| 1942 |
The lady or the tiger? |
Encyclopaedia Britannica Educational Corp. |
175 |
16mm |
|
sound |
| 1942 |
The Life cycle of the newt |
Agnes Mary Field |
|
|
|
|
| 1942 |
The Life cycle of the pin mould |
Agnes Mary Field |
|
|
|
|
| 1942 |
THE LOAN STRANGER |
Alex Lovy |
|
|
|
|
| 1942 |
The Lone Prairie. |
William Berke |
6 reels |
|
B&W |
|
| 1942 |
The Lone Rider And The Bandit. |
Sam Newfield |
6 reels |
|
B&W |
|
| 1942 |
The lone rider in Cheyenne. |
Sam Newfield |
6 reels |
16mm |
|
sound |
| 1942 |
The Lone Rider In Texas Justice. |
Sam Newfield |
6 reels |
|
|
|
| 1942 |
The Loves Of Edgar Allan Poe. |
Harry Lachman |
6 021 ft. |
|
B&W |
|
| 1942 |
The Mad Martindales. |
Alfred L. Werker |
5824 ft. |
|
Color |
|
| 1942 |
The Magnificent Ambersons. |
Orson Welles |
88 min. |
|
B&W |
|
| 1942 |
The Male Animal. |
Elliott Nugent |
101 min |
|
B&W |
|
| 1942 |
The Man In The Trunk. |
Malcolm St. Clair |
6 279 ft. |
|
Color |
|
| 1942 |
The Man who came to dinner |
William Keighley |
112 min |
|
B&W |
|
| 1942 |
The Man Who Came To Dinner. |
William Keighley |
112 min |
|
B&W |
|
| 1942 |
The Man Who Wouldn't Die. |
Herbert I. Leeds |
5 880 ft. |
|
B&W |
|
| 1942 |
The Mcguerins From Brooklyn. |
Kurt Neumann |
5 reels |
|
B&W |
|
| 1942 |
The New Spirit |
Walt Disney Productions. |
1 reel |
16mm |
Color |
sound |
| 1942 |
The Night Before The Divorce. |
Robert Siodmak |
6032 ft. |
|
B&W |
|
| 1942 |
The Old Chisholm Trail. |
Elmer Clifton |
6 reels |
|
B&W |
|
| 1942 |
The Old Homestead. |
Frank McDonald |
7 reels |
|
Color |
|
| 1942 |
The Omaha Trail. |
Edward Buzzell |
3 reels |
|
B&W |
sound |
| 1942 |
The Ox-Bow Incident. |
William A. Wellman, James Tinling |
6776 ft. |
|
B&W |
|
| 1942 |
The Panther's Claw. |
William Beaudine |
8 reels |
16mm |
B&W |
sound |
| 1942 |
The Phantom Plainsmen. |
John English |
6 reels |
|
B&W |
|
| 1942 |
The Pied Piper |
Percy Stow, Irving Pichel |
12:00 |
|
B&W |
|
| 1942 |
The Pied Piper. |
Percy Stow, Irving Pichel |
7 859 ft. |
16mm |
B&W |
sound |
| 1942 |
The Postman Didn't Ring. |
Harold D. Schuster |
6 131 ft. |
16mm |
Color |
sound |
| 1942 |
The price of victory |
William H. Pine |
14 min |
|
B&W |
|
| 1942 |
The Pride Of The Yankees. |
90230 The Samuel Goldwyn Company |
128 min |
16mm |
B&W |
sound |
| 1942 |
THE REAR GUNNER ▶ |
National Archives and Records Administration |
|
16mm/video file |
B&W |
|
| 1942 |
The Red terror |
Karl Ritter |
99 min |
|
B&W |
|
| 1942 |
The Secret Code. |
Spencer Gordon Bennet |
2 reels |
|
B&W |
|
| 1942 |
The Spirit Of Stanford. |
Charles Barton |
8 reels |
|
B&W |
|
| 1942 |
The Spoilers |
Ray Enright |
87 min |
|
B&W |
|
| 1942 |
THE STORY OF EDDIE RICKENBACKER ▶ |
Blackhawk |
96 min |
16mm |
Color |
|
| 1942 |
The Traitor Within. |
Frank McDonald |
6 reels |
|
Color |
|
| 1942 |
The Tuttles Of Tahiti. |
Charles Vidor |
91 min. |
|
B&W |
|
| 1942 |
The Valley Of Vanishing Men. |
Spencer Gordon Bennet |
2 reels |
|
B&W |
|
| 1942 |
The Wabbit Who Came to Supper |
I. Freleng |
|
|
|
|
| 1942 |
THE WHITE CLIFFS OF DOVER |
R C M Productions |
127 min |
16mm |
B&W |
sound |
| 1942 |
The White Cliffs Of Dover. |
Clarence Brown |
1 reel |
16mm |
B&W |
sound |
| 1942 |
The Wife Takes A Flyer. |
Richard Wallace |
9 reels |
|
B&W |
|
| 1942 |
The Woman In The House. |
Teaching Film Custodians, Inc |
988 ft. |
16mm |
B&W |
sound |
| 1942 |
The World At War |
Lowell Mellett |
10 |
|
|
|
| 1942 |
THE WORLD AT WAR ▶ |
Lowell Mellett |
66 min |
16mm |
|
|
| 1942 |
They Died With Their Boots On. |
Raoul Walsh, B. Reeves Eason |
140 min |
|
B&W |
|
| 1942 |
They Got Me Covered. |
David Butler |
94 min. |
|
B&W |
|
| 1942 |
This Gun For Hire. |
Frank Tuttle |
8 reels |
|
B&W |
|
| 1942 |
THREE LITTLE SISTERS |
Joseph Santley |
1:00 |
16mm |
Color |
sound |