| 1949 |
Blondie Hits The Jackpot. |
Edward Bernds |
66 min. |
35mm |
B&W |
sound |
| 1949 |
Blondie's Big Deal. |
Edward Bernds |
60 min. |
35mm |
B&W |
sound |
| 1949 |
Blood of the Beasts |
Georges Franju |
22 |
|
B&W |
|
| 1949 |
Bomba On Panther Island. |
Monogram Pictures Corp. |
76 min. |
35mm |
B&W |
sound |
| 1949 |
Bomba, The Jungle Boy. |
Ford Beebe |
71 min. |
35mm |
B&W |
sound |
| 1949 |
Boston Blackie's Chinese Venture. |
Seymour Friedman |
59 min. |
35mm |
B&W |
sound |
| 1949 |
Brand Of Fear. |
Oliver Drake |
56 min. |
35mm |
B&W |
sound |
| 1949 |
Bride Of Vengeance. |
Mitchell Leisen |
92 min. |
35mm |
B&W |
sound |
| 1949 |
Brighton Rock |
John Boulting |
92 |
|
B&W |
|
| 1949 |
Brimstone. |
Joseph Kane |
90 min. |
16mm |
Color |
sound |
| 1949 |
British trade and industry: London - Newcastle |
Ronald Craigen |
|
|
|
|
| 1949 |
Brothers In The Saddle. |
Lesley Selander |
60 min. |
35mm |
B&W |
sound |
| 1949 |
Calamity Jane And Sam Bass. |
Universal Pictures Co. Inc. |
85 min. |
35mm |
Color |
sound |
| 1949 |
Call Of The Forest. |
Lippert Productions Inc. |
57 min. |
35mm |
B&W |
sound |
| 1949 |
Campus Capers ▶ |
Bill Tytla |
6 min |
16mm |
|
sound |
| 1949 |
Canada calling |
David A. Smith |
|
|
|
|
| 1949 |
Celia. |
Francis Searle |
|
16mm |
|
sound |
| 1949 |
Challenge Of The Range. |
Ray Nazarro |
56 min. |
35mm |
B&W |
sound |
| 1949 |
Challenge To Lassie. |
Richard Thorpe |
76 min. |
35mm |
Color |
sound |
| 1949 |
Chicago Deadline. |
Paramount Pictures Inc. |
87 min. |
35mm |
B&W |
sound |
| 1949 |
Colorado Territory. |
Raoul Walsh |
94 min. |
|
B&W |
sound |
| 1949 |
Comin' Round The Mountain. |
Charles Lamont |
7 min |
35mm |
B&W |
sound |
| 1949 |
Conspirator. |
Victor Saville |
87 min. |
35mm |
B&W |
sound |
| 1949 |
Cover-Up. |
Alfred Edward Green |
82 min. |
35mm |
B&W |
sound |
| 1949 |
Crashing Thru. |
Ray Taylor |
58 min. |
35mm |
B&W |
sound |
| 1949 |
Criss Cross |
Universal Pictures Co. Inc. (Publisher) |
94 |
16mm |
B&W |
sound |
| 1949 |
Crocodile hunters |
Lee Robinson |
|
|
B&W |
|
| 1949 |
D.O.A. |
Rudolph Maté |
83 |
|
B&W |
|
| 1949 |
Daughter Of The West. |
Harold Daniels |
77 min. |
35mm |
Color |
sound |
| 1949 |
Daybreak in Udi |
Terry Bishop |
47 min |
|
B&W |
|
| 1949 |
Daybreak. |
Compton Bennett |
2 reels |
16mm |
B&W |
sound |
| 1949 |
Deputy Marshal. |
William Berke |
73 min. |
35mm |
B&W |
sound |
| 1949 |
Desert Vigilante. |
Fred F. Sears |
56 min. |
35mm |
B&W |
sound |
| 1949 |
Dime store |
by Dorsey Alexander. |
6 |
16mm |
Color |
sound |
| 1949 |
Doggone Tired. |
Tex Avery |
8 min |
35mm |
Color |
sound |
| 1949 |
Down Dakota Way. |
William Witney |
67 min. |
35mm |
Color |
sound |
| 1949 |
Down Memory Lane. |
Phil Karlson |
73 min. |
35mm |
B&W |
sound |
| 1949 |
Down To The Sea In Ships. |
Twentieth Century-Fox Film Corporation. |
120 min |
35mm |
B&W |
sound |
| 1949 |
Easy Living. |
Jacques Tourneur |
77 min. |
35mm |
B&W |
sound |
| 1949 |
El Abandonado. |
Importadora Inc. |
84 min. |
35mm |
B&W |
sound |
| 1949 |
El Diablo No Es Tan Diablo. |
Importadora Inc. |
95 min. |
35mm |
B&W |
sound |
| 1949 |
El Paso. |
Lewis R. Foster |
103 min |
35mm |
Color |
sound |
| 1949 |
Electrochemistry |
unknown |
|
16mm |
|
sound |
| 1949 |
Electrochemistry |
John Durst |
|
|
|
|
| 1949 |
Electrochemistry |
John Durst |
|
|
|
|
| 1949 |
ELECTROCHEMISTRY |
John Durst |
|
|
|
|
| 1949 |
Electrochemistry |
Erpi |
10 min |
16mm |
B&W |
Sound |
| 1949 |
Eureka stockade |
Harry Watt |
103 min |
|
B&W |
|
| 1949 |
Everybody Does It. |
Twentieth Century-Fox Film Corp |
98 min. |
35mm |
B&W |
sound |
| 1949 |
Fallen idol |
directed and produced by Carol Reed. |
92 |
16mm |
B&W |
sound |