| 1977 |
Surreal Estate |
1855 Beloit #6 |
87 min |
16mm |
|
sound |
| 1977 |
Suspiria |
SEDA Spettacoli, S.P.A |
98 min |
|
Color |
sound |
| 1977 |
Swami Shyam |
Chris Noonan |
|
|
|
|
| 1977 |
Swiss Graffiti |
Veuve (Jacqueline) and Renault (Monique) |
6 min |
16mm |
|
sound |
| 1977 |
Tail Gunner Joe |
Universal City Studios, Inc |
159 min |
|
Color |
sound |
| 1977 |
Take the cue train |
Brian Bergin |
|
|
|
|
| 1977 |
Talking about Belonging |
Philip Robertson |
|
|
|
|
| 1977 |
Talking shop: demands on language |
Karl McPhee |
|
|
|
|
| 1977 |
Tallest Tree in Our Forest Part 1 ▶ |
Gil Noble |
1600 |
|
Color |
|
| 1977 |
Tallest Tree in Our Forest Part 2 ▶ |
Gil Noble |
1600 |
|
Color |
|
| 1977 |
Tallest Tree in Our Forest Part 3 ▶ |
Gil Noble |
12:00 |
|
Color |
|
| 1977 |
Tally Brown, New York |
R. von Praunheim |
90 |
16mm |
Color |
sound |
| 1977 |
Teach me what? |
David E. Barrow |
|
|
|
|
| 1977 |
The 3,000 Mile Chase |
Universal |
106 min |
|
Color |
sound |
| 1977 |
The Absent-Minded Waiter |
The Aspen Film Society |
7 min |
|
Color |
sound |
| 1977 |
The American friend |
New Yorker |
127 mi |
16mm |
Color |
sound |
| 1977 |
The American friend. |
Wim Wenders |
121 min |
16mm |
Color |
sound |
| 1977 |
The Awaited Messiah |
Franco Zeffirelli |
|
|
|
|
| 1977 |
The Bad News Bears In Breaking Training |
Paramount Pictures Corporation |
100 min |
|
Color |
sound |
| 1977 |
The Balance sheet barrier: business finance for non-specialists |
Peter Robinson |
|
|
|
|
| 1977 |
The Bead Game ▶ |
National Film Board of Canada. |
6 |
16mm |
Color |
sound |
| 1977 |
The children of Theatre Street |
Corinth |
90 |
16mm |
Color |
sound |
| 1977 |
The Conductor. Pt. 1 |
Milton Ingerson |
|
|
|
|
| 1977 |
The Conductor. Pt. 2 |
Milton Ingerson |
|
|
|
|
| 1977 |
The Detour |
Phoenix Films Caroline Mouris |
13 |
16mm |
Color |
sound |
| 1977 |
The Divided Trail: A Native American Odyssey |
Jerry Aronson |
30 |
16mm |
Color |
|
| 1977 |
The Economics Game |
Films And TV Distribution Officer |
|
16mm |
|
sound |
| 1977 |
The Economics game |
Elspeth MacDougall |
|
|
|
|
| 1977 |
The Elderly are all of us, only a little older |
Phillip Mark-Law |
|
|
|
|
| 1977 |
The Energy Carol ▶ |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1977 |
The Forgiving Lord |
Franco Zeffirelli |
|
|
|
|
| 1977 |
The Greatest |
Columbia/EMI presentation |
101 min |
|
Color |
sound |
| 1977 |
The Hostage Heart |
Metro-Goldwyn-Mayer, Inc |
90 min |
|
Color |
sound |
| 1977 |
The Hottest Show on Earth |
Terence Macartney-Filgate |
12:00 |
|
|
|
| 1977 |
The Hottest show on earth |
Terence Macartney-Filgate |
|
|
|
|
| 1977 |
The Importance of keeping perfectly still |
Michael Pattinson |
|
|
|
|
| 1977 |
The Innocent |
M-G-M Television |
60 min |
|
Color |
sound |
| 1977 |
The Innocent condemned |
Franco Zeffirelli |
|
|
|
|
| 1977 |
The Insulation story |
Les Krizsan |
|
|
|
|
| 1977 |
The Lady from Grey County |
Janice Brown |
|
|
|
|
| 1977 |
The Language of film: the technique of super 8 production |
Kit Hood |
|
|
|
|
| 1977 |
The Last Round |
Gilbert Altschul Productions |
10 |
16mm |
Color |
|
| 1977 |
The Life of Chikuzan |
Kaneto Shindo |
119 min |
|
|
|
| 1977 |
The Lincoln Conspiracy |
Schick Sunn Classic Productions, Inc |
90 min |
|
Color |
sound |
| 1977 |
The Man of the beatitudes |
Franco Zeffirelli |
|
|
|
|
| 1977 |
The Many adventures of Winnie the Pooh |
Wolfgang Reitherman, John Lounsbery |
74 min |
|
Color |
|
| 1977 |
The McIntyre Block |
Bob Lower |
|
|
|
|
| 1977 |
The Metamorphosis of Mr. Samsa |
texture |
10 |
16mm |
Color |
sound |
| 1977 |
The New Colombia |
Directions International, Inc |
15 min |
|
Color |
sound |
| 1977 |
The New morality |
Mel Stuart |
|
|
|
|