| 1948 |
The Tioga Kid. |
Ray Taylor |
54 min. |
35mm |
B&W |
sound |
| 1948 |
The Treasure Of The Sierra Madre |
John Huston |
1:26 |
|
B&W |
|
| 1948 |
The treasure of the Sierra Madre |
Warner Bros. Pictures ; produced by Henry Blanke ; directed by John Huston ; screenplay by John Huston. |
126 |
16mm |
B&W |
sound |
| 1948 |
The Treasure Of The Sierra Madre. |
John Huston |
126 min |
35mm |
B&W |
sound |
| 1948 |
The Truce Hurts |
Hanna-Barbera |
479 min |
|
Color |
|
| 1948 |
The Untamed Breed. |
Charles Lamont |
74 min. |
35mm |
Color |
sound |
| 1948 |
The Walls Of Jericho |
Moody Inst Of Science |
106 min |
16mm |
Color & B&W |
sound |
| 1948 |
THE WORLD IS RICH |
British Ministry Of Food Films Of Fact |
46 min |
16mm |
Color & B&W |
sound |
| 1948 |
The Years Between. |
Berry College |
17 min. |
16mm |
B&W |
sound |
| 1948 |
They gave him the works |
Humphrey Swingler |
|
|
|
|
| 1948 |
They live by night |
/ RKO Radio Pictures, Inc. ; producer, John Houseman ; writer, Charles Schnee ; adaptated and directed by, Nicholas Ray. |
94.9 |
16mm |
B&W |
sound |
| 1948 |
They Live By Night. |
Nicholas Ray |
95 min. |
35mm |
B&W |
sound |
| 1948 |
Third Dimension |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1948 |
This England. No. 12 [Elizabeth I, 1593] |
Horace Shepherd |
|
|
|
|
| 1948 |
Three For Breakfast |
Disney |
|
16mm |
Color |
sound |
| 1948 |
Thunder In The Pines. |
Robert Gordon |
61 min. |
35mm |
Color |
sound |
| 1948 |
Thunderhoof. |
Phil Karlson |
8 reels |
35mm |
B&W |
sound |
| 1948 |
To The Ends Of The Earth |
Ideal Pictures Inc |
109 min |
16mm |
B&W |
sound |
| 1948 |
To The Ends Of The Earth. |
Robert Stevenson |
109 min |
35mm |
B&W |
sound |
| 1948 |
To The Victor. |
Delmer Daves |
100 min |
35mm |
B&W |
sound |
| 1948 |
Tom Thumb in King Arthur's Court |
A Corenet Film ; directed by Hugh Harman. |
12:00 |
16mm |
Color |
sound |
| 1948 |
Tornado Range. |
Ray Taylor |
56 min. |
35mm |
B&W |
sound |
| 1948 |
Train To Alcatraz. |
Philip Ford |
60 min. |
35mm |
B&W |
sound |
| 1948 |
Trapped By Boston Blackie. |
Seymour Friedman |
6 reels |
35mm |
B&W |
sound |
| 1948 |
Trouble Makers. |
Reginald LeBorg |
61 min. |
35mm |
B&W |
sound |
| 1948 |
Unfaithfully Yours |
Twentieth Century-Fox Film Corporation |
1:45:00 |
16mm |
B&W |
sound |
| 1948 |
Unfaithfully yours |
$h [motion pictures] / 20th Century Fox ; an original screen play written, directed and produced by Preston Sturges. |
105 |
16mm |
B&W |
sound |
| 1948 |
Unfaithfully Yours. |
Preston Sturges |
105 min |
35mm |
B&W |
sound |
| 1948 |
Unknown Island. |
Jack Bernhard |
78 min. |
35mm |
Color |
sound |
| 1948 |
Van Gogh |
Alain Resnais |
20 min |
16mm |
B&W |
|
| 1948 |
Van Gogh |
Pictura Films Corporation. |
20 min |
|
B&W |
|
| 1948 |
Variety Time. |
Hal Yates |
59 min. |
35mm |
B&W |
sound |
| 1948 |
Walk A Crooked Mile. |
Gordon Douglas |
91 min. |
35mm |
B&W |
sound |
| 1948 |
Waverley steps: a visit to Edinburgh |
John Eldridge |
|
|
|
|
| 1948 |
West Of Sonora. |
Ray Nazarro |
55 min. |
35mm |
B&W |
sound |
| 1948 |
Western Heritage. |
Wallace Grissell |
61 min. |
35mm |
B&W |
sound |
| 1948 |
What Makes Daffy Duck? |
The Vitaphone Corporation |
1 reel |
|
|
|
| 1948 |
Whirlwind Raiders. |
Vernon Keays |
6 reels |
35mm |
B&W |
sound |
| 1948 |
Who Killed Doc Robbin. |
Bernard Carr |
50 min. |
35mm |
Color |
sound |
| 1948 |
Who Will Teach Your Child |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1948 |
Who Will Teach Your Child? |
National Film Board of Canada |
33 |
16mm |
B&W |
sound |
| 1948 |
Who will teach your child? |
Stanley Jackson |
|
|
|
|
| 1948 |
Why Won't Tommy Eat |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1948 |
Why won't Tommy eat? |
Judith Crawley |
|
|
|
|
| 1948 |
Will It Happen Again. |
Dwain Esper |
7 reels |
35mm |
B&W |
sound |
| 1948 |
Winter Meeting. |
Bretaigne Windust |
104 min |
35mm |
B&W |
sound |
| 1948 |
Yehudi Menuhin. No. 01 |
Paul Gordon |
|
|
|
|
| 1948 |
Yehudi Menuhin. No. 02 |
Paul Gordon |
|
|
|
|
| 1948 |
Yehudi Menuhin. No. 03 |
Paul Gordon |
|
|
|
|
| 1948 |
Yehudi Menuhin. No. 04 |
Paul Gordon |
|
|
|
|