| 1952 |
Walk East On Beacon |
Ideal Pictures Inc |
98 min |
16mm |
B&W |
sound |
| 1952 |
Water Birds. ▶ |
Walt Disney Productions. |
30 min. |
35mm |
Color |
sound |
| 1952 |
Way Of A Gaucho. |
Twentieth Century-Fox Film Corp |
91 min. |
35mm |
Color |
sound |
| 1952 |
West of England |
International Film Bureau |
0:10:00 |
16mm |
Color |
sound |
| 1952 |
We’re Not Married. |
Twentieth Century-Fox Film Corp |
85 min. |
35mm |
B&W |
sound |
| 1952 |
What comes out of the blast furnace? |
John Wiles |
|
|
|
|
| 1952 |
What Goes Into the Blast Furnace? ▶ |
John Durst |
|
16mm |
|
sound |
| 1952 |
What goes into the blast furnace? |
John Durst |
|
|
|
|
| 1952 |
What Makes Us Tick ▶ |
Sutherland (John) Productions |
1135 |
16mm |
Color |
sound |
| 1952 |
WHAT MAKES US TICK ▶ |
New York Stock Exchange |
|
16mm |
Color |
|
| 1952 |
When you're smiling. |
Joseph Santley |
|
16mm |
Color |
sound |
| 1952 |
White Manure |
Indian Gov't Films Division Ministry Of Information And Broadcasting |
|
16mm |
|
sound |
| 1952 |
Wild Horse Ambush. |
Republic Pictures Corp |
54 min. |
35mm |
B&W |
sound |
| 1952 |
Wild Stallion. |
Monogram Pictures Corp. |
70 min. |
35mm |
Color |
sound |
| 1952 |
Wings Of Danger. |
Exclusive Films Ltd. |
72 min. |
35mm |
B&W |
sound |
| 1952 |
With A Song In My Heart. |
Twentieth Century-Fox Film Corp |
117 min |
35mm |
Color |
sound |
| 1952 |
WOMAN OF THE NORTH COUNTRY |
Republic Pictures Corporation |
90 min |
16mm |
Color |
sound |
| 1952 |
Woman Of The North Country. |
Republic Pictures Corp |
90 min. |
35mm |
Color |
sound |
| 1952 |
Wrong Way Butch |
Teaching Film Custodians |
10 min |
16mm |
B&W |
sound |
| 1952 |
Wyoming Roundup. |
Monogram Pictures Corp. |
53 min. |
35mm |
B&W |
sound |
| 1952 |
Yankee Buccaneer. |
Universal Pictures Co. Inc. |
86 min. |
35mm |
Color |
sound |
| 1952 |
Yo Fui Una Callejera. |
Importadora Inc. |
76 min. |
35mm |
B&W |
sound |
| 1952 |
YOU'RE ONLY YOUNG TWICE. |
Terry Bishop |
|
16mm |
B&W |
sound |
| 1952 |
YUKON GOLD. |
Monogram Pictures Corp. |
62 min. |
35mm |
B&W |
sound |
| 1953 |
A Communications primer |
Charles Eames |
22 min |
|
Color |
|
| 1953 |
A Coronation in the Himalayas |
N.S. Thapa |
|
|
|
|
| 1953 |
A Geisha |
unknown |
85 min |
16mm |
Color & B&W |
sound |
| 1953 |
A Perilous Journey. |
Republic Pictures Corp |
90 min. |
35mm |
B&W |
sound |
| 1953 |
A Slight Case Of Larceny. |
Loew’s Incorporated |
71 min. |
35mm |
B&W |
sound |
| 1953 |
Abbott And Costello Go To Mars. |
Universal Pictures Co. Inc. |
77 min. |
35mm |
B&W |
sound |
| 1953 |
Abbott And Costello Meet Dr. Jekyll And Mr. Hyde. |
Universal Pictures Co. Inc. |
76 min. |
35mm |
B&W |
sound |
| 1953 |
Affair With A Stranger |
Roy Rowland |
87 |
|
B&W |
|
| 1953 |
All I Desire. |
Universal Pictures Co. Inc. |
79 min. |
35mm |
B&W |
sound |
| 1953 |
Ambush At Tomahawk Gap. |
Columbia Pictures Corp. |
73 min. |
35mm |
Color |
sound |
| 1953 |
Ammalakkalu |
D. Yoganand |
|
|
|
|
| 1953 |
And now Miguel |
U.S. Office of Education; Norwood Studios |
63 |
16mm |
B&W |
sound |
| 1953 |
Angotee: story of an eskimo boy ▶ |
Douglas Wilkinson |
11:56 |
16mm |
|
sound |
| 1953 |
Another chance |
Romulus presents ; from the play by Sylvia Rayman ; a Daniel Angel production ; screenplay by Anatole de Grunwald ; directed by Gordon Parry. |
79 |
16mm |
Color |
sound |
| 1953 |
Arrowhead |
Gateway Educational Media. |
105 min |
16mm |
Color |
sound |
| 1953 |
Arrowhead. |
Paramount Pictures Corp. |
105 min |
35mm |
Color |
sound |
| 1953 |
Australian diary. No. 060 |
Jack S. Allan |
|
|
|
|
| 1953 |
Australian diary. No. 062 |
Jack S. Allan |
|
|
|
|
| 1953 |
Australian diary. No. 063 |
Jack S. Allan |
|
|
|
|
| 1953 |
Australian diary. No. 064 |
Jack S. Allan |
|
|
|
|
| 1953 |
Australian diary. No. 065 |
Jack S. Allan |
|
|
|
|
| 1953 |
Australian diary. No. 066 |
Jack S. Allan |
|
|
|
|
| 1953 |
Australian diary. No. 067 |
Jack S. Allan |
|
|
|
|
| 1953 |
Australian diary. No. 068 |
Jack S. Allan |
|
|
|
|
| 1953 |
Australian diary. No. 069 |
Jack S. Allan |
|
|
|
|
| 1953 |
Australian diary. No. 070 |
Jack S. Allan |
|
|
|
|