| 1944 |
Tanoshiki kana jinsei |
Toho Kabushiki Kaisha |
77 min |
16mm |
B&W |
sound |
| 1944 |
Target Tokyo ▶ |
The Pentagon |
22:08 |
16mm |
B&W |
sound |
| 1944 |
That's My Baby. |
Republic Pictures Corporation |
7 reels |
16mm |
B&W |
sound |
| 1944 |
The Battle For The Marianas. |
US Navy |
20min |
16mm |
Color |
Sound |
| 1944 |
The Battle of China |
U. S. War Department |
1:07:00 |
16mm |
B&W |
sound |
| 1944 |
The Battle of China |
Anatole Litvak, Frank Capra |
65 min |
|
B&W |
|
| 1944 |
The Battle of China |
U.S. War Dept. ; Directed by Frank Capra. |
67 |
16mm |
B&W |
sound |
| 1944 |
The Battle of Russia |
National Audiovisual Center |
80 |
16mm |
B&W |
sound |
| 1944 |
The Battle of Russia |
U.S. War Dept. ; Directed by Frank Capra. |
80 |
16mm |
B&W |
sound |
| 1944 |
The Black Parachute. |
Lew Landers |
7 reels |
|
B&W |
|
| 1944 |
The Chinese Cat. |
Phil Rosen |
7 reels |
|
B&W |
|
| 1944 |
The Climax ▶ |
George Waggner |
86 min |
|
Color |
|
| 1944 |
The Climax. |
Universal Pictures |
9 reels |
16mm |
Color |
sound |
| 1944 |
The cold blooded penguin |
Bill Roberts |
|
16mm |
|
sound |
| 1944 |
The Contender. |
Sam Newfield |
7 reels |
|
B&W |
|
| 1944 |
The Desert Hawk. |
B. Reeves Eason |
2 reels |
|
B&W |
|
| 1944 |
The Doughgirls. |
James V. Kern |
102 min |
|
B&W |
|
| 1944 |
The Electron. No. 1 |
F.E. Brooker |
|
|
|
|
| 1944 |
The Eve Of St. Mark |
Twentieth Century-Fox Film Corp |
11 reels |
|
B&W |
|
| 1944 |
The Fighting Lady. |
Edward Steichen |
5506 ft. |
|
Color |
|
| 1944 |
The Ghost That Walks Alone. |
Lew Landers |
6 reels |
|
B&W |
|
| 1944 |
The Girl Who Dared. |
Howard Bretherton |
6 reels |
|
Color |
|
| 1944 |
The Hairy Ape. |
Alfred Santell |
92 min. |
|
B&W |
|
| 1944 |
The Henpecked rooster |
Seymour Kneitel |
7 min |
|
|
|
| 1944 |
The Hitler Gang. |
Films, Inc |
8925 ft. |
16mm |
B&W |
Sound |
| 1944 |
The Jade Mask. |
Phil Rosen |
7 reels |
|
B&W |
|
| 1944 |
The Laramie Trail. |
John English |
6 reels |
|
Color |
|
| 1944 |
The Last Horseman. |
William Berke |
6 reels |
|
B&W |
|
| 1944 |
The Master Race. |
Herbert Biberman |
96 min. |
|
B&W |
|
| 1944 |
The Missing Juror. |
Budd Boetticher |
7 reels |
|
B&W |
|
| 1944 |
The National Barn Dance. |
Hugh Bennett |
8 reels |
|
B&W |
|
| 1944 |
The Navajo Trail. |
Howard Bretherton |
6 reels |
|
|
|
| 1944 |
The Navy Way. |
William Berke |
8 reels |
|
B&W |
|
| 1944 |
The Negro soldier ▶ |
Office of War Information |
1600 |
16mm |
B&W |
sound |
| 1944 |
The Old Texas Trail. |
Lewis D. Collins |
6 reels |
|
B&W |
|
| 1944 |
The pearl of death. |
Universal Pictures |
2300 |
16mm |
B&W |
sound |
| 1944 |
The Pinto Bandit. |
Elmer Clifton |
6 reels |
16mm |
|
sound |
| 1944 |
The Private Life Of A Cat ▶ |
McGraw-Hill Films |
22 min |
16mm |
B&W |
sound |
| 1944 |
The Rats of Tobruk |
Charles Chauvel |
|
|
B&W |
|
| 1944 |
The San Antonio Kid. |
Howard Bretherton |
6 reels |
|
B&W |
|
| 1944 |
The Soul Of A Monster. |
Will Jason |
61 min. |
|
B&W |
|
| 1944 |
The spider woman. |
Universal Pictures |
2175 |
16mm |
B&W |
sound |
| 1944 |
THE STORY OF DR. WASSELL |
Cecil B. DeMille |
15 reels |
|
Color |
sound |
| 1944 |
The Sultan's Daughter. |
Arthur Dreifuss |
7 reels |
|
B&W |
|
| 1944 |
The Supervisor as a leader. Part 1 |
F.E. Brooker |
|
|
|
|
| 1944 |
The Supervisor as a leader. Part 2 |
F.E. Brooker |
|
|
|
|
| 1944 |
The True story of Lili Marlene |
Humphrey Jennings |
|
|
|
|
| 1944 |
The Uninvited |
Paramount Pictures Corporation |
1:38:00 |
16mm |
B&W |
sound |
| 1944 |
The Uninvited. |
Lewis Allen |
10 reels |
|
B&W |
|
| 1944 |
THE WAY AHEAD |
Carol Reed |
115 min |
|
B&W |
|