| 1970 |
Hunters Are For Killing |
Cinema Center Films |
120 min |
|
Color |
sound |
| 1970 |
I am Joaquin |
Pixan Film Center |
20 |
16mm |
Color |
sound |
| 1970 |
I Am Somebody |
American Foundation of Non-Violence |
30 |
16mm |
Color |
sound |
| 1970 |
I Love My Wife |
Universal Pictures |
95 min |
|
Color |
sound |
| 1970 |
I'M A MAN. |
Peter Rosen Productions |
|
16mm |
|
sound |
| 1970 |
I'm positive that's sugar |
Ross Campbell |
|
|
|
|
| 1970 |
Imogen Cunningham, Photographer |
American Film Institute |
7:00 |
|
|
|
| 1970 |
Imogen Cunningham, photographer |
John Korty |
|
|
|
|
| 1970 |
Impressio / |
Seppo Suo-Antilla. |
13 |
16mm |
B&W |
sound |
| 1970 |
In the Crash |
Harvest Films |
21 |
16mm |
Color |
sound |
| 1970 |
In the crash |
Leo Trachtenberg |
|
|
|
|
| 1970 |
Interesting ecological anecdotes : |
[Hodag] / everything else, Larry Huber. |
1 |
16mm |
Color |
sound |
| 1970 |
Interview |
Mrinal Sen |
5 min |
16mm |
B&W |
|
| 1970 |
Interviews with My Lai veterans |
New Yorker Films |
22 |
16mm |
Color |
sound |
| 1970 |
Interviews With My Lai Veterans |
Laser Film Corporation |
22 min |
|
Color |
|
| 1970 |
Interviews with My Lai veterans |
made 1970 |
Genre:Personal narratives American |
|
Color |
|
| 1970 |
Interviews with My Lai veterans |
Joseph Strick |
22 min |
|
Color |
|
| 1970 |
Investigation Of A Citizen Above Suspicion |
Columbia Pictures Industries |
94 min |
|
Color |
sound |
| 1970 |
Is it always right to be right? |
Lee Mishkin |
8 min |
16mm |
Color |
sound |
| 1970 |
It's so easy. - [rev. ed.] |
Donald Crombie |
|
|
|
|
| 1970 |
Java: island of culture |
John Cockcroft |
|
|
|
|
| 1970 |
Java: island of volcanoes |
John Cockcroft |
|
|
|
|
| 1970 |
Junket 89 |
Peter Plummer |
12:00 |
|
|
|
| 1970 |
Kangaroos. Part 1. Biography |
John Shaw |
|
|
|
|
| 1970 |
Kangaroos. Part 2. Varieties |
John Shaw |
|
|
|
|
| 1970 |
Keep it green |
Antonio Colacino |
|
|
|
|
| 1970 |
King : a filmed record-- Montgomery to Memphis |
Joseph L. Mankiewicz, Sidney Lumet |
135 min |
|
Color & B&W |
|
| 1970 |
Leopold the see-through crumbpicker |
Firebird Films presents ; film co-produced by Krátý Film , Prague & Firebird Films, Sea Cliff, New York ; produced by William Bernal ; directed by Gene Deitch. |
9 |
16mm |
Color |
sound |
| 1970 |
Leopold: the see-through crumbpicker |
Gene Deitch |
|
|
|
|
| 1970 |
Lost Flight |
Universal Pictures |
105 min |
|
Color |
sound |
| 1970 |
Lost Locket, Found Locket |
Redwood Productions, Inc |
30 min |
|
Color |
sound |
| 1970 |
Lovers And Other Strangers |
ABC Pictures Corporation |
104 min |
|
Color |
sound |
| 1970 |
Machine Gun McCain. |
Euro International Films |
91 min |
16mm |
Color |
sound |
| 1970 |
Madron. |
direction, Jerry Hopper. |
92 |
16mm |
Color |
sound |
| 1970 |
Magritte: The False Mirror ▶ |
Arts Council of Great Britain |
22 min |
16mm |
Color |
sound |
| 1970 |
Magritte: the false mirror |
Films inc. |
22 |
16mm |
Color |
sound |
| 1970 |
Man in the desert |
Edwin Moses |
|
|
|
|
| 1970 |
Mandabi |
Grove Press |
90 |
16mm |
B&W |
sound |
| 1970 |
Marxism: the theory that split a world |
George Kaczender |
|
|
|
|
| 1970 |
Microsecond |
a film by Dan McLaughlin. |
5 |
16mm |
Color |
sound |
| 1970 |
Mike’S Horror-Scope |
Redwood Productions, Inc |
30 min |
|
Color |
sound |
| 1970 |
Mime over matter |
Weston Woods |
12 |
16mm |
Color |
sound |
| 1970 |
Mime over matter |
Gene Deitch |
|
|
|
|
| 1970 |
Mississippi Mermaid |
Films du Carrosse, Productions Artistes Associes & Produzioni Associate Delplios |
110 min |
|
Color |
sound |
| 1970 |
Molecules and life |
Peter De Normanville |
|
|
|
|
| 1970 |
Monte Walsh |
Cinema Center Films & Palladian Pictures |
99 min |
|
Color |
sound |
| 1970 |
Moonwalk one |
Learning Corporation of America |
94 |
16mm |
Color |
sound |
| 1970 |
Mother - To - Be |
Natl Film Board Of Canada |
75 min |
16mm |
|
sound |
| 1970 |
Multiple SIDosis ▶ |
Sid Laverents |
|
|
|
|
| 1970 |
My Sweet Charlie |
Bob Banner Associates |
106 min |
|
Color |
sound |