| 1945 |
War Comes to America ▶ |
U S War Dept |
70 min |
16mm |
B&W |
sound |
| 1945 |
War Comes to America |
National Audiovisual Center |
67 min. |
16mm |
B&W |
sound |
| 1945 |
War comes to America |
Frank Capra, Anatole Litvak |
70 min |
|
B&W |
|
| 1945 |
WAR COMES TO AMERICA |
War Department (Discontinued Agency, re-released by USIA) |
67 min |
|
B&W |
Optical sound |
| 1945 |
We of the West Riding |
Ken Annakin |
|
|
B&W |
|
| 1945 |
West Of The Pecos. |
Edward Killy |
66 min. |
|
B&W |
|
| 1945 |
Western approaches. |
Crown Film Unit |
3200 |
16mm |
|
sound |
| 1945 |
What A Blonde. |
Leslie Goodwins |
71 min. |
|
B&W |
|
| 1945 |
Where Do We Go From Here. |
George Seaton, Gregory Ratoff |
7 000 ft. |
|
Color & B&W |
|
| 1945 |
WHITE RHAPSODY |
Jack Eaton |
10 min |
16mm |
Color |
sound |
| 1945 |
Who's Who In Animal Land |
Paramount Pictures. (Speaking of animals) |
1 reel |
|
B&W |
|
| 1945 |
Winter wonderland. |
Republic Pictures Corporation |
71 min. |
16mm |
B&W |
sound |
| 1945 |
Winter Wonderland. |
Bernard Vorhaus |
1 reel |
16mm |
B&W |
sound |
| 1945 |
Wolf, Wolf |
Castle Films |
|
16mm |
|
sound |
| 1945 |
Woo Woo. |
Jules White |
1440 ft. |
|
|
|
| 1945 |
Yolanda And The Thief. |
Vincente Minnelli |
12 reels |
35mm |
Color |
sound |
| 1945 |
Your children's eyes |
Alex Strasser |
|
|
|
|
| 1945 |
YOUR CHILDREN'S EYES |
British Information Services |
20 min |
16mm |
|
Sound |
| 1945 |
YOUR JOB IN GERMANY. |
Frank Capra |
440 |
16mm |
B&W |
|
| 1945 |
Your National Gallery |
Universal Pictures Inc |
0:11:00 |
16mm |
B&W |
sound |
| 1945 |
Your National Gallery ▶ |
Thomas Mead |
|
|
|
|
| 1945 |
Youth On Trial. |
Budd Boetticher |
6 reels |
|
B&W |
|
| 1946 |
'Neath Canadian Skies. |
B. Reeves Eason |
5 reels |
35mm |
B&W |
sound |
| 1946 |
[Tomorrow is forever--excerpts] |
International Pictures, Inc. ; directed by Irving Pichel. |
10 |
16mm |
B&W |
sound |
| 1946 |
A City speaks |
Paul Rotha |
|
|
|
|
| 1946 |
A Girl In A Million. |
London Film Productions Inc. |
86 min. |
35mm |
B&W |
sound |
| 1946 |
A Study In Choreography For Camera |
Grove Press-Cinema 16 Film Lib |
3 min |
16mm |
B&W |
sound |
| 1946 |
A Study in choreography for camera |
Maya Deren |
3 min |
|
B&W |
|
| 1946 |
Abc Of Hand Tools |
Disney |
|
16mm |
|
sound |
| 1946 |
ABC of Hand Tools |
Bill Roberts |
|
16mm |
|
|
| 1946 |
ABC of Hand Tools |
Disney |
1188 ft. #33 |
|
|
|
| 1946 |
Affairs Of Geraldine. |
George Blair |
8 reels |
35mm |
Color |
sound |
| 1946 |
Alias Billy The Kid. |
Thomas Carr |
6 reels |
|
Color |
|
| 1946 |
ALIAS MR. TWILIGHT. |
John Sturges |
69 min. |
35mm |
B&W |
sound |
| 1946 |
Along The Navajo Trail. |
Frank McDonald |
8 reels |
35mm |
B&W |
sound |
| 1946 |
Ambush Trail. |
Harry L. Fraser |
6 reels |
|
B&W |
|
| 1946 |
Angel on my Shoulder |
Archie Mayo |
100 min |
16mm |
B&W |
|
| 1946 |
Beale Street Mama. |
Spencer Williams |
2188 |
16mm |
B&W |
sound |
| 1946 |
Beauty And The Bandit. |
William Nigh |
8 reels |
35mm |
B&W |
sound |
| 1946 |
Betty Co-Ed. |
Arthur Dreifuss |
7 reels |
35mm |
B&W |
sound |
| 1946 |
Blonde Alibi. |
Will Jason |
7 reels |
|
B&W |
|
| 1946 |
Blonde for a day. |
Sam Newfield |
2260 |
16mm |
B&W |
sound |
| 1946 |
Blondie Knows Best. |
Abby Berlin |
7 reels |
|
B&W |
|
| 1946 |
Blondie's Lucky Day. |
Abby Berlin |
7 reels |
|
B&W |
|
| 1946 |
BLUE SKIES |
Musical Shorts Ltd. |
104 min |
16mm |
Color |
sound |
| 1946 |
Border Bandits. |
Lambert Hillyer |
58 min |
16mm |
Color & B&W |
sound |
| 1946 |
Boys' Ranch. |
Roy Rowland |
10 reels |
|
B&W |
sound |
| 1946 |
Breakfast in Hollywood. |
Harold D. Schuster |
|
16mm |
B&W |
sound |
| 1946 |
Breakfast In Hollywood. |
Harold D. Schuster |
91 min. |
|
B&W |
|
| 1946 |
Brief Encounter. |
David Lean |
9 reels |
35mm |
B&W |
sound |