| 1967 |
God is Dog Spelled Backwards |
CONTEM |
4 min |
16mm |
Color |
sound |
| 1967 |
Going Our Way |
Chris Gallagher |
|
|
|
|
| 1967 |
Golden Sands |
Australia News And Information Bureau |
|
16mm |
|
sound |
| 1967 |
Gunfight In Abilene. |
Universal Pictures |
86 min |
35mm |
Color |
sound |
| 1967 |
Hailstones and halibut bones. ▶ |
Part 2 Fine Arts Productions, Inc., Hollywood; poems by Mary O'Neill; produced and directed by John Wilson. |
7 |
16mm |
Color |
sound |
| 1967 |
Half A Sixpence. |
Paramount Film Service Ltd. |
143 min |
35mm |
Color |
sound |
| 1967 |
Hare Kanch Ki Chooriyan |
Kishore Sahu |
|
|
Color |
|
| 1967 |
Het duel |
regie, Ronald Bijlsma. |
2 |
16mm |
Color |
sound |
| 1967 |
Hostile Guns. |
Paramount Pictures Corp. & A. C. Lyles Productions Inc. |
91 min |
35mm |
Color |
sound |
| 1967 |
How To Steal The World |
Arena Productions |
89 min |
|
Color |
sound |
| 1967 |
I do -- and I understand |
written and directed by Derek Williams ; produced by John Arnold. |
14 |
16mm |
B&W |
sound |
| 1967 |
I, Mudd |
Norway Corporation |
60 min |
|
Color |
sound |
| 1967 |
In Like Flint. |
Twentieth Century-Fox Film Corp |
114 min |
35mm |
Color |
sound |
| 1967 |
In one day |
James Carney |
|
|
|
|
| 1967 |
In two minds |
Ken Loach |
|
|
|
|
| 1967 |
Into tomorrow |
John Howard |
|
|
|
|
| 1967 |
Introduction to Superconductivity ▶ |
Michigan State University. Instructional Media Center |
48 min |
16mm |
B&W |
sound |
| 1967 |
Is anybody doing anything about it? |
Donald Crombie |
|
|
|
|
| 1967 |
It's A Bikini World. |
Trans American Films |
86 |
35mm |
Color |
sound |
| 1967 |
Job No. 1112 |
Neil Howe |
|
|
|
|
| 1967 |
Journey of a lifetime |
David Bilcock |
|
|
|
|
| 1967 |
Journey To Babel |
Norway Corporation |
60 min |
|
Color |
sound |
| 1967 |
Journey To Shiloh |
Universal Pictures |
101 min |
|
Color |
sound |
| 1967 |
Journey to the Pacific |
Gary Goldsmith |
42 min |
|
|
|
| 1967 |
KILL OR BE KILLED |
Tanio Boccia |
93 min |
|
Color |
|
| 1967 |
Killer on the move |
John Edwards |
|
|
|
|
| 1967 |
Knowing to learn |
Claude Jutra |
|
|
|
|
| 1967 |
Knowing to learn [edited version] |
Claude Jutra |
|
|
|
|
| 1967 |
Kyu-chan no Dekkai Yume |
Yamada, YojiYoji Yamada |
|
|
|
|
| 1967 |
La Guerra olvidada |
El Instituto Cubano del Arte e Industria Cinematográficos y la OSPAAAL presentan ; directed by Santiago Alvarez. |
25 |
16mm |
B&W |
sound |
| 1967 |
Learning the butterfly stroke |
Peter Boulton |
|
|
|
|
| 1967 |
Learning to swim with artifical aids |
Peter Boulton |
|
|
|
|
| 1967 |
Legault's place |
Suzanne Angel |
10 min |
|
|
|
| 1967 |
Les corbeaux |
un film de Ernest et Gisele Ansorge. |
5 |
16mm |
B&W |
sound |
| 1967 |
Liberty crown |
produced by KQED-TV, San Francisco ; a video film directed by Bruce Conner. |
3 |
16mm |
B&W |
sound |
| 1967 |
Light and Shadow |
Kyeong-ok Choi |
|
|
|
|
| 1967 |
Little White Crimes |
NATL. FILM BOARD OF CANADA |
28 |
16mm |
|
|
| 1967 |
Little White Crimes |
George Kaczender |
12:00 |
|
|
|
| 1967 |
Little white crimes |
George Kaczender |
|
|
|
|
| 1967 |
Livestock Farmers And The Four Flies. ▶ |
Iowa State University a.a.d.o. Iowa State University of Science & Technology |
24 min |
16mm |
Color |
sound |
| 1967 |
Mapping Australia |
John Richardson |
|
|
|
|
| 1967 |
Matchless |
Dino de Laurentiis Cinematografica |
103 min |
|
Color |
sound |
| 1967 |
Money-go-round |
Alvin Rakoff |
|
|
|
|
| 1967 |
Monument To The Dream |
Paramount Pictures |
27 |
16mm |
Color |
sound |
| 1967 |
Monument to the Dream |
Charles Guggenheim |
12:00 |
|
|
|
| 1967 |
Monument to the dream |
Charles Guggenheim |
|
|
|
|
| 1967 |
More Than A Miracle. |
Metro-Goldwyn-Mayer Inc. |
104 min |
35mm |
Color |
sound |
| 1967 |
My sister, my love |
written and directed by Vilgot Sjoman. |
97 |
16mm |
B&W |
sound |
| 1967 |
Navajo Joe |
Dino De Laurentiis Cinematografica, S.P.A. & C.B. Films, S.A |
89 min |
|
Color |
sound |
| 1967 |
Never a Backward Step ▶ |
Natl Film Board Of Canada |
|
16mm |
|
sound |