| 1959 |
A Day In The Night Of Jonathan Mole |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1959 |
A Day in the night of Jonathan Mole |
Donald Brittain |
|
|
|
|
| 1959 |
A dog of Flanders |
UPA Productions of America |
96 |
16mm |
B&W |
sound |
| 1959 |
A DOG OF FLANDERS. |
Twentieth Century-Fox Film Corp |
8 reels |
35mm |
Color |
sound |
| 1959 |
A Dog's Best Friend. |
Premium Pictures Inc. |
70 min |
35mm |
B&W |
sound |
| 1959 |
A Is For Architecture |
Natl Film Board Of Canada |
29 min |
16mm |
|
sound |
| 1959 |
A is for Architecture |
Gerald Budner, Robert Verrall |
29 min |
|
|
|
| 1959 |
A is for architecture |
Gerald Budner, Robert Verrall |
29 min |
|
|
|
| 1959 |
A La Mode |
Vanderbeek Stanley |
5 |
16mm |
|
sound |
| 1959 |
A MANNER OF SPEAKING ▶ |
Jerry Fairbanks Productions. |
|
|
|
|
| 1959 |
A Manner of speaking |
John Rich |
|
|
|
|
| 1959 |
A MANNER OF SPEAKING |
Fairbanks Productions |
28 min |
16mm |
Color |
Sound |
| 1959 |
A Private’s Affair. |
Twentieth Century-Fox Film Corp |
92 min. |
35mm |
B&W |
sound |
| 1959 |
A Witch's Tangled Hare |
Vitaphone Corp. |
6 min |
35mm |
Color |
sound |
| 1959 |
About trees |
Jack Rogers |
|
|
|
|
| 1959 |
Action stations |
Cecil H. Williamson |
50 min |
|
|
|
| 1959 |
Age of dissent |
Bernard Devlin |
|
|
|
|
| 1959 |
Alpine harvest |
David Bilcock |
|
|
|
|
| 1959 |
An Artist looks at churches |
John Taylor |
|
|
|
|
| 1959 |
Anatomy of a murder |
Otto Preminger |
161 |
|
Color & B&W |
|
| 1959 |
Apur sansar |
(Publisher) |
1:45:00 |
16mm |
B&W |
sound |
| 1959 |
Arctic outpost |
National Film Board of Canada |
743 |
16mm |
Color |
sound |
| 1959 |
Australian [colour] diary. No. 010 |
Jack S. Allan |
|
|
|
|
| 1959 |
Australian diary. No. 108 |
Jack S. Allan |
|
|
|
|
| 1959 |
Australian diary. No. 109 |
Jack S. Allan |
|
|
|
|
| 1959 |
Battle Flame. |
Allied Artists Pictures Corp. |
78 min. |
35mm |
B&W |
sound |
| 1959 |
Beloved Infidel. |
Company of Artists Inc. & Twentieth Century-Fox Film Corp. |
117 min |
35mm |
Color |
sound |
| 1959 |
Between The Tides |
mght |
20 min |
16mm |
Color |
sound |
| 1959 |
Between the Tides |
Ralph Keene |
20 min |
|
Color |
|
| 1959 |
Between the tides |
Ralph Keene |
20 min |
|
Color |
|
| 1959 |
Black Orpheus |
JANUS |
103 mi |
16mm |
Color |
sound |
| 1959 |
BLOOD AND STEEL. |
Twentieth Century-Fox Film Corp |
5 reels |
35mm |
B&W |
sound |
| 1959 |
Blue Denim. |
Twentieth Century-Fox Film Corp |
89 min. |
35mm |
B&W |
sound |
| 1959 |
Bobbikins. |
Twentieth Century-Fox Film Corp |
|
35mm |
B&W |
sound |
| 1959 |
Cast A Long Shadow. |
Mirisch Co. Inc. |
82 min. |
35mm |
B&W |
sound |
| 1959 |
City Of Fear. |
Columbia Pictures Corp. |
81 min. |
35mm |
B&W |
sound |
| 1959 |
City Out of Time |
Colin Low |
|
|
|
|
| 1959 |
City out of time |
Colin Low |
|
|
|
|
| 1959 |
Come back, Africa |
Museum of Modern Art |
83 |
16mm |
B&W |
sound |
| 1959 |
CORRELIEU |
National Film Board of Canada |
20 min |
16mm |
Color |
Sound |
| 1959 |
Counterplot. |
J. Harold Odell Productions Inc. |
76 min |
35mm |
B&W |
sound |
| 1959 |
Cry Tough. |
Anne Productions Inc. |
83 min |
35mm |
B&W |
sound |
| 1959 |
Curse of the undead. |
Universal Pictures Co. Inc. |
79 min. |
35mm |
B&W |
sound |
| 1959 |
Desert Conquest |
Lex Halliday |
|
|
|
|
| 1959 |
Donald in Mathmagic land |
Wolfgang Reitherman, Hamilton Luske, Les Clark, Joshua Meador |
27 min |
|
Color |
|
| 1959 |
Economic development |
Ian Dunlop |
|
|
|
|
| 1959 |
Economic development in Papua and New Guinea. No. 2 |
Ian Dunlop |
|
|
|
|
| 1959 |
Edge Of Eternity |
Ideal Pictures Inc |
|
16mm |
|
sound |
| 1959 |
Edge of the deep |
David Corke |
22 min |
|
|
|
| 1959 |
Edward John Eyre |
Bill Mason |
|
|
|
|