |
13 |
16mm |
Color |
sound |
| 1980 |
Dragoncastle |
Paul Mason |
|
|
|
|
| 1980 |
Dragoncastle |
Paul Mason |
|
|
|
|
| 1980 |
Dressed to kill |
Cinema 77 |
1:45:00 |
16mm |
Color |
sound |
| 1980 |
Electric Eskimo |
Lucerne Media |
|
16mm |
|
sound |
| 1980 |
Empty Suitcases |
Amer Federation Of Arts |
49 min |
16mm |
|
sound |
| 1980 |
End of the Old Order: 1900-1918 |
Nielsen-Ferns International |
24 |
16mm |
Color |
|
| 1980 |
Energy: less is more. - 2nd ed. |
Thomas Smith |
|
|
|
|
| 1980 |
Energy: new sources. - 2nd ed. |
Thomas Smith |
|
|
|
|
| 1980 |
Every Man For Himself |
unknown |
87 min |
16mm |
Color |
sound |
| 1980 |
Exchange and divide |
Margaret Dickinson |
|
|
|
|
| 1980 |
Fall Line |
Robert Carmichael |
8:00 |
|
Color |
|
| 1980 |
Fall line |
Robert Carmichael |
12 min |
|
Color |
|