| 1942 |
Sleepytime Gal. |
Albert S. Rogell |
9 reels |
|
Color & B&W |
|
| 1942 |
Smart Alecks. |
Wallace Fox |
7 reels |
|
B&W |
|
| 1942 |
Smith Of Minnesota. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
Sock-A-Bye Baby. |
Jules White |
1 619 ft. |
|
B&W |
|
| 1942 |
SOLDIERS WITHOUT UNIFORM |
Charles Chauvel |
|
|
|
|
| 1942 |
Sons Of The Pioneers. |
Joseph Kane |
6 reels |
|
B&W |
|
| 1942 |
South Of Santa Fe. |
Joseph Kane |
6 reels |
|
B&W |
|
| 1942 |
Speaking Of Animals And Their Families |
Paramount Pictures |
1 reel |
|
B&W |
|
| 1942 |
Speaking of animals: in South America |
Lou Lilly |
|
|
|
|
| 1942 |
Spy Ship. |
B. Reeves Eason |
62 min. |
|
Color |
|
| 1942 |
Stagecoach Express. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1942 |
Stand By All Networks. |
Lew Landers |
7 reels |
|
|
|
| 1942 |
Stardust On The Sage. |
Republic Pictures Corporation |
7 reels |
16mm |
B&W |
sound |
| 1942 |
Stormy Weather. |
Andrew L. Stone |
1 reel |
16mm |
B&W |
sound |
| 1942 |
Strictly In The Groove. |
Vernon Keays |
7 reels |
|
B&W |
|
| 1942 |
Submarine Raider. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
Sullivan's travels |
Universal Pictures Co. Inc. |
90 |
16mm |
B&W |
sound |
| 1942 |
Sunday Punch. |
David Miller |
8 reels |
|
B&W |
sound |
| 1942 |
Sunset On The Desert. |
Joseph Kane |
7 reels |
16mm |
B&W |
sound |
| 1942 |
Sunset Serenade. |
Joseph Kane |
6 reels |
|
B&W |
|
| 1942 |
Surprised Parties. |
Edward L. Cahn |
995 ft. |
|
B&W |
sound |
| 1942 |
Sweetheart Of The Fleet. |
Charles Barton |
7 reels |
|
B&W |
|
| 1942 |
Symphonies in Stone #7 |
An Inspiration Film Production Directed by Horace Shepherd |
300 ft. |
|
|
|
| 1942 |
Syncopation. |
William Dieterle |
88 min. |
|
B&W |
|
| 1942 |
Taxi, Mister. |
Kurt Neumann |
5 reels |
|
B&W |
|
| 1942 |
Tenting Tonight On The Old Camp Ground. |
Lewis D. Collins |
6 reels |
|
B&W |
|
| 1942 |
Texas To Bataan. |
Robert Emmett Tansey |
7 reels |
|
B&W |
|
| 1942 |
Texas Trouble Shooters. |
S. Roy Luby |
6 reels |
|
B&W |
|
| 1942 |
That Other Woman. |
Ray McCarey |
6852 ft. |
|
Color & B&W |
|
| 1942 |
The Avenging Rider. |
Sam Nelson |
56 min. |
|
B&W |
|
| 1942 |
THE BATTLE FOR OIL ▶ |
Stuart Legg |
|
16mm |
B&W |
|
| 1942 |
The Battle Of Midway |
John Ford |
18 |
|
Color & B&W |
|
| 1942 |
THE BATTLE OF MIDWAY ▶ |
John Ford |
18 min |
16mm |
Color & B&W |
|
| 1942 |
The Battle of Midway |
John Ford |
18 min |
|
Color & B&W |
|
| 1942 |
The Battle of Russia ▶ |
FDR Presidential Library |
83 min |
16mm/video file |
B&W |
|
| 1942 |
The Big Shot ▶ |
Lewis Seiler |
80 min |
|
B&W |
|
| 1942 |
The Big Shot. |
Lewis Seiler |
82 min. |
|
B&W |
|
| 1942 |
The Big Street. |
Irving Reis |
88 min. |
|
B&W |
|
| 1942 |
The Black swan |
Henry King |
85 min |
|
Color |
|
| 1942 |
The Boss Of Big Town. |
Arthur Dreifuss |
7 reels |
|
B&W |
|
| 1942 |
The Cyclone Kid. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1942 |
The devil with Hitler. |
Gordon Douglas |
14:50 |
16mm |
B&W |
sound |
| 1942 |
The Falcon Takes Over. |
Irving Reis |
63 min. |
|
B&W |
|
| 1942 |
The Farmer's Daughter. |
James P. Hogan |
1 reel |
16mm |
B&W |
sound |
| 1942 |
The farmer's wife. |
Norman Lee |
2:50 |
16mm |
B&W |
sound |
| 1942 |
The Fleet's In. |
Victor Schertzinger |
9 reels |
|
B&W |
|
| 1942 |
The Flight of the dragon |
Leslie Thatcher |
|
|
|
|
| 1942 |
The Girl From Alaska. |
Nick Grinde |
8 reels |
|
Color |
|
| 1942 |
The Hungry Wolf. |
Hugh Harman |
844 ft. |
|
|
sound |
| 1942 |
The Impatient Patient. |
Warner Bros. presents ; supervision [direction], Norman McCabe ; produced by Leon Schlesinger ; story by Don Christensen ; animation, Vive Risto. |
1 reel |
16mm |
Color |
sound |