| 1968 |
The Paradise Syndrome |
Norway Corporation |
60 min |
|
Color |
sound |
| 1968 |
The Party |
Blake Edwards |
94 min |
|
Color |
|
| 1968 |
The Pictures that moved: Australian cinema 1896-1920 |
Alan Anderson |
|
|
|
|
| 1968 |
The pink jungle. |
Universal Pictures |
104 min |
35 mm |
|
sound |
| 1968 |
The Price Of A Life |
Amer Foundation Institute Of Corrections Vision Associates |
|
16mm |
|
sound |
| 1968 |
The Revolving Door |
American Foundation Institute of Corrections | Vision Associates |
0:30:00 |
16mm |
B&W |
sound |
| 1968 |
The Revolving door |
Lee R. Bobker |
|
|
|
|
| 1968 |
The saints |
Bent Barfod presents ; produced for Kortfilmradet ; director, Bent Barfod. |
4 |
16mm |
Color |
sound |
| 1968 |
The Savages |
Gorg Allan |
|
16mm |
|
sound |
| 1968 |
The Secret Life Of An American Wife. |
Twentieth Century-Fox Film Corp |
92 min |
35mm |
Color |
sound |
| 1968 |
The Sergeant |
Warner Bros -Seven Arts Inc |
1:48:00 |
16mm |
Color |
sound |
| 1968 |
The Seventh Master Of The House |
Modern Learning Aids Div Of Ward's Natural Science |
12 min |
16mm |
|
sound |
| 1968 |
The Shakiest Gun In The West |
Universal Pictures Co. Inc. |
101 min |
16mm |
Color |
sound |
| 1968 |
The Shape Of Films To Come |
New York |
|
16mm |
|
sound |
| 1968 |
The Shape of Films to Come ▶ |
CBS News. |
|
|
|
|
| 1968 |
The Sixth Face Of The Pentagon |
Marker Chris |
28 min |
16mm |
|
sound |
| 1968 |
The snow maiden. |
Trident Films Ltd. |
10:00 |
16mm |
Color |
sound |
| 1968 |
The Strange Affair. |
Paramount Film Service Ltd. |
106 min |
35mm |
Color |
sound |
| 1968 |
The Stranger Returns. |
Metro-Goldwyn-Mayer Inc. |
95 min |
35mm |
Color |
sound |
| 1968 |
The Swimmer |
Sydney Pollack, Frank Perry |
91 min |
|
Color |
|
| 1968 |
The Tholian Web |
Norway Corporation |
60 min |
|
Color |
sound |
| 1968 |
The Ultimate Computer |
Norway Corporation |
60 min |
|
Color |
sound |
| 1968 |
The Unemployed |
Želimir Žilnik |
10 min |
|
|
|
| 1968 |
The Weather Map |
Australia News And Information Bureau |
|
16mm |
|
sound |
| 1968 |
The Wild Cell |
Columbia Broadcasting System |
|
16mm |
|
sound |
| 1968 |
The Wild Eye |
American International Pictures |
98 min |
35mm |
Color |
sound |
| 1968 |
The wrecking crew. |
Columbia Pictures. |
105 min |
16mm |
Color |
sound |
| 1968 |
The Young Animals |
American International Pictures |
|
35mm |
Color |
sound |
| 1968 |
The young runaways. |
Four-Leaf Productions |
91 min |
16mm |
Color |
sound |
| 1968 |
This Is No Time For Romance |
NATL. FILM BOARD OF CANADA |
28 |
16mm |
|
|
| 1968 |
Through Conflict to Negotiation ▶ |
WISEDCOB |
47 min. |
16mm |
Color |
|
| 1968 |
Through conflict to negotiation |
Bonnie Sherr Klein, Peter Pearson |
|
|
|
|
| 1968 |
Tuktu and the ten thousand fishes |
Laurence Hyde |
|
|
|
|
| 1968 |
Tuktu and the trials of strength |
Laurence Hyde |
|
|
|
|
| 1968 |
Twenty - Four Hours In Czechoslovakia |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1968 |
Twenty-four hours in Czechoslovakia |
David Bairstow |
|
|
|
|
| 1968 |
Up the junction. |
Paramount Pictures Corp. |
118 min |
35mm |
Color |
sound |
| 1968 |
Up The Macgregors. |
Jolly Film-Production D.S. |
104 min |
35mm |
Color |
sound |
| 1968 |
Urbanissimo |
HUBLEY STUDIOS 815 PARK AVE NEW YORK NY 10021 |
|
16mm |
|
sound |
| 1968 |
Villa Rides. |
Paramount Pictures Corp. |
125 min |
35mm |
Color |
sound |
| 1968 |
Vision in mathematics: motion geometry |
John Walker |
|
|
|
|
| 1968 |
Wait Until Dark |
warner brothers |
107 min |
16mm |
Color |
sound |
| 1968 |
Waiting For Caroline. |
National Film Board of Canada. |
86 min |
35mm |
Color |
sound |
| 1968 |
What are the odds? |
John Walker |
|
|
|
|
| 1968 |
What rights has a child |
Elspeth MacDougall |
|
|
|
|
| 1968 |
When it comes to people... |
Roland Beckett |
|
|
|
|
| 1968 |
Where eagles dare |
Brian G. Hutton |
158 min |
|
Color |
|
| 1968 |
Where to live |
Joe Scully |
|
|
|
|
| 1968 |
Where Were You When The Lights Went Out |
Metro-Goldwyn-Mayer Inc. |
89 min |
35mm |
Color |
sound |
| 1968 |
Where Were You When The Lights Went Out? |
Hy Averback |
89 min |
16mm |
Color |
|