| 1942 |
Morning paper |
Donald Carter |
|
|
|
|
| 1942 |
MOSCOW STRIKES BACK. |
Central Studios Artkino |
1950 |
16mm |
B&W |
sound |
| 1942 |
Mr. And Mrs. North. |
John W. Loveton. |
30 min. |
16mm |
B&W |
sound |
| 1942 |
MR. BLABBERMOUTH! |
Teaching Film Custodians, Inc |
2 reels |
16mm |
B&W |
Sound |
| 1942 |
MR. WISE GUY. |
William Nigh |
7 reels |
|
B&W |
|
| 1942 |
MRS. MINIVER. |
William Wyler |
14 reels |
|
B&W |
sound |
| 1942 |
MRS. WIGGS OF THE CABBAGE PATCH. |
Ralph Murphy |
9 reels |
|
B&W |
|
| 1942 |
Mug Town. |
Ray Taylor |
6 reels |
|
B&W |
|
| 1942 |
My Favorite Spy. |
Tay Garnett |
86 min. |
|
B&W |
|
| 1942 |
My Sister Eileen |
Contemporary Films |
96 min |
16mm |
B&W |
sound |
| 1942 |
My Sister Eileen. |
Alexander Hall |
10 reels |
|
B&W |
|
| 1942 |
Native land |
Museum of Modern Art |
88 |
16mm |
B&W |
sound |
| 1942 |
Native Land. |
Paul Strand, Leo Hurwitz |
105 min |
|
B&W |
|
| 1942 |
Nazty Nuisance. |
Glenn Tryon |
5 reels |
|
B&W |
|
| 1942 |
NEW TOWNS FOR OLD |
John Eldridge |
|
|
|
|
| 1942 |
Night Monster. |
Ford Beebe |
7 reels |
|
B&W |
|
| 1942 |
North Of The Rockies. |
Lambert Hillyer |
6 reels |
|
B&W |
|
| 1942 |
North to the klondike. |
Universal Pictures |
1900 |
16mm |
B&W |
sound |
| 1942 |
Not A Ladies' Man. |
Lew Landers |
6 reels |
|
B&W |
|
| 1942 |
Now, voyager |
Irving Rapper |
117 min |
|
B&W |
|
| 1942 |
Once Upon A Honeymoon ▶ |
Fairbanks (Jerry) Productions |
117 min |
16mm |
B&W |
sound |
| 1942 |
Orchestra Wives. |
Archie Mayo |
8 784 ft. |
|
B&W |
|
| 1942 |
Ossessione |
Produced by Libero Solari ; directed by Luchino Visconti. |
141 |
16mm |
B&W |
sound |
| 1942 |
Out of the frying pan into the firing line |
a Walt Disney production | Conservation Division |
0:04:00 |
16mm |
Color |
sound |
| 1942 |
OUT OF THE FRYING PAN INTO THE FIRING LINE |
Jack King, Ben Sharpsteen |
3 min |
|
|
|
| 1942 |
OUT OF THE FRYING PAN INTO THE FIRING LINE |
Office of War Information |
3 min |
16mm |
|
Sound |
| 1942 |
Outlaws Of Pine Ridge. |
William Witney |
6 reels |
|
Color |
|
| 1942 |
Over My Dead Body. |
Malcolm St. Clair |
6 100 ft. |
|
B&W |
|
| 1942 |
OVERLAND STAGECOACH |
Sam Newfield |
|
|
B&W |
|
| 1942 |
OVERLAND STAGECOACH |
Iowa Theatrical & Television Corporation |
6R |
16mm |
B&W |
Sound |
| 1942 |
Overland To Deadwood. |
William Berke |
6 reels |
|
B&W |
|
| 1942 |
Pacific Rendezvous. |
George Sidney |
7 reels |
|
B&W |
sound |
| 1942 |
Panama Hattie. |
Norman Z. McLeod |
9 reels |
|
B&W |
sound |
| 1942 |
Pardon My Gun. |
William Berke |
6 reels |
|
|
|
| 1942 |
Pardon My Stripes. |
John H. Auer |
7 reels |
|
Color |
|
| 1942 |
Perils Of The Royal Mounted. |
James W. Horne |
2 reels |
|
B&W |
|
| 1942 |
Phantom Killer. |
William Beaudine |
6 reels |
16mm |
B&W |
sound |
| 1942 |
PHONEY CRONIES |
Harry Edwards |
|
16mm |
B&W |
|
| 1942 |
POLICE BULLETS. |
Jean Yarbrough |
5100 |
16mm |
|
|
| 1942 |
Prairie Chickens. |
Hal Roach, Jr. |
5 reels |
|
B&W |
|
| 1942 |
Prairie Gunsmoke. |
Lambert Hillyer |
6 reels |
|
B&W |
|
| 1942 |
Prairie pals. |
Sam Newfield |
|
16mm |
B&W |
sound |
| 1942 |
Prelude to War ▶ |
U S War Dept |
52 min |
16mm |
B&W |
sound |
| 1942 |
Princess Cinderella |
Castle Films |
72 min |
16mm |
B&W |
sound |
| 1942 |
Priorities On Parade. |
Albert S. Rogell |
8 reels |
|
B&W |
|
| 1942 |
Prisoner Of Japan. |
Arthur Ripley |
7 reels |
|
|
|
| 1942 |
Private Buckaroo. |
Edward F. Cline |
7 reels |
|
B&W |
|
| 1942 |
Private Snuffy Smith. |
Edward F. Cline |
7 reels |
|
B&W |
|
| 1942 |
Quiet, Please, Murder. |
John Larkin |
6 313 ft. |
|
B&W |
|
| 1942 |
RAGTIME COWBOY JOE |
Minoco Productions |
1:00 |
16mm |
B&W |
sound |