| 1943 |
False Colors. |
George Archainbaud |
64 min. |
|
B&W |
|
| 1943 |
False Faces. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1943 |
Farm Hands. |
Bert Glazer |
954 ft. |
|
B&W |
sound |
| 1943 |
Figaro And Cleo. |
Jack Kinney |
1 reel |
|
|
|
| 1943 |
Fighting Norway. |
Sydney Newman |
4:00 |
16mm |
B&W |
sound |
| 1943 |
Fighting Valley. |
Oliver Drake |
1900 |
16mm |
B&W |
sound |
| 1943 |
Find The Blackmailer. |
D. Ross Lederman |
55 min. |
|
B&W |
|
| 1943 |
Fires were started |
British Central Office in Internation |
66 |
16mm |
B&W |
sound |
| 1943 |
Fires were started |
Humphrey Jennings |
80 min |
|
B&W |
|
| 1943 |
Flight For Freedom |
Lothar Mendes |
1:02 |
|
B&W |
|
| 1943 |
Flight For Freedom. |
Lothar Mendes |
102 min |
|
B&W |
|
| 1943 |
Food And Magic ▶ |
Warner Bros. Pictures Inc. |
|
16mm |
B&W |
sound |
| 1943 |
Footlight Glamour. |
Frank R. Strayer |
7 reels |
|
B&W |
|
| 1943 |
Frontier Fury. |
William Berke |
6 reels |
|
B&W |
|
| 1943 |
Frontier Law. |
Elmer Clifton |
6 reels |
|
B&W |
|
| 1943 |
Fugitive From Sonora. |
Howard Bretherton |
6 reels |
|
Color |
|
| 1943 |
Gals, Incorporated. |
Leslie Goodwins |
6 reels |
16mm |
B&W |
sound |
| 1943 |
Gangway For Tomorrow. |
John H. Auer |
69 min. |
|
B&W |
|
| 1943 |
Get Going ▶ |
Handy (Jam) Organization |
|
16mm |
B&W |
sound |
| 1943 |
Get Going. |
Jean Yarbrough |
6 reels |
|
B&W |
|
| 1943 |
Gildersleeve On Broadway. |
Gordon Douglas |
65 min. |
|
B&W |
|
| 1943 |
Girl Crazy. |
Norman Taurog, Busby Berkeley |
10 reels |
|
B&W |
sound |
| 1943 |
GOOD LUCK, MR. YATES. |
Ray Enright |
7 reels |
|
B&W |
|
| 1943 |
Good Morning, Judge. |
Jean Yarbrough |
8 reels |
|
Color |
|
| 1943 |
GOVERNMENT FILMS |
s: craft direction and position; fan markers used. Revision, "Radio Navigation. Part 39 1: The Radio Range," also available. (SN 1059-g; 57 frames, synchronized disc, 25 minutes) ng 5 Radio Navigation. Part 2: Bracketing 7 U.S. Department of the Navy |
57 frames |
Filmstrip |
|
|
| 1943 |
Greetings Bait |
Vitaphone Corp |
1 reel |
|
Color |
|
| 1943 |
GUADALCANAL DIARY |
Lewis Seiler |
93 min |
|
B&W |
|
| 1943 |
GUADALCANAL DIARY |
Films, Inc |
93min |
16mm |
B&W |
Sound |
| 1943 |
Hail To The Rangers. |
William Berke |
6 reels |
|
B&W |
|
| 1943 |
Hands Across The Border. |
Joseph Kane |
8 reels |
|
B&W |
|
| 1943 |
Harrigan's Kid. |
Charles Reisner |
8 reels |
|
B&W |
sound |
| 1943 |
Harvest melody. |
Sam Newfield |
2400 |
16mm |
|
sound |
| 1943 |
Haunted Ranch. |
Robert Emmett Tansey |
6 reels |
|
B&W |
|
| 1943 |
He's My Guy. |
Edward F. Cline |
7 reels |
|
B&W |
|
| 1943 |
Headin' For God's Country. |
William Morgan |
8 reels |
|
Color |
|
| 1943 |
Hello, Frisco, Hello. |
H. Bruce Humberstone |
8 939 ft. |
|
Color |
|
| 1943 |
Henry Aldrich Haunts A House. |
Paramount |
8 reels |
|
B&W |
Sound |
| 1943 |
Henry Aldrich Swings It. |
Paramount |
7 reels |
16mm |
B&W |
Sound |
| 1943 |
Here Comes Elmer. |
Joseph Santley |
8 reels |
|
Color |
|
| 1943 |
Here Comes Kelly |
Monogram Pictures Corp |
7 reels |
|
B&W |
|
| 1943 |
HERE COMES MR. ZERK. |
Jules White |
1413 ft. |
|
|
|
| 1943 |
Herr Sanders lebt gefährlich. |
Tobis Filmkunst GmbH |
85 min |
16mm |
|
sound |
| 1943 |
HERS TO HOLD |
Universal Pictures |
90 min |
16mm |
B&W |
sound |
| 1943 |
Hey, Rookie. |
Charles Barton |
8 reels |
|
B&W |
|
| 1943 |
Hi Buddy |
Universal Pictures Co |
8 reels |
|
B&W |
|
| 1943 |
High Explosive. |
Frank McDonald |
7 reels |
|
|
|
| 1943 |
Hit Parade Of 1943. |
Albert S. Rogell |
9 reels |
|
B&W |
|
| 1943 |
HIT THE ICE |
Charles Lamont |
83 min |
|
B&W |
|
| 1943 |
Hoosier Holiday. |
Frank McDonald |
7 reels |
|
Color |
|
| 1943 |
How's About It |
Universal Pictures Co |
7 reels |
|
Color |
|