| 1949 |
The Mutineers. |
Jean Yarbrough |
60 min. |
35mm |
B&W |
sound |
| 1949 |
The Mysterious Desperado. |
Lesley Selander |
60 min. |
35mm |
B&W |
sound |
| 1949 |
The Pecos Pistol. |
Universal Pictures Co. Inc. |
26 min. |
35mm |
B&W |
sound |
| 1949 |
The Pirates Of Capri. |
Edgar G. Ulmer, Giuseppe Maria Scotese |
94 min. |
35mm |
B&W |
sound |
| 1949 |
The Rising Tide |
Natl Film Board Of Canada |
30 min |
16mm |
B&W |
sound |
| 1949 |
The Rising tide |
Jean Palardy |
30 min |
|
B&W |
|
| 1949 |
The Rocking Horse Winner |
Two Cities Films Ltd |
1:30:00 |
16mm |
B&W |
sound |
| 1949 |
The Set-Up. |
Robert Wise |
73 min. |
35mm |
B&W |
sound |
| 1949 |
The Story of Time |
Signal Films |
|
|
|
|
| 1949 |
The Third Man. |
London Film Productions |
93 min. |
35mm |
B&W |
sound |
| 1949 |
The Vicious Circle |
Contemporary Films |
|
16mm |
B&W |
sound |
| 1949 |
The Window |
RKO Radio Pictures Inc |
1:13:00 |
16mm |
B&W |
sound |
| 1949 |
The Wyoming Bandit. |
Philip Ford |
60 min. |
35mm |
B&W |
sound |
| 1949 |
There’s A Girl In My Heart. |
Allied Artists Productions Inc. |
82 min. |
35mm |
B&W |
sound |
| 1949 |
Thieves' Highway |
Jules Dassin |
94 |
|
B&W |
|
| 1949 |
Thieves’ Highway. |
Twentieth Century-Fox Film Corp |
94 min. |
35mm |
B&W |
sound |
| 1949 |
This Was A Woman. |
Tim Whelan |
102 min |
35mm |
B&W |
sound |
| 1949 |
Thorvaldsen: Denmark's great sculptor |
Carl Theodor Dreyer |
|
|
|
|
| 1949 |
Thrill of the surf |
Ken G. Hall |
|
|
|
|
| 1949 |
Top O' The Morning. |
David Miller |
98 min. |
35mm |
B&W |
sound |
| 1949 |
Tough Assignment. |
William Beaudine |
64 min. |
35mm |
B&W |
sound |
| 1949 |
Trail Of The Yukon. |
William Beaudine |
67 min. |
35mm |
B&W |
sound |
| 1949 |
Train control |
John Kingsford-Smith |
|
|
|
|
| 1949 |
Treasure Of Monte Cristo. |
William Berke |
78 min. |
35mm |
B&W |
sound |
| 1949 |
Tuna Clipper. |
William Beaudine |
77 min. |
35mm |
B&W |
sound |
| 1949 |
Twelve O’clock High. |
Twentieth Century-Fox Film Corp |
132 min |
35mm |
B&W |
sound |
| 1949 |
Vagabond Loafers. |
Edward Bernds |
16 min. |
35mm |
B&W |
sound |
| 1949 |
Vote For Huggett |
Gainsborough Pictures (1928), Ltd |
84 min |
|
B&W |
|
| 1949 |
Wags To Riches. |
Tex Avery |
7 min |
35mm |
Color |
sound |
| 1949 |
Wake Of The Red Witch. |
Edward Ludwig |
106 min |
35mm |
B&W |
sound |
| 1949 |
Warning To Wantons |
Aquila Film Productions, Ltd |
|
|
B&W |
|
| 1949 |
We Were Strangers |
John Huston |
1:06 |
|
B&W |
|
| 1949 |
West Of El Dorado |
Monogram Pictures Corporation |
58 min |
|
B&W |
|
| 1949 |
Western Renegades. |
Wallace Fox |
56 min. |
35mm |
B&W |
sound |
| 1949 |
What is electricty |
Langton Gould-Marks |
|
|
|
|
| 1949 |
What's under the label |
Ron Weyman |
|
|
|
|
| 1949 |
White fortress |
Leslie McFarlane |
|
|
|
|
| 1949 |
White Heat |
Warner Bros. Pictures Inc. |
1:14 |
16mm |
B&W |
sound |
| 1949 |
Without Honor. |
Strand Productions, Inc. ; producers, Robert Hakim, Raymond Hakim ; writer, James Poe ; additional dialogue, DeWitt Bodeen ; direction, Irving Pichel. |
76 min. |
35mm |
B&W |
sound |
| 1949 |
World friendship |
Francis Thompson |
|
|
|
|
| 1949 |
Yes Sir, That’s My Baby. |
Universal Pictures Co. Inc. |
82 min. |
35mm |
Color |
sound |
| 1949 |
Zamba. |
William Berke |
72 min. |
35mm |
Color |
sound |
| 195-? |
The Magic horse |
Contemporary Films/McGraw-Hill |
10 |
16mm |
B&W |
sound |
| 1950 |
4 and 20 fit girls |
Agnes Mary Field |
|
|
|
|
| 1950 |
[Marriage counselling] |
Henwar Rodakiewicz |
|
|
|
|
| 1950 |
A Modern Marriage. |
Monogram Pictures Corp. |
66 min. |
35mm |
B&W |
sound |
| 1950 |
A Pint of milk |
Malcolm Otton |
|
|
|
|
| 1950 |
A Ticket To Tomahawk. |
Twentieth Century-Fox Film Corp |
90 min. |
35mm |
Color |
sound |
| 1950 |
A Wife’s Life. |
Loew's Inc. |
8 min |
35mm |
B&W |
sound |
| 1950 |
A Woman Of Distinction. |
Columbia Pictures Corp. |
85 min. |
35mm |
B&W |
sound |