| 1941 |
Wrangler's Roost. |
Monogram |
6 reels |
16mm |
B&W |
Sound |
| 1941 |
Wyoming Wildcat. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1941 |
Ye Olde Minstrels. |
Edward L. Cahn |
994 ft. |
|
B&W |
sound |
| 1941 |
YOU'RE A LUCKY FELLOW, MR. SMITH |
Felix E. Feist |
|
16mm |
Color |
sound |
| 1941 |
YOU'RE A LUCKY FELLOW, MR. SMITH. |
Felix E. Feist |
1 reel |
16mm |
B&W |
sound |
| 1941 |
You're In The Army Now. |
Lewis Seiler |
79 min. |
|
B&W |
|
| 1941 |
You're Out Of Luck. |
Howard Bretherton |
6 reels |
|
B&W |
|
| 1941 |
You're The One. |
Ralph Murphy |
9 reels |
|
B&W |
|
| 1941 |
You’ll Never Get Rich. |
Columbia Broadcasting System inc. |
3 reels |
16mm |
B&W |
sound |
| 1941 |
Zero, The Hound. |
Dave Fleischer |
1 reel |
|
|
|
| 1941 |
Ziegfeld Girl. |
Robert Z. Leonard, Busby Berkeley |
14 reels |
|
B&W |
|
| 1941 |
Zis Boom Bah. |
William Nigh |
7 reels |
|
B&W |
|
| 1942 |
A - Haunting We Will Go |
Twentieth Century-Fox Film Corp |
2600 |
16mm |
B&W |
sound |
| 1942 |
A Close Call For Ellery Queen. |
James P. Hogan |
7 reels |
16mm |
B&W |
sound |
| 1942 |
A Desperate Chance For Ellery Queen. |
James P. Hogan |
7 reels |
|
B&W |
|
| 1942 |
A letter from Bataan ▶ |
Paramount Pictures |
0:14:00 |
16mm |
B&W |
sound |
| 1942 |
A Man's World. |
Charles Barton |
7 reels |
|
B&W |
|
| 1942 |
A Night For Crime. |
Alexis Thurn-Taxis |
8 reels |
|
B&W |
|
| 1942 |
A Ship is born |
Jean Negulesco |
22 min |
|
Color |
|
| 1942 |
A Tornado In The Saddle. |
William Berke |
6 reels |
|
B&W |
|
| 1942 |
A Tragedy At Midnight. |
Joseph Santley |
8 reels |
|
Color |
|
| 1942 |
A Yank At Eton. |
Norman Taurog |
9 reels |
|
B&W |
sound |
| 1942 |
A Yank On The Burma Road. |
George B. Seitz |
7 reels |
|
B&W |
sound |
| 1942 |
About Face. |
Kurt Neumann |
5 reels |
|
B&W |
|
| 1942 |
ALIVE IN THE DEEP |
Pictorial Film Library, Inc |
22 min |
16mm |
Color & B&W |
Sound |
| 1942 |
All Through the Night ▶ |
Vincent Sherman |
107 min |
|
B&W |
|
| 1942 |
All Together ▶ |
Navy |
3 min |
16mm |
Color |
sound |
| 1942 |
Almost Married. |
Charles Lamont |
7 reels |
|
B&W |
|
| 1942 |
Along the Sundown Trail. |
Sam Newfield |
|
16mm |
B&W |
sound |
| 1942 |
ANY BONDS TODAY? |
Minoco Productions |
1:00 |
16mm |
|
sound |
| 1942 |
Arizona Terrors. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1942 |
Atlantic Convoy. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
Baby Face Morgan. |
Arthur Dreifuss |
7 reels |
|
B&W |
|
| 1942 |
Bad Men Of The Hills. |
William Berke |
6 reels |
|
B&W |
|
| 1942 |
Bambi |
James Algar, David Hand, Bill Roberts, Graham Heid, Samuel Armstrong, Norman Wright, Paul Satterfield |
69 min |
|
Color |
|
| 1942 |
Bandit Ranger. |
Lesley Selander |
56 min. |
|
B&W |
|
| 1942 |
Bats In The Belfry. |
Jerry Brewer |
639 ft. |
|
|
sound |
| 1942 |
Below The Border. |
Howard Bretherton |
6 reels |
|
B&W |
|
| 1942 |
BENGASI. |
Istituto Luce |
495 |
16mm |
B&W |
sound |
| 1942 |
Benjamin Franklin, Jr. |
Bert Glazer |
4:00 |
16mm |
B&W |
sound |
| 1942 |
Berlin Correspondent. |
Eugene Forde |
6 380 ft. |
|
B&W |
|
| 1942 |
Between Us Girls. |
Henry Koster |
9 reels |
|
B&W |
|
| 1942 |
BEYOND THE LINE OF DUTY ▶ |
U.S. Army Air Forces Warner Bros. Pictures |
22 min |
|
B&W |
|
| 1942 |
Billy The Kid's Smoking Guns. |
Sam Newfield |
6 reels |
|
B&W |
|
| 1942 |
Blondie For Victory. |
Frank R. Strayer |
8 reels |
|
B&W |
|
| 1942 |
Blondie's Blessed Event. |
Frank R. Strayer |
8 reels |
|
B&W |
|
| 1942 |
Blues In The Night. |
Minoco Productions |
1 reel |
16mm |
B&W |
sound |
| 1942 |
Boot Hill Bandits. |
S. Roy Luby |
6 reels |
|
B&W |
|
| 1942 |
BORROWED HERO. |
Lewis D. Collins |
4:00 |
16mm |
B&W |
|
| 1942 |
Borrowed Hero. |
Lewis D. Collins |
7 reels |
|
B&W |
|