| 1971 |
This is a photograph |
The Board |
10 |
16mm |
Color |
sound |
| 1971 |
This is a photograph |
Albert Kish |
|
|
|
|
| 1971 |
Three To Go |
Australia News And Information Bureau |
|
16mm |
|
sound |
| 1971 |
Time And Place |
Australia News And Information Bureau |
|
16mm |
|
sound |
| 1971 |
Time Is Running Out |
Amer Documentary Films Inc |
33 min |
16mm |
|
sound |
| 1971 |
To Open Eyes |
AIMS |
|
16mm |
|
sound |
| 1971 |
To open eyes |
Arnold Bittleman |
|
|
|
|
| 1971 |
To Run |
Australia News And Information Bureau |
|
16mm |
|
sound |
| 1971 |
To run |
Stanley Dalby |
|
|
|
|
| 1971 |
Trio: exploring threads and textiles |
Ross Campbell |
|
|
|
|
| 1971 |
Umpiring netball |
Lee Wright |
|
|
|
|
| 1971 |
Unman, Wittering And Zigo |
Mediarts |
101 min |
|
Color |
sound |
| 1971 |
Urban Patterns |
Australia News And Information Bureau |
|
16mm |
|
sound |
| 1971 |
Valdez Is Coming |
Collectors Book Store |
95 |
16mm |
Color |
|
| 1971 |
Values |
Educational Direction |
6 filmstrips |
Filmstrip |
Color |
|
| 1971 |
Walkabout |
Nicolas Roeg |
100 min |
|
Color |
|
| 1971 |
Walls of fire. |
Herbert Kline, Edmund Penney |
2911 |
16mm |
Color |
sound |
| 1971 |
Water for a city |
Bruce Moir |
|
|
|
|
| 1971 |
We Grew A Frog |
1P7 5BG |
464 |
16mm |
|
sound |
| 1971 |
Welcome To The Club |
Welcome Productions |
88 min |
|
Color |
sound |
| 1971 |
Wet Earth And Warm People |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1971 |
When Eight Bells Toll |
Glen Alden Corp |
94 min |
|
Color |
sound |
| 1971 |
Where Does It Hurt |
Time-Life Video Distribution Center |
87 min |
16mm |
|
sound |
| 1971 |
Whitsunday walkabout |
William M. Carty |
|
|
|
|
| 1971 |
Who Says I Can’T Ride A Rainbow |
A Jerry Hammer production |
85 min |
|
Color |
sound |
| 1971 |
Why Animals Live Where They Live |
Educational Direction |
6 filmstrips |
Filmstrip |
Color |
|
| 1971 |
Why Do We? |
Educational Direction |
6 filmstrips |
Filmstrip |
Color |
|
| 1971 |
Will The Real Jan Brady Please Stand Up |
Redwood Productions, Inc |
30 min |
|
Color |
sound |
| 1971 |
Woody’S Magic Touch |
Universal Pictures |
1 reel |
|
Color |
sound |
| 1971 |
Working With Maps |
Educational Direction |
6 filmstrips |
Filmstrip |
Color |
|
| 1971 |
You are what you eat |
Markus Imhoof |
46 min |
|
|
|
| 1971 |
YOU ARE WHAT YOU EAT |
Markus Imhoof |
46 min |
|
|
|
| 1971 |
You can compose a dance. No 1 |
Shirley Winters |
|
|
|
|
| 1971 |
Your Rights And What They Really Mean |
Educational Direction |
6 filmstrips |
Filmstrip |
Color |
|
| 1971 |
Zikkaron. |
National Film Board of Canada. |
2:06 |
16mm |
|
sound |
| 1972 |
1970 |
produced by the AFI ; by Scott Bartlett. |
30 |
16mm |
Color |
sound |
| 1972 |
??Men??? |
Edmond Keosayan |
69 min |
|
|
|
| 1972 |
[Après documenta V] |
film by Michel de Rivaz. |
7 |
16mm |
Color |
silent |
| 1972 |
[Commercials. Coleman's mustard. Ham sandwich--put mustard on it] |
by Geoff Dunbar. |
0.33 |
16mm |
Color |
sound |
| 1972 |
[Commercials. Coleman's mustard. Steak and kidney pie--put mustard on it] |
by Geoff Dunbar. |
0.33 |
16mm |
Color |
sound |
| 1972 |
[The miracle of Bali] : |
art and religion in Bali Xerox Films ; produced by David Attenborough ; devised by John Coast. |
25 |
16mm |
Color |
sound |
| 1972 |
A Badge, a tradition, a future |
Alex Ezard |
|
|
|
|
| 1972 |
A Bus for us |
Rex Tasker |
|
|
|
|
| 1972 |
A City is |
James Carney |
|
|
|
|
| 1972 |
A City's child |
Brian Kavanagh |
78 min |
|
|
|
| 1972 |
A City's Child |
Brian Kavanagh |
78 min |
|
|
|
| 1972 |
A Crowded Wilderness |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1972 |
A Crowded wilderness |
Grant Kennedy |
|
|
|
|
| 1972 |
A Day in Perth |
Greg Reading |
|
|
|
|
| 1972 |
A Fable ▶ |
NILES PRODUCTIONS FRED |
17 |
16mm |
Color |
sound |