| 1968 |
God morgen = |
Good morning Fiasco Film ; directed by Flemming Quist Møller. |
5 |
16mm |
Color |
sound |
| 1968 |
Golf in Australia |
Antonio Colacino |
|
|
|
|
| 1968 |
Great Catherine. |
Keep Films Ltd. |
99 min |
35mm |
Color |
sound |
| 1968 |
Hang Em High |
Collectors Book Store |
1:08 |
16mm |
Color |
|
| 1968 |
Hard water |
Peter Griffiths |
|
|
|
|
| 1968 |
HARD WATER |
Peter Griffiths |
|
|
|
|
| 1968 |
He's Your Dog, Charlie Brown |
Lee Mendelson Film Productions & Bill Melendez Productions |
1 reel |
|
Color |
sound |
| 1968 |
Head |
directed, produced, and written by Diane Rochlin and Sheldon Rochlin. |
85 |
16mm |
Color |
sound |
| 1968 |
Hellfighters. |
Universal Pictures |
116 min |
35mm |
Color |
sound |
| 1968 |
Hocus Pocus Powwow. |
Warner Bros.-Seven Arts Inc. |
|
35mm |
Color |
sound |
| 1968 |
Holy Ghost People |
MCGH |
53 min. |
16mm |
B&W |
|
| 1968 |
Hostile Witness |
Caralan-Dador Productions |
103 min |
|
Color |
sound |
| 1968 |
Hour of the Wolf |
MGM/UA |
89 |
16mm |
B&W |
sound |
| 1968 |
Hovercraft N4 |
Gerard Bryant |
|
|
|
|
| 1968 |
I am a country |
Herb Taylor |
|
|
|
|
| 1968 |
I Sailed To Tahiti With An All Girl Crew. |
United National Pictures Inc. & National Telefilm Associates Inc. |
|
35mm |
Color |
sound |
| 1968 |
Ice Station Zebra |
Filmways Pictures Inc |
2:32:00 |
16mm |
Color |
sound |
| 1968 |
If He Hollers, Let Him Go! |
Forward Films |
107 min |
|
Color |
sound |
| 1968 |
If! |
Lindsay Anderson |
111 min |
|
Color & B&W |
|
| 1968 |
IN ENEMY COUNTRY. |
Universal Pictures |
|
35 mm |
Color |
sound |
| 1968 |
In The Year Of The Pig |
The Monday Film Production Company |
97 min |
|
B&W |
sound |
| 1968 |
Inspector Clouseau. |
Mirisch Corp. of Delaware |
96 min |
35mm |
Color |
sound |
| 1968 |
Is There In Truth No Beauty? |
Norway Corporation |
60 min |
|
Color |
sound |
| 1968 |
Isotopes in Action |
Ken McCready |
12:00 |
|
|
|
| 1968 |
Isotopes in action |
Ken McCready |
|
|
|
|
| 1968 |
It’s Your Move |
Roberto Fizz |
99 min |
|
Color |
|
| 1968 |
Jean Renoir at work (Direction d'acteur) |
Pierre Braunberger presents ; directed by Gisele Braunberger. |
23 |
16mm |
Color |
sound |
| 1968 |
Jonas Salk: science of life |
Peter Poor |
|
|
|
|
| 1968 |
Journey into Self |
Bill McGaw |
47 min |
|
Color & B&W |
|
| 1968 |
Journey into self. |
Bill McGaw |
47 min |
16mm |
Color & B&W |
sound |
| 1968 |
Julius Caesar: an Introduction |
Peter Seabourne |
12:00 |
|
|
|
| 1968 |
Julius Caesar: an introduction |
Peter Seabourne |
|
|
|
|
| 1968 |
K-9000 : |
a space oddity Haboush Electrical Talking Motion Picture Company ; a film by Robert Mitchell and Robert Swarthe. |
10 |
16mm |
Color |
sound |
| 1968 |
King Kong Escapes. |
Universal Pictures |
104 min |
35mm |
Color |
sound |
| 1968 |
Knocturne / |
[Directed by George Kuchar]. |
8 |
16mm |
Color |
sound |
| 1968 |
La Chamade |
Films Ariane, Productions Artistes Associes & Produzioni Europee Associate |
102 min |
|
Color |
sound |
| 1968 |
La Feet's Defeat. |
Mirisch-Geoffrey D-F |
|
35mm |
Color |
sound |
| 1968 |
Lady In Cement. |
Arcola-Millfield Productions & Twentieth Century-Fox Film Corp. |
93 min |
35mm |
Color |
sound |
| 1968 |
Last words. |
Werner Herzog |
5:05 |
16mm |
B&W |
sound |
| 1968 |
LBJ |
Directed by Santiago Alvarez. |
20 |
16mm |
Color & B&W |
sound |
| 1968 |
Les Biches. |
Blue Chip Productions Inc. |
100 min |
35mm |
Color |
sound |
| 1968 |
Lichtenstein in London |
British Film Institute |
|
|
|
|
| 1968 |
Lichtenstein in London |
Bruce Beresford |
|
|
|
|
| 1968 |
Little Beaux Pink. |
Mirisch-Geoffrey D-F |
6 min |
35mm |
Color |
sound |
| 1968 |
Lonesome Cowboys |
Andy Warhol Films |
110 min |
|
Color |
sound |
| 1968 |
Lucky Pink. |
Mirisch-Geoffrey D-F |
|
35mm |
Color |
sound |
| 1968 |
Madigan. |
Universal Pictures |
101 min |
16mm |
Color |
sound |
| 1968 |
Mandabi. |
Ousmane Sembène |
105 min |
16mm |
|
sound |
| 1968 |
Marriage under stress: children make the difference |
John Percival |
|
|
|
|
| 1968 |
Memories of underdevelopment |
New Yorker |
97 |
16mm |
B&W |
sound |